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Saul Leiter: Retrospektive / Retrospective (Anglais) Relié – 12 juillet 2012

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Détails sur le produit

  • Relié: 300 pages
  • Editeur : Kehrer Verlag (12 juillet 2012)
  • Langue : Anglais
  • ISBN-10: 3868282580
  • ISBN-13: 978-3868282580
  • Dimensions du produit: 27,2 x 22,4 x 2,8 cm
  • Moyenne des commentaires client : 3.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 26.711 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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3 internautes sur 4 ont trouvé ce commentaire utile  Par laurence Berranger sur 28 février 2014
Format: Relié Achat vérifié
Ce livre comporte de nombreuses sections en allemand. Ce n'est donc pas une version anglaise comme mentionné mais, une version anglais / allemand.
Dommage que ce ne soit pas indiqué.

Par ailleurs la livraison n'a pas respecté les délais annoncés: 2 mois d'attente pour un livre "en stock".
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Commentaires client les plus utiles sur (beta) 16 commentaires
32 internautes sur 34 ont trouvé ce commentaire utile 
Excellent Retrospective 10 novembre 2012
Par Buffy - Publié sur
Format: Relié Achat vérifié
This large format hardcover book presents the most complete look at Saul Leiter's career to date. Included are his color photographs, black and white pictures, over-painted photos, commercial fashion photography, and paintings. For the first time you get the full view of his many different activities and while the color photography is the star attraction for me it's interesting to see how everything connects in terms of color and composition. The book itself is a sturdy hardcover with different papers for different sections and the reproductions are the best in print to date. Even if you have earlier books on Saul Leiter this is worth the upgrade. If you don't have any Saul Leiter books this is the best place to start. Recommended.
12 internautes sur 12 ont trouvé ce commentaire utile 
A Beautiful, Lovely Book! 6 mai 2013
Par T. Campbell - Publié sur
Format: Relié Achat vérifié
Why, oh why did it have to take so long? Had the Post-War Baby Boomer Generation been aware of Leiter in the sixties and seventies, when so many of us caught the fire, selected and clung to our photo-heros for decades, and started shooting, the history of photography would likely have looked rather different.

The Steidl-published "Early Color" is a teaser compared to this, but a necessary volume, nonetheless. This magnificent volume, beautifully done, is comprehensive, covering Leiter's color and B&W photography and his painting art. Often the manner of Leiter's seeing in B&W and color and his use of color remind me of my number one photo-hero, Ernst Haas, but Leiter's way of seeing is also very different. Both created virtual oeuvres of modernist, expressionist abstracts with their cameras, but this reviewer's impression is that SL played with unfocus much more aggressively than EH, whose abstracts are either focused or smoothed using movement and slow shutter speeds. Both pioneered new ways of using the small format camera in the earliest days of 35mm color film. In their color work, both are or were colorists, and both used a lot of black in their private work. I wonder how much each knew of the other and each other's work. SL's use of color and tonal masses, often in the foreground, and of unexpected framing opportunities caught with exquisite timing are his alone but have come to be among the compositional staples of such as Costa Manos and Alex Webb now.

The several essays summarize information from and about SL and his painting and photography and place him among the so-called "New York School" of photographers from the 30s to the 60s and, in some cases, until today. Thankfully, SL is still with us today.

There is a "look" to both the painting and the photography apparent in masters' work from that era, even though each practitioner has/had their own contributions, that ties them to what was going on in the world of art in the early half of the century. The number of masters was finite enough that our generation could pick some favorites and follow their careers to the present day, in continuing work or posthumous publication and exhibition. It is a shame and a huge lost opportunity that our generation did not know much, if anything, about Saul Leiter

Had SL's work been in the books and photographic magazines of the 60s and 70s, there is no doubt IMHO that he would have had major influences on people's taking up photography, informed how they began to see, and become one of the revered pioneers in modern monochrome and color photography. The exposure to examples of his painting art is also delightful, and reminds one of Cartier-Bresson's links of the drawing arts to his photography.

All this reviewer can say is, "Late is at least better than never." Thank you, Saul Leiter, for finally allowing us to know something of the range of your work, and thank you, the publishers, for finally giving us a worthy introduction to his work.
9 internautes sur 10 ont trouvé ce commentaire utile 
Great retrospective. 9 décembre 2012
Par Diana - Publié sur
Format: Relié Achat vérifié
This book shows a great retrospective of Saul Leiter's work. Leiter's photographs have a clear pictorial intention in their composition, which becomes evident by the paintings also reproduced here. The gaze of the painter-photographer determines the beautiful and nostalgic images. Highly recommended.
4 internautes sur 4 ont trouvé ce commentaire utile 
Great addition for fans of Saul's work 16 mai 2014
Par Mark B. Kinsman - Publié sur
Format: Relié Achat vérifié
My initial impression of the book was mixed. The images of his photos and his paintings are well done and offer a further glimpse into the artist's work. Much of the accompanying articles are in German - which was a bit disappointing, only because it was not mentioned in the book description on Amazon and I don't speak the language. However, delving just a bit deeper, reveals that English translations are include in the back of the book and make for a very fascinating read.
Saul Leiter is one of my favorite photographers of the modern era and this book offers a great insight into the man as an artist, with his unique photographic compositions and lovely use of bold color, both photographically and in his paintings. The images are well presented for the most part, with reasonable quality for a book of this sort. There are some painting images inserted as smaller pieces in the middle of the book, which are interesting, but a bit close too the binding for my taste.
One of the most interesting articles is the one by Margit Erb, who I believe may have known him better than many, having spent several years with Saul, organizing and cataloging his body of work. If you've seen any of the documentary film "In No Great Hurry" or any of the other videos of Saul, you've seen that his fondness for Margit was mutual. Her story adds further to the understanding of Saul as an artist, a man of great intellectual curiosity and knowledge of the visual arts. He will be missed, but his work can be celebrated by owning books such as this one. Very Highly recommended.
10 internautes sur 12 ont trouvé ce commentaire utile 
Good, but.... 28 octobre 2013
Par Patricia Floyd - Publié sur
Format: Relié Achat vérifié
Love his work and a good selection. However, I wish they hadn't spread some of his photos on two pages across the center bindings. It disrupts the pleasure of viewing his work.
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