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Rikki-Tikki-Tavi (Anglais) Broché – 11 mai 2004

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Descriptions du produit

Présentation de l'éditeur


A classic story from Rudyard Kipling's The Jungle Book, adapted and illustrated by award-winning artist Jerry Pinkney, this is the tale of Rikki-Tikki-Tavi, a fearless young mongoose.

Soon after a flood washes Rikki into the garden of an English family, he comes face-to-face with Nag and Nagaina, two giant cobras. The snakes are willing to attack Rikki, and even the human family who lives there, to claim the garden and house for themselves. But they do not count on the heart and pride of the brave little mongoose.

Biographie de l'auteur

Rudyard Kipling was born in Bombay (now known as Mumbai), India, but returned with his parents to England at the age of five. Among Kipling's best-known works are The Jungle Book, Just So Stories, and the poems "Mandalay" and "Gunga Din." Kipling was the first English-language writer to receive the Nobel Prize for literature (1907) and was among the youngest to have received the award.

Jerry Pinkney is the illustrator of more than a hundred books for children. A five-time winner of both the Caldecott Honor and the Coretta Scott King Award, he has been recognized with numerous other honors, taught illustration and conducted workshops at universities across the country, and created art for the United States Postal Service's Black Heritage stamps. Books Mr. Pinkney has illustrated include The Ugly Duckling, John Henry, The Nightingale, and Noah's Ark. The father of four grown children, he lives and works in Croton-on-Hudson, New York, in a nineteenth-century carriage house with his wife, author Gloria Jean.

In His Own Words...

"I grew up in a small house in Philadelphia, Pennsylvania. I was a middle child of six. I started drawing as far back as I can remember, at the age of four or five. My brothers drew, and I guess in a way I was mimicking them. I found I enjoyed the act of putting marks on paper. It gave me a way of creating my own space and quiet time, as well as a way of expressing myself. You can imagine six children competing for attention and to be heard. I would sit, watching and drawing.

"In first grade I had the opportunity to draw a large picture of a fire engine on the blackboard. I was complimented and encouraged to draw more. The attention felt good, and I wanted more. I was not a terrific reader or adept speller in my growing-up years, and I felt insecure in those areas. Drawing helped me build my self-esteem and feel good about myself, and, with hard work, I graduated from elementary school with honors.

"I attended an all-black elementary school, and I gained a strong sense of self and an appreciation of my own culture there. But Roosevelt Junior High was integrated. There I had many friends, both white and black, at a time when there was little mixing socially in school. There the spark for my curiosity about people was lit. You can see this interest and fascination with people of different cultures throughout my work.

"My formal art training started at Dobbins Vocational High School, and upon graduation I received a scholarship to the Philadelphia Museum College of Art. My major was advertising and design. The most exciting classes for me were drawing, painting, and printmaking. It is no wonder I turned to illustrating and designing books. For me the book represents the ultimate in graphics: first, as a designer, considering space, page size, number of pages, and type size; then, as an illustrator, dealing with the aesthetics of line, color, and form.

"There were three books that somehow magically came into my possession in the early sixties: The Wind in the Wows, illustrated by Arthur Rackham; The Wonder Clock, illustrated by Howard Pyle; and Rain Makes Applesauce, illustrated by Marvin Bileck. You can see those influences in my art today. Later, my work was greatly influenced by such African American artists as Charles White, Romare Bearden, and Jacob Lawrence.

"From the very beginning of my career in illustrating books, research has been important. I do as much as possible on a given subject, so that I live the experience and have a vision of the people and places. To capture a sense of realism for characters in my work, I use models that resemble the people I want to portray. My wife, Gloria Jean (also an author), and I keep a closetful of old clothes to dress up the models, and I have the models act out the story. Photos are taken to aid me in better understanding body language and facial expressions. Once I have that photo in front of me I have freedom, because the more you know, the more you can be inventive.

"For illustrating stories about animals, I keep a large reference file of over a hundred books on nature and animals. The first step in envisioning a creature is for me to pretend to be that particular animal. I think about its size and the sounds it makes, how it moves (slowly or quickly), and where it lives. I try to capture the feeling of the creature, as well as its true-to-life characteristics. There are times when the stories call for the animals to be anthropomorphic, and I've used photographs of myself posing as the animal characters.

"It still amazes me how much the projects I have illustrated have given back to me in terms of personal and artistic satisfaction. They have given me the opportunity to use my imagination, to draw, to paint, to travel through the voices of the characters in the stories, and, above all else, to touch children."

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This is the story of the great war that Rikki-tikki-tavi fought, all by himself, through the English family's house in India. Lire la première page
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Amazon.com: 872 commentaires
137 internautes sur 149 ont trouvé ce commentaire utile 
Not the original text!!! 20 avril 2005
Par Amazon Customer - Publié sur Amazon.com
Format: Relié Achat vérifié
This has been rewritten to dumb it down. The beautiful language originally used by him has been replaced with dumber versions, and entire paragraphs have been removed. As someone who read and loved the original story as a child, I was very disappointed to see this when I began reading it to my 7 year old son.
58 internautes sur 66 ont trouvé ce commentaire utile 
Rikki the valiant the true, tikki with eyeballs of flame 23 octobre 2005
Par E. R. Bird - Publié sur Amazon.com
Format: Relié
As a child, I grew up with Kipling stories. My mother would read me "Just So Stories" and selections from the surprisingly long and complex, "Jungle Book" when I was just a wee lass. And had this lush and lovely version of "Rikki-tikki-tavi" been available to me when I was a kid, I've little doubt that I'd have devoured it just as readily as I did tales like, "How the Elephant Got His Trunk". Though I missed out on "Rikki-tikki-tavi" the written tale, I did take great pleasure in the 1975 Chuck Jones animated (with voices by Orson Wells and June Foray) faithful film of the same story. For those of you eager to instill in your children a sharp jolt of Kipling to the veins, I suggest you start them out on "Rikki", both the film and this lovely picture book, then move on slowly to "Just So Stories" and finally, "The Jungle Book" (but not THAT film). Then, years later, when you're trying to get them to read "Stalkey and Company", you'll have already hooked 'em young.

"This is the story of the great war that Rikki-tikki-tavi fought, all by himself, through the English family's house in India". After finding a half-drowned mongoose outside his home, a young boy named Teddy and his family take in the little creature and nurse him to health. A naturally curious creature, the mongoose (named, you must have guessed, Rikki-tikki-tavi for the sounds he makes) explores the home and decides to stay. Good thing that he does too. Lurking in the garden is the deadly cobra Nag and his wife Nagaina. The snakes determine that Rikki is a threat to their unhatched children and decide that if the family dies then Rikki will leave the area. Now Rikki, with the help of the tailor birds Darzee and his wife, must defeat the snakes and defend the family that was kind enough to take him in.

Like "The Secret Garden", this is one of those early children's books that taught me a heckuva lot about British colonialism. When I was a kid, I just could not figure out what the English were doing in India in books like this one. Now, there's little doubt that the danger the family faces mostly comes from the fact that Rikki was in their house in the first place. Nag and Nagaina only plan to kill the family because they believe that Rikki will leave if they do. One element to this tale that I enjoyed was the role that the female creatures take in it. Admittedly, Teddy's mother is so faint of heart that she, "wouldn't think of anything so awful", as the possibility of a snake in her boy's bedroom. But Nagaina is far more powerful than her husband and Darzee's wife (who, unfortunately, hasn't a name of her own) is the one who helps Rikki out in the end. Not her silly hubby.

By the way, someone should let the tailor birds know that when a mongoose is hungry and isn't eating snakes, its next favorite food is bird eggs. If you don't believe me, ask someone from Hawaii sometime. The release of mongoose in Hawaii (to combat the rats) not only decimated the reptiles but also severely reduced the native bird populations. Just FYI.

It is true that Pinkney has edited down and simplified the words of Kipling's original tale to make it more palatable to young ears. Far more criminal than the editing though is the fact that Pinkney makes NO mention of the fact that he has done so anywhere in the book. I've scoured the publication page, title page, and bookflaps for Pinkney's explanation of the change. Nuthin'. For those first time "Tikki" readers, this version will strike them as being the original Kipling text. Pinkney could have at least admitted the changes he made. That he didn't is irresponsible.

Otherwise, it's hard to object to this book. The illustrations are classic Pinkney with Rikki a very realistic (and not particularly cute) mongoose. Knowing Pinkney's fine attention to detail, I wouldn't put it past him to have carefully researched the kinds of plants, birds, and snakes found in India for these lush watercolors. The clothing of the human characters definitely doesn't belong to the days of Kipling, of course. They look far more contemporary, which is fine. The nice thing about "Rikki-tikki-tavi" is that it can really belong to any era.

This is a story that has always been, and will always remain, a classic in the hearts and minds of children everywhere. Pinkney is not the first children's illustrator to adapt this tale. That honor may fall to Lambert Davis. If you are looking for a version of this tale that has NOT been edited down, locate the Davis version (which Amazon.com has inexplicably linked to the Pinkney reviews). Otherwise, for superior pictures and a gripping tale, Pinkney's the man to turn to. A wonderful tale and an even better mongoose.
26 internautes sur 28 ont trouvé ce commentaire utile 
An Excellent Stepping-Stone to the Original Story 28 septembre 2009
Par Shanna A. Gonzalez - Publié sur Amazon.com
Format: Broché
There are two schools of thought regarding illustrated adaptations of literary classics. One school holds that stories that are simplified for early listeners can be ruined in the process, because the listener's first experience doesn't contain the beauty and depth of the original. The second school holds that well-written adaptations can serve as stepping-stones to original works, making them more accessible. I am still between the two camps, but in making decisions about specific classic titles I ask two questions:

1. Is the story content appropriate for a reading level that can't yet master the language in the original? If not, it's probably better to wait until a child is linguistically and emotionally ready for the original.
2. Is the quality of the adaptation high enough that it entices, rather than discourages, readers to explore further? If it can't stand on its own merit but only piggybacks on the original's popularity, it may cause the reader to associate the original with mediocrity.

The answer to question 1 will be different for different families and readers. I would say that Rikki-Tikki-Tavi, a young Indian mongoose who is adopted by a British family and drives the venomous snakes out of their home and garden, may appeal more to boys than girls, and parents of sensitive children should certainly screen this book since it contains dramatic animal violence, multiple attempted murders by talking snakes (in one of these a child is threatened), and Rikki-Tikki's merciless execution of many cobras in their eggs. But this story is a classic for good reason: Rikki-Tikki exemplifies courage, loyalty, defending the helpless, and a relentless commitment to oppose the evil snakes regardless of the cost. Every child will want a pet mongoose after experiencing this story.

As for question 2, Pinkney's adaptation uses modern language, retaining almost none of Kipling's masterful language, but telling the story very well. What really makes this book are his lavish, exuberant watercolor paintings which draw the reader in and dramatize the story in a very vivid way.

I recommend this story for children who are able to tolerate suspense and conflict, who have no reptile phobias, and who are transitioning out of the picture-book stage but are not yet ready for Kipling's sometimes challenging language. Although this book could stand on its own as a part of a home library, I recommend that it ought to be followed very closely by a version with the original language. Once the story is understood, this method will provide a great opportunity for vocabulary expansion and an appreciation of more elevated prose.
19 internautes sur 21 ont trouvé ce commentaire utile 
The Story of One Brave Mongoose 4 avril 2012
Par Rebecca of Amazon - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
In college I had to memorize parts of this story and had to tell the story in speech class. I love the way this story rolls off the tongue so it is definitely a story to read out loud. The plot is simple but the message is comforting. Basically you have a mongoose who is found half dead and is revived and brought back to health. Then you have a boy who becomes friends with the mongoose. The mongoose, Rikki-Tikki-Tavi, is a very clever animal who knows how to kill snakes. He takes on numerous snakes in this story and also kills baby snakes before they can hatch. So basically a lot of snakes die in this story. If you love snakes you won't want to read this but if like me you lived in Africa then you will know how you can fear them. My dad once killed a cobra in our kitchen. I would have loved to have a mongoose as a pet to protect our family. That is exactly what the mongoose in this story does. Therefore it is comforting.

~The Rebecca Review
19 internautes sur 22 ont trouvé ce commentaire utile 
A breathtaking adventure beautifully told! 17 octobre 2001
Par Un client - Publié sur Amazon.com
Format: Relié
I first had this book read to me when I was seven by my father who was a diplomat stationed in New Delhi, India. It continues to bring India alive to me and I have often re-read it as an adult. It invariably causes my heart to race during the most exciting adventure scenes, and leaves me teary-eyed with emotion at Rikki's ultimate triumph. I cannot recall any adult novel with a more gripping and exciting description of a battle than Rikki's nighttime fight to the death with Nag, the Cobra, in the bathroom of the bungalow! Rudyard Kipling is a genius and his stories for children are brilliant in that he never makes animals and their actions "silly" (check out "The Elephant's Child" and some of his others for very young audiences). Rikki-Tikki-Tavi is all about heroism and love, and every child and adult who reads this book will cherish it forever.
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