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Rivals (Anglais) Broché – 20 octobre 2004

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Descriptions du produit

Présentation de l'éditeur

The literature that lives has nothing to do with Time. It may be a farce by A ristophanes, a speech of Cicero s, a canto of Dante ssong, or a story by 0. Henry; it is always a question of vitality. On the contrary, a piece of writing that lacks this precious, preservative quality dies the day it is born. The idea that because a poem, a tale, a play, or an essay was written a hundred or a thousand years ago, it must necessarily be dead, is quite false. Always the question is: Has it charm, beauty, power, human meaning? If it has it will survive; if it is without these saving graces, it not only will not last, but never was alive. We speak of the dead languages, and the familiar phrase is right in the sense that the tongues themselves in the form they once took are no longer vital on the lips of men. But the thought and feeling embodied in the words of great writers during the so-called classic days of Greece and Rome are truly and splendidly alive to-day, for the simple reason that they were alive then; and are so true to the universal experience of mankind, and so beautiful in their expression, that Time cannot touch them nor age wither their infinite variety. The books of the present series are vital for this reason and in this sense.
(Typographical errors above are due to OCR software and don't occur in the book.)

About the Publisher

Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org --Ce texte fait référence à l'édition Broché .

Biographie de l'auteur

Richard Brinsley Butler Sheridan (30 October 1751 – 7 July 1816) was an Irish-born playwright and poet and long-term owner of the London Theatre Royal, Drury Lane. For thirty-two years he was also a Whig Member of the British House of Commons for Stafford (1780–1806), Westminster (1806–1807) and Ilchester (1807–1812). Such was the esteem he was held in by his contemporaries when he died that he was buried at Poets' Corner in Westminster Abbey. He is known for his plays such as The Rivals, The School for Scandal and A Trip to Scarborough. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.

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Détails sur le produit

  • Broché: 192 pages
  • Editeur : Methuen Drama; Édition : 2nd Revised edition (20 octobre 2004)
  • Collection : New Mermaids
  • Langue : Anglais
  • ISBN-10: 0713667656
  • ISBN-13: 978-0713667653
  • Dimensions du produit: 12,6 x 1,3 x 20,1 cm
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Couverture | Copyright | Table des matières | Extrait | Quatrième de couverture
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Amazon.com: 7 commentaires
14 internautes sur 14 ont trouvé ce commentaire utile 
A Classic Comedy of Manners - Gentle, Humorous Satire 30 octobre 2003
Par Michael Wischmeyer - Publié sur Amazon.com
Format: Broché
The editor, Alan Downer, cautions the reader (as opposed to a spectator of the play) "not to allow himself to be troubled by the labyrinthine mechanics of the plot". Enjoy the comic aspects of the moment; the play will take care of itself. Downer argues that Sheridan envisioned The Rivals as a series of comic scenes, not necessarily a tightly woven plot.

In his preface Richard Brinsley Sheridan reminds the readers that this play was not initially well received and, in fact, he had to withdraw the play to remove imperfections. His later version was more successful and today The Rivals is one of the few English comedies from that period that continues to interest modern audiences.

I found the beginning slow. The author's wordy preface was followed by a prologue in which two lawyers plead with the audience to give this play fair consideration. On the tenth night a new prologue replaced the pleading as it was now obvious that the revised play was indeed successful. In Act 1 I had some difficulty keeping track of the characters and I chose to reread the first act before proceeding. Thereafter, the going was much smoother and I began to appreciate the foibles of the characters and their confused machinations.

The protagonist, the young Captain Absolute, was sensible for the most part, although his plan to woo the capricious Lydia Languish was obviously destined for trouble. The other characters included his excitable father Sir Anthony Absolute, his father's patient ward Julia, the silly Mrs. Malaprop, the comic gentleman wooers Faulkland, Acres, and Sir Lucius O'Trigger, and the conniving servants Fag, David, Thomas, and Lucy. While Sheridan does encourage us to laugh at his characters, his satire is gentle. His characters are not at all unlikable, just a little eccentric and possibly not overly intelligent.

I recently read and reviewed Sheridan's enjoyable The School for Scandal and I recommend that the reader new to Sheridan begin with it rather than The Rivals. Both plays are short and can be read with little difficulty with the help of an occasional footnote. For my reading of The Rivals I used the Crofts Classics edition in which Alan Downer provides a useful introduction, a list of key dates in Sheridan's life, footnotes, and a bibliography. I give four stars to The Rivals. I previously rated The School for Scandal as five stars.
23 internautes sur 28 ont trouvé ce commentaire utile 
Ageless comedy 26 octobre 2000
Par Garley - Publié sur Amazon.com
Format: Broché
This is the first major comedy by Sheridan, a radical Irish actor and politician in George III's England. Not quite as complex and astute as his later She Stoops to Conquer, the Rivals remains a warm, unforgettable, and very, very funny play.
Here we meet the chatty Mrs. Malaprop, who proudly tells us "if I reprehend anything in this world, it is the use of my oracular tongue, and a nice derangement of epitaphs"; her niece Lydia, lost in the world of lurid half-bound romantic novels; Sir Anthony Absolute, often wrong but never in doubt; Sir Lucious O'Trigger, of BlunderBuss Hall; and the rest. The dialogue and plot devices are well-crafted and funny; the social commentary is perceptive and satisfyingly naughty; but what stays with you is the humanity of each of the characters. These are not the charicatures of Restoration comedy, but personalties the reader will remember; ridiculous like all humans, but engendering empathy as well as laughter.
1 internautes sur 1 ont trouvé ce commentaire utile 
This Edition... 17 février 2012
Par Chelsie Lacny - Publié sur Amazon.com
Format: Broché Achat vérifié
My review is not on the content of the play, but on this particular edition of the play.

I know everyone has their own reading style, so this may not bother everyone. However, when I'm reading an older piece of literature, I enjoy looking at footnotes. I'm sure that some skip over them, but I do not. In this edition, however, the footnotes were there, but there were no indications in the text to let me know when to look at the footnotes. The only indication was the line number, which was written right before each footnote. This was irritating to me, and so I went through the whole play ahead of time and marked the parts where I had to look for footnotes, which was very time consuming.

I would definitely recommend reading the play, because it is very funny and there are a number of interesting literary devices going on that I won't go into here, but I would not recommend this particular edition (New Mermaids).
Sparking, Witty Comedy! 17 juillet 2010
Par J. Arena - Publié sur Amazon.com
Format: Broché Achat vérifié
If you've ever wondered what an 18th century sit-com would have been like, you have only to read The Rivals. The dialogue and clever use of language is an absolute delight.

Hilarious perfection!
perennially entertaining 24 juin 2015
Par Tauqui - Publié sur Amazon.com
Format: Broché Achat vérifié
What's not to like about The Rivals? Mrs. Malaprop is a true classic. I reread the play periodically; references naturally arise in conversation--it is perennially entertaining.
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