Détails sur le produit
Souhaitez-vous compléter ou améliorer les informations sur ce produit ? Ou faire modifier les images?
|
|
Associer des mots-clés à ce produit(De quoi s'agit-il ?)Considérez votre mot-clé comme une sorte d'étiquette définissant parfaitement ce produit.
Les mots-clés aident les clients à organiser et trouver leurs articles favoris. |
The music of the Pet Shop Boys defies easy explanation. The lyrics are witty and urbane, very much a product of the disco and consumer-big-money culture of the 1980s. Songs like Opportunities/Let's Make Lots of Money became a sort of capitalist anthem, spawning two different video versions and countless remixes for the disco environments.
Taking a cue from the popular television of the time, the song Suburbia has a piano overlay that sounds similar to the then massively-popular Eastenders, and the lyrics recount a East End-esque storyline which sparks familiarity with those immersed in the pop culture.
The song Love Comes Quickly highlights both synthesizer effects and masking as well as simple and elegant poetic lyric. No base or screaming lines in this disco, no banal or forced words simply to serve as fronting for a drum-machine-produced rhythm, this song perhaps shows the Pet Shop Boys at their early height in development of words to music (that was finally fully developed in the album Behaviour).
Two other songs of note on this introductory album include the first track, Two Divided By Zero, which has a simple introduction and simplistic development that ends up gradually increasing in sound complexity while the sense of 'what does this song mean?' continues to agitate (for the mathematically inclined, anything divided by zero becomes problematic). Tied together with the lyric in Opportunities: 'I doctored in mathematics/I could've been a don', the nuances are subtle and interesting. The almost triumphant yet existential-based Tonight is Forever generates images of glory and failure, pleading and confidence, subtle and direct, an interesting paradox.
Neil Tennant and Chris Lowe have continued their collaboration (with the great assistance of many others) to produce ever more complex and interesting albums, not all of which have been successful, commercially or artistically. While Please is not their best album, it is certain a classic, and very much the seed from which all the rest of their sound derives (a dialogue lyric on a later album states 'you've both made such a little go a very long way'). Everything on any future album of the Pet Shops Boys is present in some form here. A must have for any collector of the Pet Shop Boys or of 1980s pop culture and music.
The music of the Pet Shop Boys defies easy explanation. The lyrics are witty and urbane, very much a product of the disco and consumer-big-money culture of the 1980s. Songs like Opportunities/Let's Make Lots of Money became a sort of capitalist anthem, spawning two different video versions and countless remixes for the disco environments.
Taking a cue from the popular television of the time, the song Suburbia has a piano overlay that sounds similar to the then massively-popular Eastenders, and the lyrics recount a East End-esque storyline which sparks familiarity with those immersed in the pop culture.
The song Love Comes Quickly highlights both synthesizer effects and masking as well as simple and elegant poetic lyric. No base or screaming lines in this disco, no banal or forced words simply to serve as fronting for a drum-machine-produced rhythm, this song perhaps shows the Pet Shop Boys at their early height in development of words to music (that was finally fully developed in the album Behaviour).
Two other songs of note on this introductory album include the first track, Two Divided By Zero, which has a simple introduction and simplistic development that ends up gradually increasing in sound complexity while the sense of 'what does this song mean?' continues to agitate (for the mathematically inclined, anything divided by zero becomes problematic). Tied together with the lyric in Opportunities: 'I doctored in mathematics/I could've been a don', the nuances are subtle and interesting. The almost triumphant yet existential-based Tonight is Forever generates images of glory and failure, pleading and confidence, subtle and direct, an interesting paradox.
Neil Tennant and Chris Lowe have continued their collaboration (with the great assistance of many others) to produce ever more complex and interesting albums, not all of which have been successful, commercially or artistically. While Please is not their best album, it is certain a classic, and very much the seed from which all the rest of their sound derives (a dialogue lyric on a later album states 'you've both made such a little go a very long way'). Everything on any future album of the Pet Shops Boys is present in some form here. A must have for any collector of the Pet Shop Boys or of 1980s pop culture and music.
