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Silver on the Tree
 
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Silver on the Tree [Format Kindle]

Susan Cooper

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Descriptions du produit

From School Library Journal

Grade 5-8 This dramatic reading of Silver on the Tree (Atheneum, 1977) concludes Susan Cooper's five book fantasy sequence, The Dark Is Rising. With the Arthurian legend as its core, it presents the classic myth culminating with the battle of good against evil. The Drew children, Merriman, and Bran, their Welsh friend, try to outwit the schemes and strategies of the Dark. British actor Alex Jennings provides a stunning vocal performance, sliding in and out of voices so easily that listeners will soon forget that there is only one narrator. From the rich, resonant Merriman to the lilting Welsh brogue of Bran, the voice variations achieved for the multitude of characters is outstanding. The rapid narration adds intensity and urgency to the unfolding events. In order to understand the story, it is important to follow the series in sequence. The audio versions of the previous four titles in the series are available from Listening Library. The richness of the story and the excellent reading will sate those who revel in this format and delight those who are new to it. -Tina Hudak, St. Bernard's School, Riverdale, MD
Copyright 2002 Reed Business Information, Inc.

From AudioFile

Alex Jennings again brings his vocal talents to Susan Cooper's work in the final installment of the Dark Is Rising series. The story follows Will Stanton as he works with others who serve the Light to struggle against the Dark in its last, most desperate rising. As in the past, Jennings helps create a willing suspension of disbelief and propels the listener onward with his authoritative voice. His narration uses just enough of a British accent to suggest setting without being difficult to understand. He is a master of dialogue, slipping effortlessly into the cadences of children's voices and characterizing accents from around the British Isles and beyond. This is asatisfying conclusion to the series. A.F. Winner of AudioFile Earphones Award © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 903 KB
  • Nombre de pages de l'édition imprimée : 292 pages
  • Pagination - ISBN de l'édition imprimée de référence : 1416949682
  • Editeur : Margaret K. McElderry Books; Édition : Reprint (11 mai 2010)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B003R0LC0M
  • Synthèse vocale : Activée
  • X-Ray :
  • Classement des meilleures ventes d'Amazon: n°175.052 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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Amazon.com: 4.4 étoiles sur 5  48 commentaires
17 internautes sur 17 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A well-written, bittersweet ending to a great series 13 octobre 2000
Par Joy Kim - Publié sur Amazon.com
Format:Poche
_Silver in the Tree_ is the fifth and final book in the Dark is Rising series by Susan Cooper. It tells the story of the final confrontation between the Light and the Dark. Here the threads from previous books come together: Will Stanton, Merriman, the Drew children, Bran Davies, the Rowlands, the Stantons, and more. Cooper also introduces new characters, like Gwion, who leave lasting impressions both on the characters and the readers. In this book, the Light tries to find the last thing of power--a crystal sword--that will help them in the last and greatest rising of the Dark.
On a more serious level, this book addresses questions such as: what does it mean to *belong* to a family or a place? What right do people have to make decisions for others? The answers are neither simple nor easy. The disappointment of some of the other reviewer here shows that. (Warning: Some of them give away the ending, so reader beware). Personally I thought the novel's conclusion was fitting--it went well with the message of the other parts of the series. Cooper's prose style meshes well with her story.
Fantasy buffs, especially those with an interest in Arthurian legend, will love this series. I recommend this book very highly to middle school readers or advanced late-elementary school readers. But read the series in its proper order! This book gets its much of its poignancy from what comes before it. The order of the series is: _Over Sea, Under Stone_, _The Dark is Rising_, _Greenwitch_, _The Grey King_, and _Silver on the Tree_. The first two books can be read in interchangable order; I might even recommend reading _The Dark is Rising_ before _Over Sea, Under Stone_, but don't read _Greenwitch_ without reading the first two.
10 internautes sur 10 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A fabulous ending to a magnificent sequence. 7 mai 1999
Par Un client - Publié sur Amazon.com
Format:Relié
A couple months ago my very dear friend said "You have to read these books by Susan Cooper" Since she usually likes the same books I do, I checked out the first one. I was hooked! Just a few days ago I finally finished the last book, Silver On the Tree. Fantastic. Really, if any adult doesn't read this because they think it's a kid's book, think again. I know many kids my age (13) who wouldn't get the subtle hints that go throughout the series.
Susan Cooper is such an excellent writer. She can make totally realistic, everyday, family scenes, and then turn around and write about journeys through fantastic fantasy worlds. She is also really good about writing descriptive scenes that let you picture something so exactly.
I can't decide whether this ties with The Grey King as the best book in the sequence, or if Grey King is a bit better.
The ending wraps things up just right. Except, I don't think the Drews & Bran should have had to forget. That's was probably the only complaint I can think of.
8 internautes sur 8 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 "It's a Race Now. A Race Against the Rising..." 20 novembre 2004
Par R. M. Fisher - Publié sur Amazon.com
Format:Poche
"Silver on the Tree" is the fifth and final book in "The Dark is Rising" series, and if you have never picked up the previous installments, then don't start here - you won't have a clue what's going on. If however, you have read "Over Sea, Under Stone," "The Dark is Rising," "Greenwitch" and "The Grey King," then here is the big finale you've been waiting for. Finally, all our main characters are reunited for the first and last time - Merriman Lyon, Will Stanton, Bran Davis, the Drew children, the Rowlands and the rest of the Old Ones who have come together for the final battle against the malevolent powers of the Dark.

They have gathered in Wales, following the last lines of the Light's prophecy; "when the Dark comes rising, six shall turn it back", in order to find the last talisman of the Light. Whilst Will (the youngest of the Old Ones: guardians of humanity) and Bran (the son of King Arthur who was transported forward in time by his mother) travel across the Lost Land in search of the crystal sword, Merriman and Simon, Jane and Barney Drew face their own challenges when the powers of the Dark catapult them into different time periods. Soon it is a race to the finish line and the Midsummer Tree, but with a traitor in their midst and the forces of the Dark towering around them, it's hardly going to be easy to finally defeat the Dark.

Cooper again introduces several historical and legendary figures from England's past, including Owain Glyndwr, Herne the Hunter, Gwion/Talisan and of course King Arthur himself, and she invokes the landscapes and countrysides beautifully. By the end of the series, we are met with the inevitable sadness of farewells and life-changing decisions that place "The Dark is Rising" amongst the best of children's fantasy literature - this is not simply a hackneyed battle between opposing forces; it involves real betrayal, real heartbreak and real pain - where the climatic moment is not a sword-fight, but a decision that must be made by a human being that has just lost everything he's loved. Our characters have only half-won the battle: for as she points out in the beginning of the novel when a young Pakistani boy is targeted for bullying, the real enemy lies within humankind.

There are a few things that I'm not quite sure on, but before I start pointing them out I have to say that Susan Cooper is an extremely sensitive and subtle writer - if you don't read carefully you can miss half of what she has to say. As I have only read "Silver on the Tree" twice, (once when I was quite young, and once when I was in a hurry), I'm quite certain that I fall into this category. Her themes are deep, her writing is articulate, and she doesn't make it easy for insensitive readers. If you want to get the most out of these books, then you have to work for it.

In saying that, some things came across as rather puzzling. The sequence and timing of events are rather patchy, and often things happen that don't seem to make much sense (although keep in mind, I may be misinterpreting them - I'm sure Cooper knows more about writing than I do). The book is divided into four parts, and although the first provides a promising beginning, and the last an exciting conclusion, the two middle parts are problematic. The situation with the Drews, in which they are transported back into time seems a little unnecessary - they do not seem to learn or gain anything of value that justifies their presence there. Meanwhile, as Bran and Will traverse the Lost Land, they come up against several obstacles that are disposed of rather easily - such as the terrifying spectre of a moving horse skeleton: the boys are saved when the petals of a may tree falls upon it. Huh?

Furthermore, the powers of the Dark just didn't seem that scary this time around. Previously, they were one of Cooper's strongest inventions, whether they appeared as amiable siblings, sullen, half-crazed painters, sweet-faced farm-girls, haggard tramps, a malevolent mountain-presence or the terrifying visage of a Black-cloaked Rider. But here, rather than appearing as a truly foreboding threat, the bad-guys do little but tail our heroes, mock them, and generally come across as annoying. Cooper drives home the point that the Dark can do the good guys no physical harm so many times that we loose all fear for their safety. I had no doubts that they'd make it through with no causalities - but the emotional scarring that they'd been exposed to is also negated when all but one of the main characters loose the memory of their adventures.

As mentioned, Cooper's work is immensely subtle and there is too much to be discovered for me to give it all away. I'll just reveal just one: read the descriptions of the Old Ones in the ships carefully at the story's end - she does not give names but "a tall burly figure in a smith's apron, a small man in a green coat and an imperious grey-haired lady, leaning on a stick," are all characters that we've seen before. So read carefully and frequently if you want to get the most out of this particular book, as well of the rest of the installments in this award-winning, immensely rewarding series.
8 internautes sur 9 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A Marvellous Read 21 février 2000
Par Un client - Publié sur Amazon.com
Format:Poche
I'm a twelve-year-old from KL and I first read this book when I was eleven, two years ago. Ever since then I have reread it about a million times. This book is the last in the series and one of the best. In the beginning Will begins to see shades of fleeing people. He calls a gathering of the Old Ones, only to find that the Lady is not present. He is drawn into an adventure with Bran Davies and the Drew children, ending in a struggle to cut the blossom from the midsummer tree on the Chiltern hills with the crystal sword, which will enable the Light to vanquish the Dark. This is one of the best books I have ever read. Susan Cooper shifts from time to time and place to place seamlessly. I loved the Lost Land and the climax at the midsummer tree. When I first read this book I was rather upset that Bran and the Drews had to forget their adventures completely. However, after rereading this book a few times, I began to think that the ending was, after all, quite appropriate. I did feel sorry for Will, though, because he had to bear this burden alone. I loved this book.
11 internautes sur 13 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Earlier ones were better? 9 juillet 1999
Par Un client - Publié sur Amazon.com
Format:Poche
The last of this fine series is a sweeping effort to bring all the characters from previous books together. Cooper writes well enough, and this is all based on an extremely complicated set of Arthurian mythologies. But by now we are rather tired of these vague metaphysical risings of power, which seem less chilling the more they happen. This novel flies all over the place in space and time, more like a series of adventures than a cohesive whole. It tends to seem a bit long and arbitrary (as when Blowden Rowlands is suddenly unmasked.) In short, this book gets lost in itself. Fantasy mongers may like it more than I did.
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Fear of having done the wrong thingfear that having done this one great thing, he would never again be able to accomplish anything of great worthfear of age, of insufficiency, of unmet promise. &quote;
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such endless fears, that are the doom of people given the gift of making, and lie always somewhere in their minds. &quote;
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any ending that may seem to come is not truly an ending, but an illusion. For Time does not die. Time has neither beginning nor end, and so nothing can end or die that has once had a place in Time. &quote;
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