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--Music--
Rutter's Requiem was written in 1985. In Catholic liturgy, a requiem is a Mass for the Dead, and as such involves strong tones both of mourning and loss as well as elements of hope and eternal life as reflected in Christian belief. Rutter states that, like Brahms and Faure, there are elements that depart from the traditional lines of a Catholic requiem. Rutter takes some of the texts from the 1662 Book of Common Prayer. Both the first and second movements, Requiem aeternam and 'Out of the Deep', set very dark, low, sombre tones. The use of strings at the beginning of 'Out of the Deep' is very effective, together with funeral-dirge like vocals. This contrasts greatly with the Pie Jesu, light and spiritual. The Sanctus is almost playful in aspect, and the Agnus Dei and Lux aeterna draw the listener higher and higher into the fullness of expectation of God's presence.
Rutter's Requiem was written in 1985. In Catholic liturgy, a requiem is a Mass for the Dead, and as such involves strong tones both of mourning and loss as well as elements of hope and eternal life as reflected in Christian belief. Rutter states that, like Brahms and Faure, there are elements that depart from the traditional lines of a Catholic requiem. Rutter takes some of the texts from the 1662 Book of Common Prayer. Both the first and second movements, Requiem aeternam and 'Out of the Deep', set very dark, low, sombre tones. The use of strings at the beginning of 'Out of the Deep' is very effective, together with funeral-dirge like vocals. This contrasts greatly with the Pie Jesu, light and spiritual. The Sanctus is almost playful in aspect, and the Agnus Dei and Lux aeterna draw the listener higher and higher into the fullness of expectation of God's presence.
--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.
This recording is produced by Rutter, but is performed by the London Sinfonia, a group that he has worked with but is not the usual Cambridge Singers. This performance compares favourably with Rutter's own group, with areas in which there is greater subtlety and depth.
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