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A Portrait of the Artist as a Young Man (Anglais) Broché – 25 janvier 2007

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Présentation de l'éditeur

The portrayal of Stephen Dedalus's Dublin childhood and youth, his quest for identity through art and his gradual emancipation from the claims of family, religion and Ireland itself, is also an oblique self-portrait of the young James Joyce and a universal testament to the artist's 'eternal imagination'.

Biographie de l'auteur

James Joyce was born in Dublin in 1882, but exiled himself to Paris at twenty as a rebellion against his upbringing. He only returned to Ireland briefly from the Continent but Dublin was at heart of his greatest works, Ulysees and Finnegans Wake. He lived in poverty until the last ten years of his life and was plagued by near blindness and the grief of his daughter's insanity. He died in 1941.

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Par Hélène le 22 février 2011
Format: Broché Achat vérifié
On retrouve ici toute la plume de James Joyce dans cette œuvre. 5 étapes de la vie de Joyce narrées. L'histoire n'est pas facile à comprendre mais très intéressante du point de vue stylistique ( le fameux "stream-of-consciousness" ).

A lire sans modération.
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Format: Broché
Although the hero of James Joyce's novel is called Stephen Dedalus, the events and characters depicted in it parallel the author's own experiences. In his early childhood, at the very beginning of the 20th century, Stephen was sent to Clongowes, a Jesuit boarding school near Dublin. He disliked the place because his classmates bullied him, because he was taught religion in a dogmatic way and because he was flogged unjustly by his prefect of studies. After that he spent a summer with his uncle Charles in Dublin. Stephen was then sent to Belvedere college, which he disliked as much as Clongowes. The spirit of quarrelsome comradeship couldn't turn him away from his habits of quiet obedience. He mistrusted the agitation and doubted the sincerity of such comradeship, which he felt was an awful anticipation of adulthood.
Stephen was by then aware that he didn't belong. He also felt more and more estranged from his father after having accompanied him once to Cork and witnessed his drinking habits, a journey which ended in Stephen's first experience in love making - a sordid one.
More disappointment followed as Stephen went to university, thus becoming a disillusioned young man - a disillusionment caused by academicism, love and sex, his parents, religion and perhaps also his own country, Ireland...
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Par Un client le 30 juin 2004
Format: Broché
Très beau livre de James Joyce, autobiographique dans une certaine mesure (autofiction), il m'a plu notamment grâce à de nombreuses concordances par rapport à mon expérience personnelle. Du James Joyce, toujours fort, toujours fort Joyce. One to read.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9962c87c) étoiles sur 5 383 commentaires
252 internautes sur 267 ont trouvé ce commentaire utile 
HASH(0x99653480) étoiles sur 5 A tough read, but more than worth it 16 février 2003
Par Wheelchair Assassin - Publié sur Amazon.com
Format: Broché
I'm always up for a good challenge, whether it be in books, music or movies, and from what I've heard Joyce is about as challenging as they come in the literary world. However, since it seemed like "Ulysses" or "Finnegan's Wake" would be a bit much to start with, I found myself reading "A Portrait of the Artist as a Young Man" as an introduction to his work. And although I found this book about as easy to get into as Princeton, it was about as rewarding as well. "Portrait" is certainly anything but a light read. Joyce's meandering narrative and serpentine prose can be confusing to say the least, and on more than one occasion I had to read a sentence about five times in order to figure out what I had just read. For all its verbosity, though, "Portrait" is an essential read because the story of Stephen Dedalus carries so much resonance. I'm about the same age as Stephen was in this story, and I can relate pretty easily to his search for answers. Growing up in Ireland around the turn of the twentieth century, Stephen faces existential questions that should ring true for a young person coming from any culture at any time. He tries to find satisfaction by giving in to his lust, and when that doesn't work he goes all the way to the other end of the spectrum in seeking fulfillment through religious devotion. In the end, however, neither of these extremes provides Stephen with the answers he's looking for. Stephen's story demonstrates one unfortunate fact of life: when you're seeking meaning, there are no easy answers. Ultimately, as Stephen tells his friend Cranly, he decides that his solution is to "express myself in some mode of life or art as freely as I can and as wholly as I can," even if it means making mistakes or being spurned by society. In "A Portrait of the Artist as a Young Man," Joyce outlines some important ideas that have since become prominent in literature, notably noncomformity, self-expression, coming of age, and the nature of religious belief. This book may not have been perfectly written, but since Joyce was aiming so high it's easy to overlook any imperfections in his style. "Portrait" was written with plenty of intelligence and soul, so it's easy to see why it's still read after all these years.
170 internautes sur 179 ont trouvé ce commentaire utile 
HASH(0x99653900) étoiles sur 5 the edition to get 29 avril 2005
Par Caraculiambro - Publié sur Amazon.com
Format: Broché
If you're gonna buy a copy of "A Portrait of the Artist as a Young Man," you can't go wrong with the Wordsworth Classic edition. Its advantages are several:

1. It's extremely cheap.

2. It features a very long and immensely insightful (32-page) introduction by Jaqueline Belanger, which includes a biography, publishing background, sections on language structure, irony, etc. There are also many suggestions for further syntopic or critical reading.

3. The thing is complete and unabridged.

4. There are extensive footnotes at the end, which are keyed throughout in the text, explaining all the Latin and the extinct realia of Joyce's world.

In short, get it.

As for the work itself, it's a very good prepper for "Ulysses:" I started that novel without having done this one. Later I came back to this: much was made clearer. Don't make my mistake.
114 internautes sur 123 ont trouvé ce commentaire utile 
HASH(0x99653978) étoiles sur 5 Not easy but well worth the effort 13 juin 2000
Par Un client - Publié sur Amazon.com
Format: Poche
I've seen some reviews that criticize the book for being too stream of consciousness and others for not being s.o.c. enough. The fact is, for the most part it's not s.o.c. at all. (See the Chicago Manual of Style, 10.45-10.47 and note the example they give...Joyce knew how to write s.o.c.). A better word for A Portrait is impressionistic. Joyce is more concerned with giving the reader an impression of Stephen's experience than with emptying the contents of his head. What's confusing is the style mirrors the way Stephen interprets his experiences at the time, according to the level of his mental development.
When Stephen is a baby, you get only what comes in through the five senses. When he is a young boy, you get the experience refracted through a prism of many things: his illness (for those who've read Ulysses, here is the beginning of Stephen's hydrophobia - "How cold and slimy the water had been! A fellow had once seen a big rat jump into the scum."), his poor eyesight, the radically mixed signals he's been given about religion and politics (the Christmas meal), his unfair punishment, and maybe most important of all, his father's unusual expressions (growing up with phrases like, "There's more cunning in one of those warts on his bald head than in a pack of jack foxes" how could this kid become anything but a writer?)
It is crucial to understand that Stephen's experiences are being given a certain inflection in this way when you come to the middle of the book and the sermon. You have to remember that Stephen has been far from a good Catholic boy. Among other things, he's been visting the brothels! The sermon hits him with a special intensity, so much so that it changes his life forever. Before it he's completely absorbed in the physical: food, sex, etc. After it he becomes just as absorbed in the spiritual/aesthetic world. It's the sermon that really puts him on the track to becoming an artist. One reviewer called the sermon overwrought. Well, of course it's overwrought. That's the whole point. Read it with your sense of humor turned on and keep in mind that you're getting the sermon the way you get everything else in the book: through Stephen.
After Stephen decides he doesn't want to be a priest, the idea of becoming an artist really starts to take hold. And when he sees the girl on the beach, his life is set for good. That scene has to be one of the most beautiful in all of literature. After that, Stephen develops his theory of esthetics with the help of Aristotle and Aquinas and we find ourselves moving from one conversation to another not unlike in Plato (each conversation with the appropriate inflection of college boy pomposity). In the end, Stephen asks his "father" to support him as he goes into the real world to create something. I like to think that this is an echo of the very first line in the book. The father, in one of many senses, is the moocow story. The story gave birth to Stephen's imagination and now it's the son's turn to create.
This is such a rich and beautiful book. I suppose it's possible for people to "get it" and still not like it, but I really think if you read and re-read, and maybe do a little research, the book will open up to you the way it did to me.
58 internautes sur 61 ont trouvé ce commentaire utile 
HASH(0x9965390c) étoiles sur 5 Less a Review, more a guide to what Edition to buy 2 juillet 2008
Par Brad Hoevel - Publié sur Amazon.com
Format: Broché Achat vérifié
If you're going to buy 'A Portrait of the Artist as a Young Man' as a paperback, I strongly advise you to buy this--the Norton Critical Edition. It's depressing to see that the Penguin Classics edition is the number one selling version of this wonderful book.

This book is TWO DOLLARS more than the Penguin version. For that $2 you get better quality paper, ink, and binding. More importantly you get Editorial notes that explain Joyce's obscure terms, ultimately making the book more readable. You also get over a dozen other writings dealing with Joyces text. These extras (200 pages worth) provide background information on Joyce's three major themes--Irish politics, Roman Catholicism, and "Aesthetic". Also, there are critical essays which range from general interpretations of the book to specified studies (ie feminist perspective). Being a difficult book, the supplemental material greatly enhanced my appreciation for 'Portrait'.

For ONE DOLLAR -LESS, you could go with this: A Portrait of the Artist as a Young Man and Dubliners (Barnes & Noble Classics). Here, not only do you get Portrait of the Artist_, but also you get the collection of short stories, Dubliners. Not to mention better editing. You still get footnotes. And there's some (not a lot) of suplimental material.

For FIVE DOLLARS more than you would spend on the Penguin book, you could get A Portrait of the Artist as a Young Man (Everyman's Library (Cloth)). If you're going to buy a book, why not get one that will last the rest of your life? Well then, that would be the Everyman's Clothbound you seek.
30 internautes sur 33 ont trouvé ce commentaire utile 
HASH(0x99653ac8) étoiles sur 5 One of the milestones of 20th century literature 25 juillet 2005
Par Robert Moore - Publié sur Amazon.com
Format: Broché
One of the great changes in literature in the late nineteenth and early twentieth centuries was the birth of autobiographical literature. Even at the end of the 19th century, it was very unusual for any writer to make one's own life the basis for a purely literary work. To be sure, Dickens had put much of the London he knew in his youth into his novels, but there is no Dickens novel that can be described as purely autobiographical. Mark Twain had written memoirs that employed novelistic techniques and Samuel Butler put much of his own life into THE WAY OF ALL FLESH (a novel written in the early 1870s but not published until 1903), but it was only with such works as D. H. Lawrence's SONS AND LOVERS (1913) and James Joyce's PORTRAIT OF THE ARTIST AS A YOUNG MAN in the English-speaking world and Marcel Proust slightly earlier in Paris that authors began taking their own lives as material for works of fiction. In Lawrence's SONS AND LOVERS, a host of real life characters and actual life experiences became characters and scenes in novels. Likewise, most of the events of PORTRAIT OF THE ARTIST were based on actual events. It isn't quite autobiography, but neither is it pure fiction. Because the genre of fictionalized autobiography has become such a common literary form in the century that has followed Proust, Lawrence, and Joyce's work, the importance of this work can hardly be overestimated.

PORTRAIT OF THE ARTIST is important also for the innovations Joyce made in narrative. While the events in the story occur along a time line, Joyce is not particularly concerned with most of the details in the timeline. The narrator is not concerned to tell a story with a beginning, a middle, and an end, but instead wants to present a series of prose snapshots from various periods in the life of Stephen Daedalus, who is transparently based on Joyce himself. The narrator lays out the events, but he isn't concerned with explaining them or making them clear. There is, in fact, little or no interaction with the reader. Most narration presupposes the presence of the reader, but PORTRAIT ignores any reader. This leads to a certain coolness in the prose that some find discomfiting.

What cannot be denied is the brilliance and the genius of the prose. It is a prose that alters and matures gradually with the central figure of the tale. The first pages border on baby talk, while the final pages are as mature as Daedalus at the same age. In terms of form and execution, this is easily one of the most brilliant works of fiction of the past century. Moreover, it is a remarkably accessible work. For those who first come to Joyce through the agony of reading some of the more stressful sections of ULYSSES or, worse, FINNEGAN'S WAKE, read PORTRAIT will come as something of a shock. Compared to ULYSSES, this is remarkably easy going.

The complaint that I hear some make of the book is that nothing happens. That is true, if by "happens" one means an interesting and unusual plot. The "story" if there is one is that of a young man growing up, gradually gaining consciousness of the world in which he lives, and eventually rejecting the Catholic vocation urged upon him to become a writer. The book is stuffed with details from Joyce's own life, from the political preoccupations of his family (though Joyce himself was amazingly unconcerned with politics) to the family obsession with singing (both Joyce and his father possessed a near-operatic quality singing voice).

I would urge those who do not care for the book because "nothing happens" to at least entertain the possibility that there is more than one way for a novel to be brilliant. If one can see the ways that PORTRAIT expanded and developed the possibilities for prose, it will be easy to appreciate it for the work of genius that it is.
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