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Rossini : Il barbiere di Siviglia

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Page Artiste Neville Marriner

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Détails sur le produit

  • Interprète: Thomas Allen, Agnes Baltsa, Francisco Alaiza, Robert Lloyd
  • Chef d'orchestre: Neville Marriner
  • Compositeur: Gioachino Rossini
  • CD (10 septembre 2010)
  • Nombre de disques: 1
  • Label: Decca
  • ASIN : B003PN5U6S
  • Autres versions : Téléchargement MP3
  • Classement des meilleures ventes d'Amazon: 36.506 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. - overture (sinfonia)
  2. Le barbier de Séville acte I - no.1 introduzione: "piano, pianissimo"
  3. Le barbier de Séville acte I - cavatina: "ecco, ridente in cielo"
  4. Le barbier de Séville acte I - recitativo: "gente indiscreta"
  5. Le barbier de Séville acte I - no.2 cavatina: "largo al factotum"
  6. Le barbier de Séville acte I - recitativo: "ah, ah! che bella vita" - no.3 canzone: "se il mio nome saper voi bramate" - recitativo: "oh cielo!" - "nella stanza"
  7. Le barbier de Séville acte I - no.4 duetto: "all'idea di quel metallo"
  8. Le barbier de Séville acte I - no.5 cavatina: "una voce poco fa" - "io sono docile"
  9. Le barbier de Séville acte I - recitativo: "ah, che ne dite?"
  10. Le barbier de Séville acte I - no.7 duetto: "dunque io son... tu non m'inganni?"
  11. Le barbier de Séville acte I - recitativo: "ora mi sento meglio"
  12. Le barbier de Séville acte I - no.8 aria: "a un dottor della mia sorte"
  13. Le barbier de Séville acte I - recitativo: "sì, sì, la vincerò"
  14. Le barbier de Séville acte I - no.6 aria: "la calunnia è un venticello"

Disque : 2

  1. Le barbier de Séville acte I - recitativo: "finora in questa camera" - no.9 finale I: "ehi, di casa!... buona gente!..."
  2. Le barbier de Séville acte II - recitativo: "ma vedi il mio destino" - no.10 duetto: "pace e gioia sia con voi"
  3. Le barbier de Séville acte II - recitativo: "insomma, mio signore"
  4. Le barbier de Séville acte II - no.11 aria: "contro un cor che accende amore"
  5. Le barbier de Séville acte II - recitativo: "bella voce! bravissima!" - no.12 arietta: "quando mi sei vicina"
  6. Le barbier de Séville acte II - recitativo: "bravo, signor barbiere"
  7. Le barbier de Séville acte II - no.13 quintetto: "don basilio!" "cosa veggo!"
  8. Le barbier de Séville acte II - recitativo: "sempre gridi e tumulti" - no.14 aria: "il vecchiotto cerca moglie"
  9. Le barbier de Séville acte II - recitativo: "dunque voi don alonso non conoscete"
  10. Le barbier de Séville acte II - no.15 temporale (thunderstorm)
  11. Le barbier de Séville acte II - recitativo: "alfine, eccoci qua"
  12. Le barbier de Séville acte II - no.16 terzetto: "ah! qual colpo inaspettato!"
  13. Le barbier de Séville acte II - recitativo: "ah! disgraziati noi!" - no.17 recitativo strumentato: "il conte!"
  14. Le barbier de Séville acte II - recitativo: "insomma, io ho tutti I torti"
  15. Le barbier de Séville acte II - no.18 aria: "cessa di più resistere"
  16. Le barbier de Séville acte II - no.19 finaletto II: "di sì felice innesto"

Descriptions du produit


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1 internautes sur 1 ont trouvé ce commentaire utile 
Full of joie de vivre but some vocal flaws 26 février 2015
Par Ralph Moore - Publié sur Amazon.com
Format: CD
This recording presents Marriner's debut as an opera conductor and is one of Francisco Araiza's earlier full operatic roles on disc. The former is an unqualified success, the second more debatable. I have never warmed to Araiza's rather nasal, throttled tone; it is somewhat grating and immediately contrasts oddly with the plummy, muffled vocal production of Matthew Best's Fiorello. Nor will Araiza's aspirated divisions please purists who become exercised over such things; Lawrence Brownlee in the more recent Sony set is a far neater and conventionally elegant singer with a much mellower, more ingratiating sound.

Agnes Baltsa is a rather ferocious Rosina, long on vocal athleticism with an impressive range but a little short on charm - and she too aspirates her runs more here than in her Rossini recital discs. Thomas Allen is not ideally refulgent of voice as Figaro - I like a Stracciari, a Gobbi or at least a more resonant Italianate sound - but his energy is infectious. His frequent use of mezza voce and falsetto contributes to a light, nuanced, mercurial account less of an overbearing self-publicist than some singers make the barber out to be. He is fleet and agile, taking top note options and verbally he is extraordinarily varied and fluent - with impeccable Italian. Figaro's banter with Rosina is as sharp and as wittily inflected as any I have heard and a there is always a sense of interplay between characters. Marriner's direction is impeccable: sappy, sprung and alive; the ASMF sound as though they are having fun and although the sense of theatricality is not as pronounced here as it is in the widely praised, super-budget Naxos set, it is still one of the least studio-bound I know and the Act One finale in particular exhibits special joie de vivre.

Robert Lloyd is a terrific Basilio; he is not afraid of distorting his beautiful bass for comic effect and really creates an aural picture of the seedy old sponger. He really relishes the role and like all the cast here, seems completely at home in the quickfire patter. The intrinsic quality of his enormous bass rather shows up Trimarchi's thin, wobbly sound, but the latter is a seasoned buffo campaigner and camps it up splendidly. Sally Burgess is a characterful Berta.

Despite its many virtues, this set does not inspire in me the same admiration and affection as it does in some commentators and for sheer vocal personality my first loyalties still lie with the famous (but cut) Callas-Gobbi version; as a theatrical experience I rate this Marriner set highly but also enjoy very much the Humburg set on Naxos and also the fleet, youthful Sony recording conducted by Miguel Gomez-Martinez with Nathan Gunn, Lawrence Brownlee and a rather ordinary Elina Garanca, who is outshone by Baltsa.

This 2 CD set is one of a new series of bargain issues by Decca in crude, 1960's pop-art style in hideous, acidic colours. Despite their appearance, they are very good value, even if there is no libretto.
Rossini at his best! 26 novembre 2014
Par Donald Ward - Publié sur Amazon.com
Format: CD Achat vérifié
A fine recording, dinged one star because a libretto wasn't included.
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