From Library Journal
The Continental Op, hero of this mystery, is a cool, experienced employee of the Continental Detective Agency. Client Donald Wilson has been killed, and the Op must track down his murderer. Personville, better known as Poisonville, is an unattractive company town, owned by Donald's father, Elihu, but controlled by several competing gangs. Alienated by the local turf wars, the Op finagles Elihu into paying for a second job, "cleaning up Poisonville." Confused yet? This is only the beginning of an incredibly convoluted plot. Hammett's exquisitely defined charactersDthe shabby, charming, and completely mercenary lady-of-the-evening; the lazy, humorous yet cold and avaricious police chief; and especially the tautly written, gradual disintegration of the Op's detached personalityDmake this a compelling read. In addition, William Dufris's performance is outstanding. Each character has his/her own unique vocal tag composed of both tonal inflections and speech patterns suited to his/her persona. Wonderful! The only flaw is the technical difficulty of cueing the "track book marked" CD format. An exceptional presentation of a lesser classic from the golden age of the mystery genre. Recommended for all but the smallest public and academic libraries.DI. Pour-El, Des Moines Area Community Coll., Boone, IA
Copyright 2000 Reed Business Information, Inc. --Ce texte fait référence à l'édition CD .
Copyright 2000 Reed Business Information, Inc. --Ce texte fait référence à l'édition CD .
From AudioFile
Dufris's boldly interpretive performance in this Hammett classic is breathtaking. He all but disappears into Hammett's rich cavalcade of characters. Man, woman, cynic, lunatic, naif, scoundrel, each personality is utterly realized, full-blooded and idiosyncratic. With expert pacing and emphasis, Dufris also manages to convey their shifts of emotion. His reading becomes every bit as engrossing as the written words themselves. The novel follows the investigations of an audacious, but never named, detective as he sifts through the violence and corruption of a flinty mining town. The novel is peopled with fascinating figures brought vividly to life by a most imaginative reader. M.O. Winner of AUDIOFILE's Earphones Award. (c)AudioFile, Portland, Maine
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Book Description
'An acknowledged literary landmark' Robert Graves
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Review
"An acknowledged literary landmark." --NY Times Book Review.
"Dashiell Hammett is an original. He is a master of the detective novel, yes, but also one hell of a writer." -- Boston Globe
"Hammett's prose [is] clean and entirely unique. His characters [are] as sharply and economically defined as any in American fiction."
--The New York Times --Ce texte fait référence à l'édition Broché .
"Dashiell Hammett is an original. He is a master of the detective novel, yes, but also one hell of a writer." -- Boston Globe
"Hammett's prose [is] clean and entirely unique. His characters [are] as sharply and economically defined as any in American fiction."
--The New York Times --Ce texte fait référence à l'édition Broché .
Ingram
The murder of the last honest citizen in Poisonville prompts the Continental Op to seek out the guilty, in a facsimile edition of the classic exploration of corruption and violence, first published in 1929.
Back Cover copy
"Dashiell Hammett is an original. He is a master of the detective novel, yes, but also one hell of a writer." -- Boston Globe
Red Harvest (1929)
When the last honest citizen of Poisonville was murdered, the Continental Op stayed on to punish the guilty -- even if that meant taking on an entire town. Red Harvest is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.
"Hammett's prose [is] clean and entirely unique. His characters [are] as sharply and economically defined as any in American fiction."
-- The New York Times --Ce texte fait référence à l'édition Broché .
About the author
Dashiell Samuel Hammett was born in St. Mary’s County. He grew up in Philadelphia and Baltimore. Hammett left school at the age of fourteen and held several kinds of jobs thereafter—messenger boy, newsboy, clerk, operator, and stevedore, finally becoming an operative for Pinkerton’s Detective Agency. Sleuthing suited young Hammett, but World War I intervened, interrupting his work and injuring his health. When Sergeant Hammett was discharged from the last of several hospitals, he resumed detective work. He soon turned to writing, and in the late 1920s Hammett became the unquestioned master of detective-story fiction in America. In The Maltese Falcon (1930) he first introduced his famous private eye, Sam Spade. The Thin Man (1932) offered another immortal sleuth, Nick Charles. Red Harvest (1929), The Dain Curse (1929), and The Glass Key (1931) are among his most successful novels. During World War II, Hammett again served as sergeant in the Army, this time for more than two years, most of which he spent in the Aleutians. Hammett’s later life was marked in part by ill health, alcoholism, a period of imprisonment related to his alleged membership in the Communist Party, and by his long-time companion, the author Lillian Hellman, with whom he had a very volatile relationship. His attempt at autobiographical fiction survives in the story “Tulip,” which is contained in the posthumous collection The Big Knockover (1966, edited by Lillian Hellman). Another volume of his stories, The Continental Op (1974, edited by Stephen Marcus), introduced the final Hammett character: the “Op,” a nameless detective (or “operative”) who displays little of his personality, making him a classic tough guy in the hard-boiled mold—a bit like Hammett himself.
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