From Publishers Weekly
Until his death in 1982 at age 34, Bangs wrote freewheeling rock 'n' roll pieces for Creem, Rolling Stone, the Village Voice and London's NME (New Musical Express. As a rock critic, he was adept at distinguishing the commercially packaged product from the real thing. Written in a conversational, wisecracking, erotically charged style, his impudent reviews and essays explore the connections between rock and the body politic, the way rock stars cow their audiences and how the pursuit of success and artistic vision destroys or makes rock performers as human beings. This collection (which includes no Rolling Stone pieces) covers "fake moneybags revolutionary" Mick Jagger, John Lennon ("I can't mourn him"), David Bowie "in Afro-Anglican drag," Iggy Pop, the Troggs, Lou Reed, Van Morrison, Chicago, the Clash, many more. Marcus, a music critic, is the author of Mystery Train: Images of America in Rock 'n' Roll Music.
Copyright 1987 Reed Business Information, Inc.
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From Library Journal
For rockers whose tastes demand more than Madonna and who remember back before Bruce, this is a gem. By turns insightful and hilarious, these collected essays by the late, legendary Banks (mostly accumulated from hard-to-come-by journals like Creem ) constantly astound. If your mind can embrace a shrewdly perceptive essay on the Troggs with the title "James Taylor Marked for Death," you also deserve to read the title essay on the Count Five's first album, some amazingly antagonistic love/hate interviews with Lou Reed, and so on. Add to all this a whacked-out sprung prose style (and vocabulary) that would make Gerard Manley Hopkins gasp for air, and you havewellwhat you have. For larger music collections, this is, like, highly recommended. Robert E. Brown, Onondaga Cty . P.L., Syracuse, N.Y.
Copyright 1987 Reed Business Information, Inc.
--Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Ingram
Vintage presents the paperback edition of the wild and brilliant writings of Lester Bangs--the most outrageous and popular rock critic of the 1970s--edited and with an introduction by the reigning dean of rack critics, Greil Marcus. Advertising in Rolling Stone and other major publications.
Inside Flap copy
Vintage presents the paperback edition of the wild and brilliant writings of Lester Bangs--the most outrageous and popular rock critic of the 1970s--edited and with an introduction by the reigning dean of rack critics, Greil Marcus. Advertising in Rolling Stone and other major publications.
Back Cover copy
Collected work of Lester Bangs, the passionate, brilliant, and inspirational writer, who was immortalised in the film
Almost Famous.
Psychotic Reactions collects Lester Bangs' most wired, passionate writing on legendary figures in music history, including Barry White, Iggy Pop, The Clash, John Lennon, and Lou Reed: 'I always wanted to emulate the most self-destructive bastard I could see, as long as he moved with some sense of style. Thus Lou Reed.'
To his writing he brought the talents of a great novelist and became one of the most celebrated writers in the history of music journalism. Immersed in the rock 'n' roll lifestyle about which he wrote, Bangs died tragically young in 1982 at the age of 33.
'Pure Bangs in full effect ... [He] wasn't the greatest ever rock critic because he split away, way beyond rock criticism. These are the places he went.' Uncut
'A superb collection ... Wild and funny and unpredictable. Lester Bangs was a great American writer who happened to write about rock 'n' roll.' Rolling Stone
'Bangs was one of the best writers ever to appear on newsprint ... When he died American culture lost one of its most astute, ornery, funniest and most soulful observers.' New York Times
'One of the most significant books ever written about music. 10/10.' Loaded
'A swaggering, scary, defiant, superhuman piece of writing.' Q
'A marvellous collection ... It will unquestionably teach you more about rock music and the appreciation thereof than a two-year subscription to all of the current British rock papers and mags.' Time Out
'Bangs created a grand philosophical gesture from the dynamics of fandom.' Wire
'One of life's great gurus.' Julian Cope
Lester Bangs started his career in music journalism as a record reviewer for Rolling Stone. He went on to write for and then edit the magazine Creem, before moving to New York and covering the burgeoning punk scene, writing in daily newspapers and the Village Voice.
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