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Ewa Podles ~ Rossini airs pour mezzo soprano

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Détails sur le produit

  • Interprète: Hungarian State Opera Orchestra, Ewa Podles
  • Chef d'orchestre: Pier Giorgio Morandi
  • Compositeur: Gioachino Rossini
  • CD (16 juillet 1996)
  • Nombre de disques: 1
  • Label: Naxos
  • ASIN : B00000149V
  • Autres versions : Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 81.899 en Musique (Voir les 100 premiers en Musique)
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Descriptions du produit

Arie x m-sop da L'Italiana in Algeri, Semiramide, Tancredi, Maometto II, La donna del lago, Il barbiere di Siviglia, Cenerentola Hungarian St.O Chorus & O, Morandi

Commentaires en ligne

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Par Gerard Barbier TOP 1000 COMMENTATEURS le 28 novembre 2014
Format: CD
Ce recital Rossini est le plus accompli depuis celui de Marilyn Horne et A.Lewis.
Ewa Podles est une artiste incroyable, sa superbe voix de contralto , profonde dans le grave avec un aigu brillant, s'adapte à tous les repertoires, et fait merveille dans Rossini.
Si cette voix est plus adaptée pour les role travestis, Son Tancredi, calbo, Malcom et Arsace sont superbes , elle est egalement irresistible dans son "cruda sorte" de l'italiana in algeri , sa rosine a du charme et sa cenerentola ebloui par sa virtuosité etonnante pour une voix de ce calibre!
Un chef d'oeuvre à petit prix dont on aurait tort de se priver.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 13 commentaires
13 internautes sur 13 ont trouvé ce commentaire utile 
A live performance from an engaging singer 3 décembre 2001
Par Matthew Spady - Publié sur Amazon.com
Format: CD
There are precious few opportunities to hear this fantastic singer either live or on recording, which is a pity given her unique sound and impeccably-schooled voice.
One of the hallmarks of a great singer is a unique vocal quality. Such is true of Madame Podles. With the top voice of a dramatic soprano, a middle that sometimes resembles a counter-tenor sound, and a bottom voice that is almost baritonal, her sound may recall another singer's voice here and there, but ultimately, it is one-of-a-kind.
Ms. Podles has the perfect vocal qualities necessary to sing Rossini -- an incredible range, enormous flexibility, and subtle vocal coloration. On top of that, she has a unique vocal color and phrases beautifully.
The only possible quibble I can find with this recording is that a couple of the characterizations are a bit on the heavy side -- particularly Rosina. Although the notes are in place (and very impressive) and the coloratura impeccable, this Rosina sounds a bit older, perhaps more serious, than Rossini seems to require. In a later reading of the same aria, in a live 1998 concert in Poland (Rossini Gala recorded on DUX), her Rosina bubbles with youthful energy.
In general, that recording shows her in more brilliant voice, though both discs are impressive. Although several arias are common to the two, each has arias that the other lacks. Both are welcome additions to any vocal library, though if only one is possible, I'd recommend the 1998 recording over this one.
11 internautes sur 11 ont trouvé ce commentaire utile 
Brilliant virtuoso singing 15 juin 2000
Par M. Tietjen - Publié sur Amazon.com
Format: CD
When looking for an aria recital disc of Rossini mezzo/contralto recordings, I always figured that my choices were limited to Marilyn Horne and Cecilia Bartoli. However, the brilliant contralto Ewa Podles could drive them all out of work. Never letting her coloratura lag behind the orchestra, or rush ahead, Podles's big, operatic voice puts the competition to shame. I must agree with the other reviewers in naming "Non temer" as the brightest jewel on this album. I have heard others sing this aria, including Horne and Jennifer Larmore, and, although both the other versions have merit (Larmore in particular has some of the best mezzo-soprano high notes I've ever heard although her coloratura is usually just a hair behind), Podles exhilerating performance tops the list.
I also agree with another reviewer who mentioned Russian mezzo-soprano Olga Borodina as another great non-soprano. I wish she would record a Rossini album, after hearing her "Nacqui all' affano."
10 internautes sur 10 ont trouvé ce commentaire utile 
Astonishing! 8 juillet 1999
Par Un client - Publié sur Amazon.com
Format: CD
What a voice! Ewa Podles appears to be the most under-appreciated and under-recorded artist of today. Her true contralto voice is immense: powerful, versatile and expressive; the only similarity that comes to mind is Tamara Sinyavskaya. Yet Podles is also equally comfortable in very low and very high registers (where most mezzos, by the way, often get squeaky and shallow). Instead of re-releasing old Horne recordings, I wish the big labels would turn their "divine attention" to this magnificent interpreter. Bartoli got enough laurels for ten, Podles did not get any. Is it fair? Just listen to this album and judge for yourself. The critics would have you believe that there is no life after Horne. The truth is that Borodina or Podles sound better on the days when they have colds. The "golden age" of opera is now, enjoy it. On this album, the sound is good (for Naxos) and the price is a steal. Naxos even included texts and translations, but, alas, did not include a picture of Ewa. A showstopping aria -- "Cruda Sorte!" will leave you breathless. Happy listening!
10 internautes sur 11 ont trouvé ce commentaire utile 
A Virtuoso Voice! 23 décembre 1999
Par M. Ramos - Publié sur Amazon.com
Format: CD
How many times I have seen this CD on the record stores without been interested in buying it! But when I heard the wonderful Ewa Podles in the complete TANCREDI with Naxos, I knew that this recital will not be dissapointing. Podles is a real contralto, with a dark huge voice, with solid low tones, and a stunning range and flexibility that takes her up to a high C. These qualities make her an ideal singer for the music of Rossini. This recital takes the listener to a fascinating display of vocal fireworks, singing that has also character and personality. Probably her voice sounds too mature for characters like Rosina or Cenerentola, but the exactness of her scales and roulades makes the listener compensate for the lack of freshness. But the voice fits perfectly for Isabella and the pants roles. Among the best numbers is the aria from Semiramide, Di tanti palpiti from Tancredi (that sounds even better than her interpretation of the whole opera, her final cadenza more spectacular, with her final middle F ringing with force until the last bar of the orchestral postlude). But the crowning glory of the recording is Non temer: d'un basso affetto. This is an incredible tour de force going from low, chesty G's and A's up to brilliant high B's, with accurate vocal jumps from the lowest to the highest registers. The orchestra and chorus are adequate, but they are not a distraction to Podles' singing. And if we add the factor of the incredible low price, there is no reason for lovers of great singing to have this CD. I hope to hear much more recordings of Ms Podles very soon!
8 internautes sur 9 ont trouvé ce commentaire utile 
No counter-tenors allowed!! 13 octobre 2004
Par Leila - Publié sur Amazon.com
Format: CD
This is an amazing, surprising and refreshing way of looking/hearing Rossini. After years of hearing most mezzo-sopran and alt roles conquered just by force of numbers by counter-tenors and Cecilia Bartoli (don't get me wrong,she's really good, but have you ever asked yourself why she doesn't perform usually on big stages but on small ones or on studios? Her voice, though wonderful for coloratura, is small for a big audience), I have come to adore, simply adore, this polish singer. Her way of singing, her voice's colour, her strength and her ability to sing the most damned roles written for a low voice....including coloratura (just hear her in "Dovver, iustizia, amor..." from Handel's Ariodante) make her a wholesome alto. Which makes me hope for a better day for alto and mezzo-sopran voices. I must confess I don't like counter-tenors a bit, they sound too un-natural.
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