From Publishers Weekly
Kruger, an artist whose subversively direct works address such themes as power, sexual politics and money, is mostly on target as a social and cultural critic in these essays, reviews and prose poems originally published in Artforum , Esquire , the Village Voice and elsewhere during the last 14 years. She forcefully describes TV as a thought-control device, a powerful sedative that aims to satisfy viewers' needs for order, control and connection; and her critique is buttressed by a sophisticated analysis of documentaries, courtroom dramas and an array of popular series. Her brilliant movie reviews capture the creative ferment of experimental and international filmmaking and expose the pretensions of mainstream fare. The big and small screen predominate in this miscellany, but Kruger also has much to say on radio host Howard Stern ("crazily funny" but also an embodiment of "dangerously unexamined populism"), Andy Warhol, work, money and photography.
Copyright 1993 Reed Business Information, Inc.
Copyright 1993 Reed Business Information, Inc.
Booklist
Like her work as a visual artist, Kruger's essays, published in such journals as Artforum and the Village Voice, are about the ideological messages encoded in popular culture and how those messages convey certain attitudes toward the roles of women and minorities. Probing such seemingly innocuous television programming as "L.A. Law," "Entertainment Tonight," "The Home Shopping Club," "Good Morning, America," and the Iran-Contra hearings, as well as more subversive cultural products such as the independent films of Yvonne Rainer and Chantal Ackerman, Howard Stern's radio show, and the work of Andy Warhol, Kruger deconstructs media and art and shows how words and images manipulate and obscure meaning as they are force-fed down our throats. Kruger is an important contemporary artist, and her writing, while somewhat dense and polemical, is worthy of examination. Benjamin Segedin
