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Sandplay: Silent Workshop of the Psyche (Anglais) Broché – 2 janvier 1997


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Descriptions du produit

Présentation de l'éditeur

Sandplay is a growing field of interest for Jungian and other psychotherapists. Sandplay - Silent Workshop of the Psyche by Kay Bradway and Barbara McCoard, provides an introduction to sandplay as well as extensive new material for those already using this form of therapy.

Based on the authors' wide-ranging clinical work, it includes:

  • in-depth sandplay case histories
  • material from a wide range of adults and children
  • over 90 illustrations in black and white and colour
  • detailed notes on interpretation of sand trays
  • an examination of symbols and concepts used in sandplay.

Clearly written and soundly based in theory, this book provides historical background for understanding sandplay as well as helpful discussion of how it works in a clinical context.

Kay Bradway and Barbara McCoard bring their indispensable personal experience to the subject to stress the healing potential of sandplay. They also reflect on the nature of a therapy where the psyche works largely in silence.

Biographie de l'auteur

Kay Bradway is a founding member of the C.G. Jung Institute of San Francisco, the International Society for Sandplay Therapy and of Sandplay Therapists of America. Barbara McCoard is a psychiatrist in private practice and consulting editor of The Journal of Sandplay Therapy.


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What is there about sandplay that causes both patient and therapist alike to experience it as having such power? Lire la première page
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Couverture | Copyright | Table des matières | Extrait | Index
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45 internautes sur 49 ont trouvé ce commentaire utile 
Excellent resource for beginning and advanced therapists. 28 février 1999
Par Un client - Publié sur Amazon.com
Format: Broché
This is a book that can be read cover to cover or used as a reference resource. Through an alchemical mix of word and image, the authors communicate to the reader layer upon layer of meaning which can be gleaned with each reading of the book. Each time I return to any given chapter, I discover something new. The first part, "Background and Reflections," includes a review of the history of sandplay, a comparison of another three authors' perspectives, an explanation of co-transference, a discussion of the differences between sandplay and sandtray, and helpful answers to questions that frequently come up about the theory and practice of sandplay therapy. In the second part, "Symbol Studies," the authors remind us that in human development, the image comes before the word. Clinical material in the form of sandplay images illustrate this section of the book with color plates and black and white photographs of sandplay scenes. The third and final part of the book, "Individual Cases," consists of detailed studies of ten complete sandplay processes with accompanying photos. In both "Symbol Studies" and "Individual Cases," the reader witnesses through word and image the journey of healing and growth with the therapist and with the sandplayer who attains the treasure.
Powerful 7 février 2013
Par Mary - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
This book was right up my street and helped me to get an embodied sense of the power of sandplay.
Excellent book on sand-tray theory and practice 15 janvier 2013
Par Dr. Robin B. Zeiger - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
This is a well-written book on the theory and practice of sand-tray work from a Jungian perspective. I am a clinical psychologist who uses this deep process in my therapy. I enjoyed reading the books and reflecting on the symbols the author used. I also will recommend this to students that I teach and supervise. I am happy to have found this resource.
An excellent guider for a sandplay therapist 13 octobre 2014
Par Debbie Jivan - Publié sur Amazon.com
Format: Broché Achat vérifié
Full of comprehension. An excellent guider for a sandplay therapist.
Five Stars 7 novembre 2014
Par Christine T. - Publié sur Amazon.com
Format: Broché Achat vérifié
Good book.
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