From Publishers Weekly
Why do millions of pro wrestling fans spend their Saturday nights watching well-oiled, muscled and costumed men performing in a well-rehearsed stage play in which the winner is decided days earlier? What attracts devotees to this sport? Editor Sammond and a host of academics answer these and many other questions, explaining what they think really goes on inside and outside that ring (for Sammond, professional wrestling resembles burlesque more than sport). The writers, including a professor who wrestled under the name Professor Oral Payne, examine diverse topics: wrestling as masculine melodrama, female wrestling and its fans, the finances of the World Wrestling Federation and more. In a now famous essay, the late cultural critic Roland Barthes contends that the wrestlers are like good and evil gods battling to achieve a form of justice fans can understand. Of course, the writers take the sport much too seriously, exalting it as a cultural phenomenon whose mysteries can be uncovered by using the right academic jargon ("flesh—far from being the seed of meaning from which springs the signifying force of the wrestler, or the match, or wrestling itself—is but a node in a circuit of signification"). Regrettably, such language will limit this collection's audience. 31 b&w photos.
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Book Description
The antagonists--oiled, shaved, pierced, and tattooed; the glaring lights; the pounding music; the shouting crowd: professional wrestling is at once spectacle, sport, and business. Steel Chair to the Head provides a multifaceted look at the popular phenomenon of pro wrestling. The contributors combine critical rigor with a deep appreciation of wrestling as a unique cultural form, the latest in a long line of popular performance genres. They examine wrestling as it happens in the ring, is experienced in the stands, is portrayed on television, and is discussed in online chat rooms. In the process, they reveal wrestling as an expression of the contradictions and struggles that shape American culture.
The essayists include scholars in anthropology, psychology, film studies, communication studies, and sociology, one of whom used to wrestle professionally. Classic studies of wrestling by Roland Barthes, Carlos Monsiva¡is, Sharon Mazer, and Henry Jenkins appear alongside original essays. Whether exploring how pro wrestling inflects race, masculinity, and ideas of reality and authenticity; how female fans express their enthusiasm for male wrestlers; or how lucha libre provides insights into Mexican social and political life, Steel Chair to the Head gives due respect to pro wrestling by treating it with the same thorough attention usually reserved for more conventional forms of cultural expression.
Contributors. Roland Barthes, Douglas L. Battema, Susan Clerc, Laurence de Garis, Henry Jenkins III, Henry Jenkins IV, Heather Levi, Sharon Mazer, Carlos Monsiva¡is, Lucia Rahilly, Catherine Salmon, Nicholas Sammond, Phillip Serrat, Philip Sewell
