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Du Plomb Dans la Tete

4 étoiles sur 5 2 commentaires client

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Page Artiste Steve Mazzaro

Détails sur le produit

  • CD (27 février 2013)
  • Nombre de disques: 1
  • Label: Varèse - Colosseum
  • ASIN : B00AOTZ0U2
  • Autres éditions : CD  |  Téléchargement MP3
  • Moyenne des commentaires client : 4.0 étoiles sur 5 2 commentaires client
  • Classement des meilleures ventes d'Amazon: 104.619 en Musique (Voir les 100 premiers en Musique)
  •  Voulez-vous mettre à jour des informations sur le produit, faire un commentaire sur des images ou nous signaler un prix inférieur?

Liste des titres

Disque : 1

  1. Here's the story
  2. Staying in
  3. The game
  4. Just another soldier
  5. Don't touch my gun
  6. The fox and the hound
  7. This is my city
  8. Ambushed
  9. The only life he had
  10. Kill people
  11. Change of plans
  12. End of the line
  13. Vikings
  14. It's all over
  15. Bullet to the head

Descriptions du produit

STEVE MAZZARO compose pour "DU PLOMB DANS LA TETE", un film réalisé par Walter Hill qui sortira le 27 février 2013 avec dans les rôles principaux Sylvester Stallone, Jason Momoa et Christian Slater.

Commentaires en ligne

4.0 étoiles sur 5
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Meilleurs commentaires des clients

Format: CD Achat vérifié
rock lourd, ambiance nocturne solitaire dans la ville, le danger peut surgir à tout instant, on sent une attente, puis l'affrontement éclate, les guitares grincent à merveille, l"harmonica amène une note nostalgique. bref une zik bien balancée
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Par angelismarto le 14 novembre 2013
Format: CD Achat vérifié
Ôté des images et séquences du film, je me retrouve comme avec des morceaux inachevés. Pourtant lors de la vision du film, j'ai accroché de suite.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x92eba978) étoiles sur 5 11 commentaires
3 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x92e3d648) étoiles sur 5 Bullet to the Head 19 février 2013
Par C. Loescher - Publié sur Amazon.com
Mobs, hit men, murder…what else would one expect with a title like Bullet to the Head? And let’s face it, Sylvester Stallone isn’t exactly known as a gentle dramatic actor. While director Walter Hill could’ve easily chosen a more predominant or popular composer for the musical score to an action thriller in this vein, he decided upon Steve Mazzaro. Having worked as a sequencer on The Dark Knight Rises with Hans Zimmer, and as a composer assisting Lorne Balfe on Assassin’s Creed III, Mazzaro was awarded the chance to score his first feature with Bullet to the Head. All in all, his work turns out to be a refreshing take on modern scoring for similar films.

Opening track “Here’s the Story” immediately introduces the resounding theme to be used throughout the score, and its sound is somewhat unexpected: a slow, bluesy, southern rock akin to a stripped-down Lynyrd Skynyrd or perhaps George Thorogood sans horns. It’s very unexpected and pleasing, really digging itself into the listener with its prodding drums and tradeoff guitar and harmonica solos. Second track “Staying in the Game” maintains a similar template while introducing the other primary musical element of Bullet to the Head: soothing guitar reverb with scant melodic guitar plucking and strumming. The blues/rock and reverb interplay is used very consistently in later tracks, but in spite of its only slight lack of variation, the revisiting of either element is surprisingly welcome.

The pattern shortly deviates in a few places, like in sixth track “The Fox and the Hound,” where the pace of the percussion quickens a bit but soon jumps into the more typical fare of the score, before breaking into an interesting tango structure. “This Is My City” does a better job of showcasing Mazzaro’s talent of dissonant guitar feedback than previous tunes, and later track “The Only Life He Had” continues this illustration with almost ambient elements before shortly cranking back into southern rock. “End of the Line” heralds a return to the strong styling of the leadoff track, before relaxing to varying loops of feedback and small passages of guitar, bass and drums. “Bullet to the Head” serves as a great ending, kicking off with a full-on blues rock assault, then at its end floating back to the tango-like melody of “The Fox and the Hound.”

Just in its musical presentation alone, Bullet to the Head really reminded me of other scores like Chris Boardman’s Payback and John O’Brien and Lyle Workman’s Made. Though Mazzaro’s musical compositions are markedly different than on those works, his skill at maintaining Bullet to the Head’s aural narrative also held my attention throughout the score. I think Mazzaro’s sound would easily fit a cheeky dramatic film, or even better, a blockbuster action entry where he can expand the presentation of his obvious talent (and perhaps utilize a larger instrumental repertoire). A good introduction to and a worthwhile effort from a relatively unknown composer, Steve Mazzaro’s Bullet to the Head is a solid piece from an artist who deserves another project to match how eager he sounds.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x92e3da50) étoiles sur 5 Power Soundtrack 29 janvier 2015
Par Rick D. Huff - Publié sur Amazon.com
Achat vérifié
Loved the movie and one of the main reasons was this soundtrack. Sound tracks, in my opinion can make or break a movie. In Bullet you feel like you're in New Awlins and the atmosphere, set primarily by the hard edged delta blues, grabs you and puts you there. The great taste of the Bulleit Bourbon also helps in this regard. If you haven't tried this nectar you should.
HASH(0x92e3de88) étoiles sur 5 controlled tempo is constantly laced with a call-to-arms like cry demanding an answer 8 avril 2015
Par Amazon Customer - Publié sur Amazon.com
Format: CD Achat vérifié
Mazzaro's capturing of the stoic nature of conflict between a man of honor versus opponents lacking values is Cajun flavored Creole musique de gumbo. It's hypnotic, controlled tempo is constantly laced with a call-to-arms like cry demanding an answer. Much as Eric Serra's "Leon" gave us Marseille's flavored exotic beats with hints of North African calls to dance with the demons of NYC Mazzaro has wrapped his themes around the protagonist who stalks his prey. The repetition is as unrelenting as the hunt. The tempo is as driven as is the protagonist without wavering from doubt nor troubled by fear. This Zen-like composition of brief brush strokes is unified by these components into a flowing mood to accompany this unique journey thru Orlean Parish & thereabouts to its conclusion. This piece can easily stand with John Carpenter's iconic works supporting a character and exceeds them in its captivating power & focus of purpose. Like good rye bourbon it is savored straight-sipped without a chaser.
2 internautes sur 3 ont trouvé ce commentaire utile 
HASH(0x92e3dd2c) étoiles sur 5 Absolutely phenomenal! 26 février 2013
Par OBZ - Publié sur Amazon.com
I am very impressed with Steve Mazzaro's soundtrack for this film. Definitely picked the right sound for the film. This rock-like sound really pulls out the "badass" aspect of Sly Stallone.
HASH(0x92e3ddb0) étoiles sur 5 One Star 21 juillet 2015
Par pam - Publié sur Amazon.com
Format: CD Achat vérifié
If you like all instrumental music you might like this. I didn't!
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