Who stands, the crux left of the watershed,
On the wet road between the chafing grass
Below him sees dismantled washing-floors,
Snatches of tramline running to the wood,
An industry already comatose,
Yet sparsely living. A ramshackle engine
At Cashwell raises water; for ten years
It lay in flooded workings until this,
Its latter office, grudgingly performed,
And further here and there, though many dead
Lie under the poor soil, some acts are chosen
Taken from recent winters; two there were
Cleaned out a damaged shaft by hand, clutching
The winch the gale would tear them from; one died
During a storm, the fells impassable,
Not at his village, but in wooden shape
Through long abandoned levels nosed his way
And in his final valley went to ground.
Go home, now, stranger, proud of your young stock,
Stranger, turn back again, frustrate and vexed:
This land, cut off, will not communicate,
Be no accessory content to one
Aimless for faces rather there than here.
Beams from your car may cross a bedroom wall,
They wake no sleeper; you may hear the wind
Arriving driven from the ignorant sea
To hurt itself on pane, on bark of elm
Where sap unbaffled rises, being Spring;
But seldom this. Near you, taller than grass,
Ears poise before decision, scenting danger.
From the very first coming down
Into a new valley with a frown
Because of the sun and a lost way,
You certainly remain: to-day
I, crouching behind a sheep-pen, heard
Travel across a sudden bird,
Cry out against the storm, and found
The year's arc a completed round
And love's worn circuit re-begun,
Endless with no dissenting turn.
Shall see, shall pass, as we have seen
The swallow on the tile, Spring's green
Preliminary shiver, passed
A solitary truck, the last
Of shunting in the Autumn. But now
To interrupt the homely brow,
Thought warmed to evening through and through
Your letter comes, speaking as you,
Speaking of much but not to come.
Nor speech is close nor fingers numb,
If love not seldom has received
An unjust answer, was deceived.
I, decent with the seasons, move
Different or with a different love,
Nor question overmuch the nod,
The stone smile of this country god
That never was more reticent,
Always afraid to say more than it meant.
Control of the passes was, he saw, the key
To this new district, but who would get it?
He, the trained spy, had walked into the trap
For a bogus guide, seduced with the old tricks.
At Greenhearth was a fine site for a dam
And easy power, had they pushed the rail
Some stations nearer. They ignored his wires.
The bridges were unbuilt and trouble coming.
The street music seemed gracious now to one
For weeks up in the desert. Woken by water
Running away in the dark, he often had
Reproached the night for a companion
Dreamed of already. They would shoot, of course,
Parting easily who were never joined.
Taller to-day, we remember similar evenings,
Walking together in the windless orchard
Where the brook runs over the gravel, far from the glacier.
Again in the room with the sofa hiding the grate,
Look down to the river when the rain is over,
See him turn to the window, hearing our last
Of Captain Ferguson.
It is seen how excellent hands have turned to commonness.
One staring too long, went blind in a tower,
One sold all his manors to fight, broke through, and faltered.
Nights come bringing the snow, and the dead howl
Under the headlands in their windy dwelling
Because the Adversary put too easy questions
On lonely roads.
But happy now, though no nearer each other,
We see the farms lighted all along the valley;
Down at the mill-shed the hammering stops
And men go home.
Noises at dawn will bring
Freedom for some, but not this peace
No bird can contradict: passing, but is sufficient now
For something fulfilled this hour, loved or endured.
Watch any day his nonchalant pauses, see
His dextrous handling of a wrap as he
Steps after into cars, the beggar's envy.
"There is a free one," many say, but err.
He is not that returning conqueror,
Nor ever the poles' circumnavigator.
But poised between shocking falls on razor-edge
Has taught himself this balancing subterfuge
Of the accosting profile, the erect carriage.
The song, the varied action of the blood
Would drown the warning from the iron wood
Would cancel the inertia of the buried:
Travelling by daylight on from house to house
The longest way to the intrinsic peace,
With love's fidelity and with love's weakness.
Will you turn a deaf ear
To what they said on the shore,
Interrogate their poises
In their rich houses;
Of stork-legged heaven-reachers
Of the compulsory touchers
The sensitive amusers
And masked amazers?
Yet wear no ruffian badge
Nor lie behind the hedge
Waiting with bombs of conspiracy
In arm-pit secrecy;
Carry no talisman
For germ or the abrupt pain
Needing no concrete shelter
Nor porcelain filter.
Will you wheel death anywhere
In his invalid chair,
With no affectionate instant
But his attendant?
For to be held for friend
By an undeveloped mind
To be joke for children is
Whose anecdotes betray
His favourite colour as blue
Colour of distant bells
And boys' overalls.
His tales of the bad lands
Disturb the sewing hands;
Hard to be superior
On parting nausea;
To accept the cushions from
Women against martyrdom,
Yet applauding the circuits
Of racing cyclists.
Never to make signs
Fear neither maelstrom nor zones
Salute with soldiers' wives
When the flag waves;
Remembering there is
No recognised gift for this;
No income, no bounty,
No promised country.
But to see brave sent home
Hermetically sealed with shame
And cold's victorious wrestle
With molten metal.
A neutralising peace
And an average disgrace
Are honour to discover
For later other.
Sir, no man's enemy, forgiving all
But will his negative inversion, be prodigal:
Send to us power and light, a sovereign touch
Curing the intolerable neural itch,
The exhaustion of weaning, the liar's quinsy,
And the distortions of ingrown virginity.
Prohibit sharply the rehearsed response
And gradually correct the coward's stance;
Cover in time with beams those in retreat
That, spotted, they turn though the reverse were great;
Publish each healer that in city lives
Or country houses at the end of drives;
Harrow the house of the dead; look shining at
New styles of architecture, a change of heart.
It was Easter as I walked in the public gardens
Hearing the frogs exhaling from the pond,
Watching traffic of magnificent cloud
Moving without anxiety on open sky--
Season when lovers and writers find
An altering speech for altering things,
An emphasis on new names, on the arm
A fresh hand with fresh power.
But thinking so I came at once
Where solitary man sat weeping on a bench,
Hanging his head down, with his mouth distorted
Helpless and ugly as an embryo chicken.
So I remember all of those whose death
Is necessary condition of the season's setting forth,
Who sorry in this time look only back
To Christmas intimacy, a winter dialogue
Fading in silence, leaving them in tears.
And recent particulars come to mind:
The death by cancer of a once hated master,
A friend's analysis of his own failure,
Listened to at intervals throughout the winter
At different hours and in different rooms.
But always with success of others for comparison,
The happiness, for instance, of my friend Kurt Groote,
Absence of fear in Gerhart Meyer
From the sea, the truly strong man.
A 'bus ran home then, on the public ground
Lay fallen bicycles like huddled corpses:
No chattering valves of laughter emphasised
Nor the swept gown ends of a gesture stirred
The sessile hush; until a sudden shower
Fell willing into grass and closed the day,
Making choice seem a necessary error.
Coming out of me living is always thinking,
Thinking changing and changing living,
Am feeling as it was seeing--
In city leaning on harbour parapet
To watch a colony of duck below
Sit, preen, and doze on buttresses
Or upright paddle on flickering stream,
Casually fishing at a passing straw.
Those find sun's luxury enough,
Shadow know not of homesick foreigner
Nor restlessness of intercepted growth.
All this time was anxiety at night,
Shooting and barricade in street.
Walking home late I listened to a friend
Talking excitedly of final war
Of proletariat against police--
That one shot girl of nineteen through the knees,
They threw that one down concrete stair--
Till I was angry, said I was pleased.
Time passes in Hessen, in Gutensber...