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Still Life in Harlem
 
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Still Life in Harlem [Anglais] [Relié]

Eddy L. Harris


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Amazon.com

That Still Life in Harlem can bring to mind the words of W. E. B. DuBois illustrates the deeply thoughtful nature of this book written by Eddy L. Harris. "Between me and the other world there is ever an unasked question," W. E. B. DuBois wrote in The Souls of Black Folk, "How does it feel to be a problem?" This question is central to Harris's book, and he asks it of both Harlem and himself.

Harris lived in Harlem until he was ten years old, when his family moved to the suburbs. This separation enhances Harris's ability to write a critical memoir of Harlem, which he later describes as a "metaphor for black America," but this distance comes at a price. Much of Still Life in Harlem is concerned with the author's own alienation from the neighborhood, and at a deeper level, his alienation from himself. Harris returned to Harlem by choice, yet he cannot help but find the place in many ways disagreeable and disheartening. The situation again calls to mind the resounding words of DuBois, "Why did God make me an outcast and a stranger in mine own house?" Harris is possessed with the second sight DuBois called "double-consciousness" the means to know the world through the judgments of others, or the habit "of measuring one's soul by the tape of a world that looks on in amused contempt." Harris's book is not without its flaws in execution, but it tells an important story in a strong and moving voice.

From Publishers Weekly

Though Harris (Mississippi Solo) spent two years living in Harlem, this book is more about Harris than Harlem. A middle-class black whom some consider "too soft" to be black, he felt compelled to test his allegiances and identity in New York's most famous black district. He even decided to be unemployed and to "become poor," as if to share local poverty. However, his portrait of Harlem?a bit of history, a few conversations and observations?presents an ur-ghetto. Harris does acknowledge that "All [in Harlem] is not the cliche of poverty," but he dismisses its wealthy and ignores the working class that sustains its churches and civic groups. Harris's book can be affecting, as when he reflects on his father?who hoped to create a better world. Ultimately, Harris's reveries do not lead him to any hard political or sociological analysis. Rather, his work ends with stories that show his mixed feelings of obligation, anguish and machismo. He stubbornly faces down a young tough blocking the sidewalk. He decides to help kids in an after-school program. He intervenes when he hears a man harassing a woman. He concludes that "the ghetto lies within" no matter how far he goes. However, his self-dramatizing style diminishes his epiphanies.
Copyright 1996 Reed Business Information, Inc.

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