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Small Vices
 
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Small Vices [Format Kindle]

Robert B Parker

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Descriptions du produit

Revue de presse

"In Small Vices Mr. Parker not only brings his hero to the point of death but challenges him to confront his own mortality in a way that he hasn't since Valediction."The New York Times Book Review, Marilyn Stasio

Présentation de l'éditeur

Ellis Alves is a bad kid from the 'hood with a long record, but did he really murder Melissa Henderson, a white student from ritzy Pemberton College? Alves's former lawyers think he was framed, and they hire Spenser to uncover the truth. From Boston's back streets to Manhattan's elite, Spenser and Hawk search for suspects, including Melissa's rich kid tennis-star boyfriend. But when a man with a .22 puts Spenser in a coma, the hope for justice might just die along with the detective...

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 381 KB
  • Nombre de pages de l'édition imprimée : 192 pages
  • Editeur : No Exit Press (26 avril 2013)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ISBN-10: 1843441616
  • ISBN-13: 978-1843441618
  • ASIN: B00C8X72GC
  • Synthèse vocale : Activée
  • X-Ray :
  • Word Wise: Non activé
  • Classement des meilleures ventes d'Amazon: n°23.546 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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Commentaires client les plus utiles sur Amazon.com (beta)
Amazon.com: 4.5 étoiles sur 5  90 commentaires
13 internautes sur 13 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 parker is still good 23 novembre 1997
Par Scott A. Butki - Publié sur Amazon.com
Format:Relié
- It wasn't until I started reading "Small Vices" that I realized how much I'd missed Robert Parker and his Spenser series. During an 18-month period about two years ago I read all of Parker's books. I haven't read any of his books since. And then recently I picked up this new book and, although I was having a bad day, I was soon smiling and laughing. Spenser was back and I was sure enjoying his company. I've tried before to determine exactly why I love this series so much, since the basic concept is so cliched: Spenser is a tough, strong private eye, but with a heart of gold, who usually gets the bad guy. He's very ethical and serious at times, like Lawrence Block's Matthew Scudder character, but he is also quite funny at times, a la Donald Westlake. Mostly, though, he is witty, sharp and smart. I suspect that part of me thinks that I could be Spenser if I buffed up and learned how to throw a punch. The writing is always tight in his books. During one conversation, for example, Spenser tells the reader simply, "I had nothing to add to that," whereas other writers would elaborate on that thought. There is also a racial element to the series, with Spenser's buddy, Hawk, a black tough guy who acts dumber than he is and plays to the racial stereotype but is actually quite intelligent and uses people's expectation of him to his advantage. All of this results in great dialogue. At one point in this book, for example, Spenser is injured. "I don't need that much help," Spenser said. "He ain't heavy," Hawk said. "He's my brother." In this book, Spenser is hired by a law firm concerned that a black man convicted of murdering a white girl in an almost all-white college may actually be innocent of that crime. The suspect is guilty, though, of raping other women so few go out of their way to help Spenser unravel the truth. Spenser also encounters great deal of racism. Soon some tough guys tell Spenser to quit his investigation and throw him some muscle. He pretty much ignores the threats until he starts getting followed by a guy who prefers to let his bullets do the talking. And then things get really interesting. Meanwhile, Spenser's long-time girlfriend, Susan, wants to adopt a child but Spenser is against the idea but doesn't want to make her mad either. This is certainly not Parker's best book, but even a weak Parker book is better than much of the novels currently available. Part of the problem may be that Parker has been writing this series for too long, more than 20 years now, so it will be interesting to see how a new non-Spenser book he has out compares. And when I read that one, I'll tell you my conclusion.
10 internautes sur 10 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Bravo! 16 janvier 2006
Par G. B. Talovich - Publié sur Amazon.com
Format:Poche
Robert Parker writes like a skater on ice who floats effortlessly. He may put a lot of work into his writing, but he does not groan and grunt for our benefit. He presents the reader with polished pieces. This is elegance.

I have read a dozen of Parker's books, and enjoyed every one. However, I would say Small Vices is the most heroic, in that this book deals with grand themes. Academics may sneer at mystery novels, or come slumming, but these are our myths for the modern world.

If you haven't read the book, please stop reading this review here, because I wouldn't want to spoil anybody's enjoyment. The book has the classic Spenser scenes: the Threat, Displaying the Weapons, Pearl the Wonder Dog, great dialogue, vivid character sketches, and so forth. Spenser is careless, though. He shouldn't have been out running alone with the Grey Man on his trail.

Curious. In the end, everybody gets off. Spenser gets off with wounds, the Grey Man gets off without jail, the parents get off, the murderer gets off, the wronged prisoner gets off, and Hawk gets off with no pay for ten months' TLC. The only person who really loses is the victim, and she died happy.
8 internautes sur 8 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Spenser falls . . .and gets up! 7 août 2003
Par Larry Scantlebury - Publié sur Amazon.com
Format:Poche
This is one of my favorite Spenser tales. And we love him because . . . . I guess it's kind of that John Wayne feeling, you like to have a big guy around who can always be relied upon to take care of business. Here, he almost fails, and that's the magnetism of Small Vices.
Spenser is hired by the now successful, leggy Rita Fiore. There is the usual overt flirting ". . . too bad you didn't . . ." and "Boy, if you only had . . ." and "you had your chance . . " that we've come to chuckle at and with the honorable sleuth.
Here he's asked to track down 'the real murderer' which will free a man wrongfully doing life in the hard place.
It's hard to pity the imprisoned man Spenser is asked to free. It seems most feel he doesn't really deserve to be freed . . . even the loyal friend Hawk feels that Alves belongs in jail, "either for this crime or one he got away with."
But Spenser, who again tells someone his first name but not us, gets too close and takes three slugs to the shoulder, leg and chest.
It takes Susan, Hawk, Quirk, Belson, Lee Farrel and Vinnie nearly a year to rehab Spenser, who loses 40 pounds in the process, has a hard time making his limbs do what he wants them to, and basically can't walk. But they do and honor and heroism prevail, villains are suitably thrashed, and Susan and Spenser hook up. Again. And again.
There's a lot of vulnerability in Spenser this time. Like Joe Pike in The Last Detective, his body has betrayed him and he is lost. Sadness, even tears. The pages describing Spenser trying to get up the hill in Santa Barbara after again learning how to walk again are riveting. Good stuff.
If I had a disappointment, it was Spenser's laissez faire attitude towards Hawk who took a year off to mentor/train/help him. But maybe that's part of the mystique, he knew how he felt and so did Hawk.
Great stuff. Rachel Wallace is still #1 for me but Small Vices is a close second.
4 internautes sur 4 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 1 of the best Spenser books with great audio production 18 septembre 2000
Par Jeffrey Stevens - Publié sur Amazon.com
Format:Cassette
I have listened to most of the Spenser series in unabrdiged format from my local library, and this certainly ranks as one of the best I've heard.
The production version is unquestionably the best. While I have loved Michael Pritchard's voice as Spenser in the past, Burt Reynolds does a remarkable job of portraying all of the Spenser cast. The hardest is always Hawk, and Reynolds brings it off beautifully. The music cues actually add to the novel, which is something I have never heard before in years of listening to books.
The story is one of the more imaginitive ones I have yet heard from Parker. A good adversary for Spenser is something I have been longing for, and the "Gray Man" fits the bill. The plot is engaging, we see sides of Spenser and his relationship with Susan previously unexplored, and deeper glimpses of Spenser's friendship with Hawk.
And this has got to be the only appearance of a rifle chambered in .458 Magnum in a novel. I gotta know where Parker gets his weapons information.
I'd give it 4.5 stars if I could, but I can't, and it's closer to 4.6, so I give it 5. Not perfect, but wonderful. I hated to hear the ending.
6 internautes sur 7 ont trouvé ce commentaire utile 
2.0 étoiles sur 5 Poor choice of reader mars one of the best Parker novels 26 février 2009
Par Lover of English - Publié sur Amazon.com
Format:CD|Achat vérifié
This is a review of the audio book - not the novel. Prior to listening to this version of the novel I had heard 10 other "Spenser" novels on CD. Then I bought two new CDs: one in which Wm. Windom is the reader and this one, in which Burt Reynolds is the reader. The previous 10 had been read by Joe Mantegna.

Now I don't know how others feel, but when I discover a new author who has created great characters I like to spend time with those characters. I read the books over and over. The best ones I never tire of. I love the physical settings, the relationships between the characters and many other attributes of the story. Hearing the story read adds another dimension and, particularly in the Parker novels, which are filled with humor, I sometimes pick up added bits of humor because the pace of the story is slower than when I zip through it myself. This presupposes that there is nothing in the voice of the reader to distract from the story. Joe Mantegna's voice is neutral enough so that it doesn't intrude on the story itself.

The reader in this story, however has such a deep, gravelly voice that it is a constant distraction from the story. The reader also moves his voice up and down an octave range that forces me to continually adjust the volume. Either he drops his voice so that I can barely hear him or his audio is so loud that the volume has to be turned down. I did not really appreciate Mantegna's presentations until I listened to Windom and Reynolds. With both of them the medium is indeed the message.
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