Ce sont les mots les plus souvent utilisés dans ce livre.
1930s
abe
action
against
another
art
asano
battle
between
camera
character
cinema
clan
cultural
culture
cut
death
does
early
especially
even
family
figure
film
first
foreign
form
function
geki
genroku
historical
history
hollywood
however
ibid
identity
imperial
important
industry
itself
japan
japanese
jidai
junshi
kabuki
kiku
kira
late
life
long
lord
mass
mizoguchi
mode
modern
monumental
mother
movement
movies
narrative
national
new
oishi
otoku
part
people
perceptual
period
pictures
place
point
political
rather
samurai
scene
screen
see
sequence
shogun
shot
shows
social
son
space
state
still
story
style
take
techniques
time
traditional
two
use
war
western
whose
work
world
years