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Primitive Mythology: The Masks of God, Volume I (Anglais) Broché – Séquence inédite, 1 novembre 1991

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Broché, Séquence inédite, 1 novembre 1991
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Descriptions du produit

Revue de presse

"A monument of learning, wonder, and wisdom, daringly conceived and brilliantly written by a man who is at home in the Eastern and the Western universe of spirit.… In temporal span and spatial scope and in relevance to the needs of its own day, it is unexampled."
—Henry A. Murray, Harvard University

Présentation de l'éditeur

The author of such acclaimed books as Hero With a Thousand Faces and The Power of Myth discusses the primitive roots of mythology, examining them in light of the most recent discoveries in archaeology, anthropology, and psychology

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Première phrase
The artists eye, as Thomas Mann has said, has a mythical slant upon life; therefore, the mythological realm-the world of the gods and demons, the carnival of their masks and the curious game of "as if" in which the festival of the lived myth abrogates all the laws of time, letting the dead swim back to life, and the "once upon a time" become the very present-we must approach and first regard with the artist's eye. Lire la première page
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Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
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Amazon.com: HASH(0x98ac41c8) étoiles sur 5 38 commentaires
94 internautes sur 96 ont trouvé ce commentaire utile 
HASH(0x98822408) étoiles sur 5 Fantastic Voyage to Our Common Origin 9 juin 1999
Par Tom Lombardo - Publié sur Amazon.com
Format: Broché
Along with "The Hero With a Thousand Faces," this is Campbell's greatest work. Campbell was a loving student of Native American cultures, and this book's historical achievement is to evaluate and compare all world mythologies as co-equal, including cogent and detailed examples from Native American mythology.
Campbell's core belief was that all humanity has a common origin, and that the study of mythology exposes this core identity amongst all peoples. By traversing the plains of time back to the very first artifacts of human behavior, he draws a compelling conclusion that we are all born of the same stock, from the same mythopoetic and spiritual origin, and destined to share the same future.
The student of humanity will find this study particularly compelling because Campbell identifies several mythological themes that span the globe. Among them are the virgin birth of a savior, the trial of the hero at the hands of evildoers, and the resurrection of the savior/hero from the dead. To my mind, these timeless echos of Christian beliefs place Western thought in an ancient and endlessly rewarding intellecutal context.
Campbell's higher purpose of showing that all humanity is united through its most fundamental ideas about the cosmos and our place in it is brilliantly synthesized in his discussion of the origin of agrigculture at the outset of the Neolithic. In the same way that all philosopy is "footnotes to Plato," all of history is "footnotes" to the Neolithic Revoltuion. Campbell handles this insight with a genius that must be read and re-read to truly appreciate.
30 internautes sur 31 ont trouvé ce commentaire utile 
HASH(0x98822420) étoiles sur 5 A Very Inspiring Read 30 août 2006
Par DigitalMan - Publié sur Amazon.com
Format: Broché Achat vérifié
Well, it took some years, but I finally finished reading Campbell's, "Masks of God" series and I must say I agree with another reviewer as Campbell has indeed saved the best for last.

What set this one ("Vol. IV: Creative Mythology") apart from the other three to me, is that Campbell presents ideas which can be directly applied to your everyday life and looks towards the future of mythology (which we are all a part of!) rather than strictly recounting a history of the world's mythological past. There is plenty of mythological history in, "Creative Mythology," but it is all presented as background for looking towards the future...

As far as Campbell's own written work is concerned, to date I've read his other three, "Masks of God" books and of course his, "Hero with a Thousand Faces." I've actually read, "Hero..." a few times over and it remains my favorite of his books so far, but, "Creative Mythology" is now a close second.

The entire, "Masks of God" series is well worth reading, but unlike, "Hero...," they are all big, dense books that take quite sometime to get through. If you're only going to pick one in the series, my recomendation would be to make it, "Vol. IV: Creative Mythology." It's exciting and inpiring and a real tour-de-force.

Unfortunately, I suspect that many people start with the high ambition of reading the entire series and then never finish it. Hence, they miss out on reading this great book which is a shame. Don't let that be you!
57 internautes sur 63 ont trouvé ce commentaire utile 
HASH(0x98b18f6c) étoiles sur 5 A massive effort 17 mars 2000
Par frumiousb - Publié sur Amazon.com
Format: Broché
This last volume of the Masks of God is a huge book that spans the efforts of artists to interpret the myths from early troubadour poems to Finnegan's Wake. Just for the books it added to my reading list, this book was valuable.
The idea of the book that has stayed with me the most since I read it is the idea that an artist neither accepts myth as historical fact, nor rejects it as useless, but moves somewhere between those two extreme poles to mine its history.
The book is dense, and not always easy to read. It took me a long time to pick through it-- particularly in sections with pages of quotations-- but it was ultimately quite rewarding. Being only an amateur student of religion and mythology, I am ill-equipped to judge the merits of its scholarship.
71 internautes sur 80 ont trouvé ce commentaire utile 
HASH(0x9898799c) étoiles sur 5 Done at last, & just beginning 10 janvier 1999
Par B. Michael Harlow (BHarlow863@aol.com) - Publié sur Amazon.com
Format: Broché
After more than a decade of reading and pondering, I have finally finished Campbell's great populist tetralogy on the history, manifestations and uses of the world's myths, both as aids to spirituality and as a tools of power politics. No doubt, I could have read it faster, but my wont was to read a section, then contemplate, often taking side-trips into other texts, either to check out the original, or to catch another perspective, or to read other works by Campbell. (I was reading volume one, for example, when I became aware of the PBS series of conversations between Bill Moyers and Campbell, so I took side-trips into the companion volume to that, into Hero with a Thousand Faces and into Bruno Bettelheim's The Uses of Enchantment. Volume two somehow got me into Campbell's Mythic Image, a very satisfying consideration of mythic representations in art, and into Robert Bly's Iron John.) This volume deals mainly with the mythology of individuation, and with the history of the movement from tribal/sociological mythogenesis to the concept of the individual as his/her own "all in All" interpreter who uses the past as guide, but not as a monolithic revelation or absolutist decree, necessarily. I was most fascinated by the discussions of artistic creation in terms of mythogenesis, moving from the personal and religious letters of Heloise and Abelard, through the Parsival and Grail legends which became art (via Mallory and Wagner, most notably, whose works were both discussed extensively and well, to my delight [and also to my regret that my fellow lover-of-all-things-Arthurian, Andy Raiford, is no longer alive to share my joy in these passages], and on to the contemporary works of James Joyce [all his work] and of Thomas Mann [Magic Mountain, primarily]). There is lots more by Campbell that I want to read, and rooms-full of texts that these volumes have lead me to want to read, ponder, and investigate. It's a good life that has brought me into contact with all that is here, so that I may "participate joyfully in the sorrows of life" to quote a Hindu proverb used as a focal point in another of Campbell's works. Of course, I dog-eared a number of pages and underlined many quotable passages in this volume, just as in the rest of the tetralogy.
21 internautes sur 21 ont trouvé ce commentaire utile 
HASH(0x98987d20) étoiles sur 5 Remarkable synthesis of Research and Ideas 2 octobre 2003
Par Avid Reader - Publié sur Amazon.com
Format: Broché
Joseph Campbell's monumental "MASK" series aims to cover the subject of myth from its earliest inklings to its development into modern religions. It is remarkable how much privitive mythology remains with us today in our culture. Joseph Campbell offers several provocative interpretations of the origins of many of our cultural ideas, how primitive man viewed nature and what his blossoming awareness of the world both within and without grew.
The universal belief system is formed from our evolutionary psychology much as the three instinctual fears of modern people (fear of dark, fear of snakes, fear of heights) were formed by our biological evolution, from the time when proto-humans dwelt in trees.
Campbell offers a look at how many cultures today exhibit the same reverence and point of view toward mythology that primitive mankind did and how many of these remain. One considers such "beliefs" as animism (found in Native American and African tribes), people with a pipeline to the divine (witness the shaman, priest, witch doctor), the belief in luck, the "evil eye", "Father sun", "Mother moon". Indeed, according to Joseph Campbell, fertility in both people and plants played an important role in the development of such myths.
Much of the suppostion on the part of the author involves the substance of divinity and how we communicate with it/her/him. The scholarship and research involved in this trilogy is simply astounding. A mandatory read for anyone seriously interested in the birth of our deepest ideas.
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