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Biographies are supposed to deal with people, not places, but Adam Nicolson's lyrical new book,
Sea Room, is best seen as a biography. Dealing with the geology, history, natural history, sociology, and emotional resonance of the Shiants--a trio of Hebridean Islands between Skye and Harris --Nicolson's book is an all-encompassing characterisation of this remote corner of the British Isles.
Nicolson begins by describing how, inheriting the islands from his father as a young man, the islands have come to have an unusually deep meaning for him. This comes out in his painstaking reconstruction of the geological formation of the islands, of their ancient bronze and iron age settlements, and of the harsh lives of the families that lived here until large-scale economies destroyed traditional Hebridean life.
There is much sadness and anger in Nicolson's account of these changes, but also joy--joy at the richness of life in such a place, and joy that these changes have allowed Nicolson himself to experience the Shiants' beauty. The precision with which almost every inch of the islands' physical and historical identities are described is, literally, marvellous; Nicolson eschews generalities, and writes with a love of detail that is increasingly rare. Although the book is a little maudlin at times, this is only the reflection of Nicolson's own sensitivity to the place. The Shiants are anthropomorphised, becoming a character in their own right, proof that the tiniest place can reflect the passage of time. --Toby Green
From Publishers Weekly
For his 21st birthday, Nicolson's father gave him some islands among the Scottish Outer Hebrides, 600 acres worth of land that the elder Nicolson had purchased on a whim in 1937. At various times, the Sussex-based writer recalls, the Shiant islands "have been the most important thing in my life," and he has produced a vivid, meticulously researched paean to his "heartland," examining its geology, its flora and fauna, and its history as he reminisces about his own idylls there. The islands, now uninhabited except by the Nicolsons, are outcroppings of grass and rock and stark black cliffs, surrounded by churning waters that are notoriously difficult to negotiate. Until 1901, they were continuously inhabited for thousands of years by an eighth-century hermit, medieval farmers, Irish Jacobite rebels and others documented by Nicolson. The islands are also an important breeding station for birds, and Nicolson observes the comings and goings of geese, puffins and razorbills. Throughout the book, Nicolson explores the troubling idea of ownership; Hebrideans view English landowners with a mix of resentment and derision, and Nicolson acknowledges that his rights to the islands, like those of previous landlords, are morally ambiguous. His mix of scholarship, reflection and lyrical description brings his beloved atolls to life, and the genre-bending book should win some fans among those interested in nature writing and memoir.
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