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Progressive Steps to Syncopation for the Modern Drummer [Format Kindle]

Ted Reed
4.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)

Prix éditeur - format imprimé : EUR 10,80
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Voted second on Modern Drummer's list of 25 Greatest Drum Books in 1993, Progressive Steps to Syncopation for the Modern Drummer is one of the most versatile and practical works ever written for drums. Created exclusively to address syncopation, it has earned its place as a standard tool for teaching beginning drummers syncopation and strengthening reading skills. This book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it.

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0 internautes sur 1 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 A VOS BAGUETTES 20 mars 2011
Format:Broché|Achat vérifié
AMIS BATTEUR, voici les exercices qui nous manquaient, de la syncope sans syncopes,,, je m'explique, la base des exercices de cette méthode,paraissent simples,,,mais il n'en est rien,,,car avec un tempo rapide vous commencerai a entendre et comprendre cette méthode qui n'a qu'un but et un seul, celui de nous faire bien imprégner tous les renversements possible et inversions dans des mesures a quatre temps, sur des accentuations aussi bien sur les 1er 2em 3em ou 4em temps, souvent c'est la même écriture, mais avec la mesure qui se déplace,,,alors amis batteurs ,,,a vos baguettes,,,l'évolution est possible,,,
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Amazon.com: 4.8 étoiles sur 5  96 commentaires
36 internautes sur 37 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A major addition to the musician's cannon. 11 novembre 2000
Par John E Lester - Publié sur Amazon.com
Syncopation is much more than a nicely graduated reading text. Used skillfully, and with a good teacher, this classic can go a long way towards teaching the elements of limb independance and co-ordination. Superimposing ostinato patterns over the "as written" notation reveals a world of possibilities.
Bass players, as well as others, can derive benefit from the complexities of reading the syncopated figures in this book. Each exercise places quarter notes in each measure so that the student can always see the relationship of the downbeat to the exercise.
Drummers, get this book, get Stone's Stick Control, get a good teacher, and you will be well on the way to the ranks of the musically monstrous.
30 internautes sur 34 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Great Book 6 janvier 2000
Par Etan - Publié sur Amazon.com
If you're a beginner and just learning how to read music (for drums) this is a great book. It is good to have a teacher go through this book with you, and maybe add in some things... it is always good and very helpful to count out loud while going through this book. The book is only snare + bass, and starts with quarters, then goes on to eights, sixteenths, triplets, and even sixteenth-note triplets. It also has a few rolls, and in the end it teaches you accents.
13 internautes sur 13 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The Real Thing 25 juillet 2007
Par Derek Warren - Publié sur Amazon.com
If you want to significantly improve your independence skills, buy this book and then find an instructor who can show you the more than 40 different ways to apply it to the drum set.

Alan Dawson used this book extensively with his students. Thankfully, one of his students has documented those 40+ ways. See "The Drummer's Complete Vocabulary As Taught by Alan Dawson" (Paperback), by author John Ramsay. Ramsay did a great job of identifying (and providing audio examples) of the numerous ways you can apply Syncopation.

An excellent precursor to this book is Jim Chapin's "Advanced Techniques for the Modern Drummer". That book will help you develop the basic independence you'll need to dive into Syncopation. Or if you already possess the ability to play the swing ostinato while playing swung eighth notes and triplets and sixteenth notes between your snare drum and bass drum, then you can likely dive right in.
15 internautes sur 16 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Begin here... 16 janvier 2009
Par M. Ward - Publié sur Amazon.com
I started drumming a couple of months ago. For 3 months I watched youtube and other drumming DVDs. I liked it but did not sound very good. About 2 months ago I got a teacher and his requirement was this book to start.

Two weeks with this book I learned more and understand more then the three months I played before. My instructor would show me how it would sound and how to practice with this book. I would go home and practice for a couple of hours a week.

You will get what you put into this book. For beginners, this book will make you better. You just have to put the time/work into using it. With a good teacher and this book, you can improve even faster.

After playing drums for a couple of years now, I really think that this book is a strong selection for your library. I have since moved to other books and learned a ton of new beats and rhythms. I still find myself coming back to this book. I am using it to inspire drum fill ideas. Just moving the snare this around the toms or sometimes splitting the hits between the snare and cymbal. Very strong book if you use it.
17 internautes sur 19 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Excellent blueprint, here are some tips... 11 août 2010
Par Million Dollar Legs - Publié sur Amazon.com
Format:Broché|Achat vérifié
This is not a "so you want to rock" book you find at the music store chain, this is to drumming what sanding and joinery is to a woodworker. Anybody that calls themselves a drummer has this hurdle to climb, a must for a serious drummer. My 1st teacher gave me this and "Stick Control" in the 1981 when I started taking drum lessons. I wasn't sure why I was learning to swing when the trend was rock, but I soon found myself deconstructing every song into these patterns. This book is written in jazz notation, meaning that it does not include the ride cymbal and hi-hat patterns in every bar. You should be able to play all of these patterns with a swing ride (dotted eight note) and the hit-hat on 2 and four. It sounds easy, but playing straight 8th or 16th notes on the left hand while swinging in triplet time on the right can really be frustrating. Make sure to reverse your hands after you've mastered your dominant technique, this breaks the limb dependance. My teacher told me that I should be relaxed enough to be able to play all of these patterns and recite the gettysburg address at the same time. This book unravels rhythm in a way that has been duplicated, but never matched over the years.
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