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Shopgirl: A Novella (Anglais) Poche – 1 janvier 1900


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Biographie de l'auteur

Steve Martin is a celebrated writer, actor, and performer. His film credits include Father of the Bride, Parenthood and The Spanish Prisoner, as well as Roxanne, L.A. Story, and Bowfinger, for which he also wrote the screenplays. He's won Emmys for his television writing and two Grammys for comedy albums. In addition to a play, Picasso at the Lapin Agile, he has written a bestselling collection of comic pieces, Pure Drivel, and a bestselling novella, Shopgirl. His work appears frequently in The New Yorker and The New York Times. He lives in New York and Los Angeles.


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Amazon.com: 485 commentaires
128 internautes sur 141 ont trouvé ce commentaire utile 
Simply Outstanding 29 septembre 2000
Par Amy C. Martiner - Publié sur Amazon.com
Format: Relié
I took a chance with this little book, having never known Steve Martin to write fiction like this, and ended up totally transported. I didn't put it down for 2 hours when I first started reading! It's length is right on target, as he has perfectly exposed her life and thoughts simply, without any extranious over-explaining. Although I don't usually focus on an author's gender or life experiences when I read fiction, it's hard not to remember that it's the very famous Steve Martin writing this book. It does not take away from the book. It only makes it more impressive. He's totally pitch perfect with "Mirabelle". Quite amazing.
I HIGHLY recommend this book.
79 internautes sur 91 ont trouvé ce commentaire utile 
A Small but Wise Book 28 octobre 2000
Par BeachReader - Publié sur Amazon.com
Format: Relié
Steve Martin's writing, choice of words, descriptions, and inner dialogues just blew me away! What a guy! Within the first three pages, I felt Mirabelle's desolation and loneliness. Just the title: Shopgirl. So old fashioned --no "sales associate" or other fancy title.
The reader immediately got a sense of the hand-to-mouth existence Mirabelle was leading due to this almost dead-end, low-paying job at Nieman Marcus. I was touched by the sentence about the one thing she really wanted: "someone to talk to". Later in the book, Martin made her paralyzing depression so very real to me that I could feel her desperation and clearly imagine her hitting bottom, emotionally.
Here's a *Martinism* I loved...he calls Beverly Boulevard a "chameleon street". Very clever choice of words. Here's another: "One man stands in the kitchen of a two-million dollar house that overlooks the city, and the other in a one-room garage apartment that the city overlooked."
Mirabelle's relationship with the elusive and wealthy Ray Porter is played out in this short but ultimately satisfying novel, proving that a good author can tell a complete story in only 130 pages. Mirabelle and Ray dance around each other, both misinterpreting the nuances of the relationship. While I felt sorry for Mirabelle and her less-than-ideal life, I also felt sorry for Ray. He was the real proof of the cliche that "money cannot buy happiness."
I would highly recommend this book. If you have any chance to read or listen to any of Martin's interviews, they will enhance your enjoyment.
28 internautes sur 31 ont trouvé ce commentaire utile 
Multi-talented Steve Martin 16 décembre 2000
Par Timothy Haugh - Publié sur Amazon.com
Format: Relié Achat vérifié
I have been a fan of Steve Martin from the stand-up/SNL days until now when he's begun a career as a "serious" writer. In a sense, he's grown-up as I've grown-up and his current taste for more intellectual humor has matched my own. His play, Picasso at the Lapin Agile, is one of the most enjoyable I've seen in awhile and is collected in book form with some shorter plays that are also quite good. Additionally, his pieces in the New Yorker have been wonderful.
This novella does not quite reach the heights of some of his other work, though it is an enjoyable read. It has its wry comic moments but this is a much more straightforward work than I've seen from him before. It is really a character study; mainly of the clinically depressed "shopgirl," Mirabelle but also of a number of other characters--boyfriends Ray & Jeremy, co-worker Lisa, and her parents.
The plot is real and relevant enough, exploring the psyches and relationships of these characters. It suffers from the weakness of many an ambitious novella, however. It introduces intriguing points and doesn't take the time to flesh them out and resolve them. Her father's Vietnam experience and its repercussions, for example, is tossed out and left unexplored. More importantly, however, the story is rushed to its conclusion. The early relationship points are explored and then rushed to their finality. There is a lot more that could have been done with this book.
Perhaps I would have been happier with this piece if I'd read it in a magazine. When I pay money for a book, however, I guess I want more of my money's worth. I'm tired of short works being put in hardcover when they don't qualify. This is a trend in modern fiction that is not to be encouraged. Novels are getting shorter and more superficial. It takes a brilliant writer to write a short novel of enough depth to deserve the hardback treatment. I don't think this one is quite there. Wait for it in paperback (and hope the paperback is relatively cheap).
26 internautes sur 29 ont trouvé ce commentaire utile 
Wild & Crazy It Ain't 12 novembre 2000
Par Bill Jackson - Publié sur Amazon.com
Format: Relié
If you're looking for another helping of the zany humor for which Steve Martin is best known, don't buy this book. It is most definitley not a knee-slapper and might not even make you laugh out loud. It's just not that kind of a book. What it IS is an elegant, wryly humorous character sketch.
Steve Martin is a talented, observant writer who takes what might in other hands be a banal storyline and crafts it into a marvelous sort of literary still-life. There is no plot to speak of; the beauty of this novella lies in its descriptions and clever turns of phrase.
The book revolves around the largely unexceptional love life of Mirabelle, a shy, depression-prone sales clerk with an artistic flair and difficulty relating to her world. Her paramour, Ray Porter, is an emotionally-challenged older businessman who is unapologetically selfish. Two minor characters provide most of the comic relief: Lisa, a cunning, modern tart who takes Mirabelle's modest success in love as a personal challenge, and Jeremy, a confused Gen X'er who undergoes an improbable transformation. The funniest parts of the book are Martin's description of Lisa's sexual plotting, especially her unusual attention to, shall we say, personal hygiene.
Martin writes with both empathy and humor but never overdoes it and never overreaches. He seems to understand that understatement is one of the most powerful of literary techniques. Some might say that this is a trifle of a book. Maybe so, but it is a delicious morsel all the same.
28 internautes sur 32 ont trouvé ce commentaire utile 
Quite impressive 29 novembre 2000
Par CoffeeGurl - Publié sur Amazon.com
Format: Relié
Well, I ventured out and read Steve Martin's novella. I am very impressed. This is a beautiful and poignant story that captures the more profound part of human relationships.
The novella introduces Mirabelle, otherwise known as the "shopgirl." She is a 28-year-old salesgirl at a department store in LA whose passion for art and off-kilter personality makes her irresistible to men. No sooner does another bout of depression begin than she meets Ray Porter -- a rich and important businessman almost twice her age. Inevitably, they embark on a relationship based on mixed messages. What does Ray really feel about Mirabelle? Is Mirabelle in love with Ray, or does she love his paternal protection? There is a Freudian undertone in the story -- except that the novella captures the matters of the heart and soul.
The language is very unique. Steve Martin mixes beauty and poignancy with humor and irony. As I've mentioned, I am very impressed with his writing. He is a gifted comedian and a wonderful storyteller. I highly recommend this book.
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