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Shades Of Redd

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Page Artiste Freddie Redd

Détails sur le produit

  • CD (21 mars 2008)
  • Nombre de disques: 1
  • Label: Parlophone
  • ASIN : B00140GXMO
  • Autres éditions : CD  |  Album vinyle  |  Téléchargement MP3
  • Moyenne des commentaires client : Soyez la première personne à écrire un commentaire sur cet article
  • Classement des meilleures ventes d'Amazon: 18.333 en Musique (Voir les 100 premiers en Musique)
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Album uniquement
Ecouter le titre Acheter : EUR 1,29
Ecouter le titre Acheter : EUR 1,29
Ecouter le titre Acheter : EUR 1,29
Ecouter le titre Acheter : EUR 1,29
Ecouter le titre Acheter : EUR 1,29
Album uniquement
Digital Booklet: Shades Of Redd (RVG Edition)
Digital Booklet: Shades Of Redd (RVG Edition)
Album uniquement

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Amazon.com: HASH(0x9e8eda98) étoiles sur 5 5 commentaires
21 internautes sur 21 ont trouvé ce commentaire utile 
HASH(0x9f2203a8) étoiles sur 5 An Emotive Splash of Color 1 avril 2008
Par Jack Baker - Publié sur Amazon.com
Format: CD
Shades of Redd is a 1960 session featuring fantastic interplay between tenor saxophonist Tina Brooks, alto saxophonist Jackie McLean, ubiquitous bassist Paul Chambers, drummer Louis Hayes, and the leader, pianist Freddie Redd, who penned all seven of the compositions. This is my first exposure to Redd, who plays with a sure hand. According to the liner notes, he was somewhat of a mysterious figure, drifting from gig to gig, leaving just as suddenly as he would appear. I purchased this primarily because I own albums featuring the other musicians on the session. All of them are excellent as ever, but Freddie Redd really stands out as the star of this ensemble, both in performance and leadership. The choice of the interacting tenor and alto saxes, as opposed to a trumpet/saxophone combo is an inspired one and works well for this material.

The pieces vary in mood, which I'm assuming was the reason for the title, the 'Shades' being the various mindsets of the composer. "The Thespian" builds slowly before increasing in tempo and excitement, with a unison horn finish that really cooks. "Blues-Blues-Blues" is what it is, a bluesy number with strong alto/tenor work from McLean and Brooks. "Shadows" is an appropriately titled ballad, slow and melancholy, like the approach of evening. Redd really shines here, with an elegant solo that might be the defining moment of the set. "Melanie" is a peppy piece, named for the child of a friend. "Swift" is another aptly named piece, both in tempo and duration. Redd's quick-paced solo is the highlight here. "Just A Ballad For My Baby" is a very nice romantic piece. "Ole" adds a spicy Latin flavor to the session, Louis Hayes's percussion in particular adding to that impression. The RVG edition adds alternate takes of "Melanie" and "Ole". Redd's compositions are all quite excellent and I will be seeking out The Music from "The Connection" and Redd's Blues to add to my collection sometime in the future. Highly recommended.
9 internautes sur 9 ont trouvé ce commentaire utile 
HASH(0x9f220480) étoiles sur 5 Hard bop at its finest 19 juin 2008
Par Gazzelloni - Publié sur Amazon.com
Format: CD
This session is definitely the best of Freddie Redd's offerings, and is arguably one of Blue Note's finer recordings. Recorded in 1960, the secret weapons on here are Jackie McLean on alto and Tina Brooks on tenor. This recording is as fine as any released by more prominent musicians in the Blue Note stable, with standouts such as 'Ole', 'The Thespian' and 'Just a Ballad for My Baby.' Certainly worth owning for any fan of this period.

Freddie Redd (piano)
Jackie McLean (alto sax)
Tina Brooks (tenor sax)
Paul Chambers (bass)
Louis Hayes (drums)
8 internautes sur 8 ont trouvé ce commentaire utile 
HASH(0x9f2208b8) étoiles sur 5 Redd is Gold 26 mars 2008
Par Amazon Customer - Publié sur Amazon.com
Format: CD
"Shades of Redd" is one of the very best Blue Note recordings, and a relatively unknown masterpiece, due to its constantly drifting in and out of print over the years. Coming off his successful stint in The Music from "The Connection" (see my review), Freddie adds both Tina Brooks and Jackie McLean to his frontline for this album. In fact, Freddie had recorded versions of the music from "The Connection" with both of these saxophonists separately (the Tina Brooks account with Redd under Howard McGhee's leadership is out-of-print and quite rare), and his familiarity with their styles of playing shows. All of the Redd originals feature beautiful chromatic, lyrical playing from Brooks and McLean, but particularly on "The Thespian" and "Melanie." Paul Chambers and Louis Hayes complete the quintet, and they are solid as usual. Fans of Redd, Tina, Jackie Mac, or Blue Note in general should not miss the opportunity to get this CD now that it is readily available once more courtesy of the RVG series.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x9f220c84) étoiles sur 5 phenomenal, get it! (McClean is smokin') 11 mars 2011
Par J. Hintz - Publié sur Amazon.com
Format: CD
...some of the best BlueNote sax-play I have heard. I am a huge Tina Brooks fan. His soulful delivery and tone always deliver, but I have to say it is Jackie McClean on this record that just simply smokes. From ridiculously fast Parker-esque pure bop to some steamy, soaked ballads, McClean's solo work on this album is phenomenal. And that isn't to take ANYTHING away from Brooks, or Redd, or Hayes or Chambers for that matter.
Everyone on this album is great. GET IT!
1 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x9f220d68) étoiles sur 5 playing catch up 10 avril 2010
Par woof woof tweet tweet - Publié sur Amazon.com
Format: CD
On this outing at least, Freddie Redd is in over his head. Jackie McLean and Tina Brooks contribute blistering solos, but Redd's block chords struggle to keep pace. His solos barely qualify as solos.

If the pianist had been better matched to the two sax frontmen, this would have been a classic 60's hard bop recording meriting 5 + Stars. As it is, it still gets 4 1/2.

Anything with Tina Brooks on it is worth having. Unlike some jazz musicians who recorded a few sides and disappeared, Tina Brooks was a major talent. His tone and technique were flawless, his concept of soloing complete. With the right management he could have been a star on the level with any marquee tenor sax player of his day. It didn't happen. Lacking Coltrane's determination, Tina Brooks succumbed to the lifestyle rather than impose his personality upon it. It was a great loss.
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