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Piano Rags

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Détails sur le produit

  • Interprète: Alexander Peskanov
  • Compositeur: Scott Joplin
  • CD (28 juillet 2004)
  • Nombre de disques: 1
  • Label: Naxos
  • ASIN : B0002BXOFA
  • Autres versions : Téléchargement MP3
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Descriptions du produit

Maple Leaf Rag, Pine Apple Rag, Original Rag, The Entertainer, Country Club Rag, Elite Syncopations, ... - Disco Del Mese Giugno 2004. Sebbene gli interessi musicali di Scott Joplin si siano spinti oltre (scrisse 2 opere, un balletto, e dei lavori orchestrali) la sua popolarità è da considerarsi quasi esclusivamente come "re del Ragtime", il genio di quella breve forma musicale pianistica liberamente sincopata e straordinariamente inventiva. Il presente CD offre un'ampia selezione dei Rags che, per varie ragioni comprese quelle cinematografiche, sono diventati celebri.

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Amazon.com: HASH(0x92399a2c) étoiles sur 5 12 commentaires
12 internautes sur 13 ont trouvé ce commentaire utile 
HASH(0x924affa8) étoiles sur 5 Artistic Freedom 11 septembre 2004
Par Beverly Sullivan - Publié sur Amazon.com
Format: CD
I have often listened to the music of Scott Joplin, and find the new CD by Alexander Peskanov to be both innovative and compelling. Peskanov's performance of "Original Rags" is playful and titillating. "Maple Leaf" is played with energy and verve, while "Easy Winners" boasts an elegant style. Peskanov's playing is filled with color and phrases are beautifully shaped. His tone quality is never percussive, and he is able to maintain expressiveness even in the softest passages. Peskanov's double notes - 3rds, 6ths and octaves, will be appreciated by any fine keyboard player. I find his improvisational style to be very carefully crafted, preserving the melodic line and harmonic structure. His respect for Joplin's music is evident in each and every rag.

Today in our western society, we sometimes hear from self-proclaimed critics who profess that they are aware of the composer's intentions and dismiss any original approach to music. Peskanov's interpretation of Scott Joplin's music elevates these fine works from the dance halls and movie theaters, and brings them to the concert stage. His musical efforts add to the great legacy of Scott Joplin.

A conservative approach that leaves no room for artistic freedom makes music dull and turns it into a dying art! Joplin's music belongs to the whole world - not just to those who choose to read about his style from a book!
10 internautes sur 11 ont trouvé ce commentaire utile 
HASH(0x924b42d0) étoiles sur 5 Not "real," but not bad 17 octobre 2005
Par Ryan Richards - Publié sur Amazon.com
Format: CD Achat vérifié
For someone who considers Joshua Rifkin's 1970s recordings of Joplin's rags to be the gold standard of their performance, I was pleasantly surprised by how much I enjoy this CD. Peskanov is obviously an accomplished pianist, so there's no lack of technique here, but the fun of this CD comes in how he embellishes each rag to make it his own. Sometimes said embellishment goes over the top (I don't think Elite Syncopations really needed that third repeat of the last strain), but in general these performances inject a lot of levity into a form of music whose formulaic structure can turn it stolid upon repeated listenings. Interestingly enough, after his hell-for-leather "Maple Leaf Rag," Peskanov relaxes the tempi and the mood of many of the rest of the selections on this CD. In a lot of instances, they actually sound more mellow than the aforementioned Rifkin recordings. This isn't profound Joplin by any means, but it's the kind of Joplin the pianist at the bar might be playing as you took your seat - relaxing and fun.

All that said, I want to second what other reviewers have mentioned: This CD does NOT represent a historically accurate rendition of Joplin's music, and as such it should not be your first or only recording of these pieces. The fun comes at the expense of breaking several conventions Joplin was very clear on: Don't play ragtime fast, play it exactly as written, etc. I'd recommend this CD only if you already own a more definitive recording of these works, such as the aforementioned Rifkin (on the Nonesuch label, ASIN B000005IYF). I've also been very pleased with Richard Zimmerman's Joplin recordings - he embellishes beyond Joplin's stated intentions as well, but he nonetheless stays truer to the original spirit of these works.

Bottom line is, this CD is thickly frosted cake, and while we all love cake, you need to have your meat and potatoes first. However, as long as you've heard a "truer" recording of these pieces, go ahead and indulge in Peskanov's interpretations. At this price, it's hardly a risk.
11 internautes sur 13 ont trouvé ce commentaire utile 
HASH(0x924b41b0) étoiles sur 5 Musically satisfying Joplin ! 13 septembre 2004
Par Marilyn M. Davis - Publié sur Amazon.com
Format: CD
People who wish to start their day in a happy mood should rush to order this CD! Peskanov has shown us once again how gifted he is regardless of the style of music he chooses to perform.Listen to his previously released Naxos CD of the Brahms Violin and Piano Sonatas as an example.

In the Joplin CD he treats the slower rags with his gift of melodic interpretation and the faster ones with his outstanding rhythmic energy.

I feel certain Joplin himself would have enjoyed Peskanov's fresh and delightful rendition!
7 internautes sur 8 ont trouvé ce commentaire utile 
HASH(0x924c34c8) étoiles sur 5 Top Class, and bravo Ted Campbell 3 novembre 2004
Par David B - Publié sur Amazon.com
Format: CD
I have to agree with every said by Vladimir Pavlov.

This is a very fine Joplin CD. Peskanov plays Joplin's music "as wrote", but beautifully phrased and with occasional, entirely appropriate, small embellishments.

Peskanov brigns out all the beauty in the music. It isn't wrong to do so - Joplin put it in there. The performances here have both vigour and elegance, from a pianist evidently completely technically competent, and manifestly enjoying and respecting the music.

The rendition of Solace here is the finest I've heard.

It's worth mentioning too that the piano used is top-notch, and very nicely tuned and voiced. Nice to see that the technician, Ted Campbell, gets credit on the rear cover.

This is as fine a treatment as Joplin could have wished for his music, and it is what it deserves.

Rifkin, Hyman, Albright and other good Joplin perfomers notwithstanding, (not forgetting the fine new comprehensive set from Guido Nielson on the Basta label) this is surely the finest single-CD Joplin recording out.
2 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x924c3600) étoiles sur 5 Poetic performances of great depth 9 juin 2007
Par MJS_in_Virginia - Publié sur Amazon.com
Format: CD
Reviews of these perfomances seem to divide into those who decry Peskanov's alleged lack of authenticity, and those who appreciate his fresh and original approach to these pieces. I grew up with the Rifkin performances, which remain "standard," but Alexander Peskanov tranforms these pieces to the deepest art. The performance of Solace evokes the pathos of Chopin and the melodic invention of Schubert. I agree with David Boyce that it surely is the finest of all recorded versions of this haunting piece.

Of course one isn't going to agree with every tempo choice, but one cannot deny the thought and integrity of the interpretations--one hears new things with each performance. Just as one can prefer Rubinstein to Horowitz in Chopin (or Serkin to Perahia or Uchida in Schubert), one learns and hears something new and different in each interpretation. We are fortunate to have a range of interpreters.

Peskanov brings a new depth and creative energy to these pieces, infusing them with poetic beauty redolent of the Romantics, but uniquely American at the same time. Let's give up on the idea of a single "definitive" or "authentic" performance. Peskanov's voicing, his choice of repeats, the sheer warmth of his sound --the sonic quality of this recording dwarfs previous efforts--all deserve the highest praise. Many other recordings sound as if they were recorded on a tinny upright--"authentic" perhaps, but not "definitive"!

Peskanov brings out both the joy and pathos of this music. Rather than the "self-indulgence" criticized by one reviewer, I find a rich and musical sensibility that most music lovers will appreciate and applaud. You will be glad to have this recording. Scott Joplin: Piano Rags
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