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Store of the Worlds: The Stories of Robert Sheckley [Anglais] [Broché]

Robert Sheckley , Alex Abramovich , Jonathan Lethem

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Description de l'ouvrage

1 mai 2012
An NYRB Classics Original

Robert Sheckley was an eccentric master of the American  short story, and his tales, whether set in dystopic city­scapes, ultramodern advertising agencies, or aboard spaceships lighting out for hostile planets, are among the most startlingly original of the twentieth century. Today, as the new worlds, alternate universes, and synthetic pleasures Sheckley foretold become our reality, his vision begins to look less absurdist and more prophetic. This retrospective selection, chosen by Jonathan Lethem and Alex Abramovich, brings together the best of Sheckley’s deadpan farces, proving once again that he belongs beside such mordant critics of contemporary mores as Bruce Jay Friedman, Terry Southern, and Thomas Pynchon.

Descriptions du produit

Revue de presse

“Sheckley is . . . powerful . . . fantastic . . . brilliant . . .his wry twistings of reality . . . are absolutely unique.”  — Roger Zelazny

“Because Sheckley leavened his darkest visions with wit and aburdist plotting, he is considered one of science fiction’s seminal humorists, a precursor to Douglas Adams.”
— The New York Times

"The late Sheckley was known for a dark satirical style that keeps some of the more dated material in this retrospective collection fresh….Editors Lethem and Abramovich provide an insightful introduction but otherwise let the individual stories stand on their own."   —  Publishers Weekly

"….collection of classic sci-fi stories from the '50s and '60s, which melds the wit of Ray Bradbury with the philosophical undertones of Philip K. Dick….comic and thought-provoking gems."   — The Bookseller (UK)

"Science fiction’s premier gadfly." —Kingsley Amis

"Witty and ingenious . . . a draught of pure Voltaire and tonic." — J. G. Ballard

“If the Marx Brothers had been literary rather than thespic fantasists, they would have been Robert Sheckley.” —Harlan Ellison

"Sheckley is my hero" —William Nye

 "One of the few acknowledged humorists in SF, and by far the funniest, Sheckley plays with myths the way Mel Brooks plays with classic movies.” —The New York Times Book Review
 
"Mr. Sheckley—as might be expected of a writer who can wring praise from as diverse a group of peers as Kingsley Amis, Harlan Ellison, John le Carre and J. G. Ballard—has an engagingly madcap manner all his own." —The Wall Street Journal
 
“Sheckley is one of SF’s all-time masters of the humorous or satirical short story. . . . much of Sheckley's work has been hard to come by for a good many years” —Booklist

"Let’s say you are a devoted fan of Kurt Vonnegut’s books, love the sardonic comeuppance stories of John Collier and Roald Dahl, own all of Edward Gorey’s little albums and enjoy watching reruns of 'The Twilight Zone.' Where else can you find similar instances of sly, macabre wit, of such black-humored, gin-and-tonic fizziness in storytelling? The answer may be unexpected: among the many masters of satirical science fiction and fantasy. Robert Sheckley...is certainly a leading example."—Michael Dirda, The Washington Post

Biographie de l'auteur

Robert Sheckley (1928–2005) was born in New York City and raised in Maplewood, New Jersey. He joined the army shortly after high school and served in Korea from 1946 to 1948. Returning to New York, Sheckley completed a BA degree at New York University and later took a job in an aircraft factory, leaving as soon as he was able to support himself by selling short stories. In the 1950s and ’60s his stories appeared regularly in science-fiction magazines, especially Galaxy, as well as in Playboy and Esquire. In addition to the science fiction for which he is best known, Sheckley also wrote suspense and mystery stories and television screenplays; from 1979 to 1982 he was the fiction editor of Omni magazine. Sheckley traveled widely, settling for stretches of time in Greenwich Village, Ibiza, London, and Portland, Oregon. Many of Sheckley’s more than fifteen novels and roughly four hundred short stories have been translated and four have been adapted for film. In 2001 he was named Author Emeritus by the Science Fiction and Fantasy Writers of America.

Alex Abramovich has been an editor of Feed, Flavorpill, and Very Short List and a writer for The New York Times, The London Review of Books, and other publications. He lives in Oakland, California, and Astoria, Queens.

Jonathan Lethem is the author of eight novels, including Girl in Landscape and Chronic City, and five collections of stories and essays, including The Ecstasy of Influence (2011). He has previously written the introductions for the NYRB Classics editions of A Meaningful Life by L.J. Davis and On the Yard by Malcolm Braly. He teaches at Pomona College and lives in Los Angeles and Maine.

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Amazon.com: 4.4 étoiles sur 5  9 commentaires
20 internautes sur 20 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Sheckley and a Dimension of Miracles 1 mai 2012
Par The Ginger Man - Publié sur Amazon.com
Format:Broché
NYRB continues to select excellent yet neglected authors for publication. Robert Sheckley is a personal favorite of mine. He wrote 13 novels and 104 science fiction stories mostly in the fifties and sixties. His humorous and darkly satiric stories were described in the New York Times as disarmingly playful with a nihilistic subtext. His obit in the Times in 2005 contrasted Sheckley's work with that of his contemporary, Ray Bradbury. The latter author mourned the failure of man to live up to his dreams, suggested the Times, while Sheckley's work mocked the self-delusions that led to those dreams in the first place. In a more lofty comparison, however, this same obituary states that while Sheckley's fiction presages that of Douglas Adams, his short stories also resemble those of Franz Kafka.

Store of Worlds contains 26 stories, 21 of which were written between 1953 and 1959. Included is The Seventh Victim, made into an Italian movie in 1965 with Ursula Andress and Marcello Mastroianni. After the fourth world war (or sixth depending on which historian is counting), governments decide that another process must be developed to drain man's excess aggression. To achieve this, the ECD (Emotional Catharsis Bureau) conducts a game in which citizens can register to kill and be a potential victim 10 times. Big wars are thus eliminated to be replaced by hundreds of thousands of small ones. This story contains elements later used in The Running Man and Hunger Games.

An entry called "Warm" echoes themes found in Kafka's stories as a voice helps a man who is about to propose to his girlfriend instead literally deconstruct reality.

In most of Sheckley's stories, the main characters resemble people we know although their situation may be slightly askew. In The Accountant, Mr Dee is upset because his son wants to become a businessman rather than learn witchcraft. He reluctantly calls on Boarbas, Demon of Children, to scare his son back into line with unexpected results.

Robert Sheckley was so prolific that science fiction magazines sometimes asked that he employ a nom de plume so that an issue not carry multiple stories by the same author. Yet, while Sheckley was nominated in the short story, novelette and novel category for a Nebula, Hugo and Worlds Fantasy Award in 1959, 1966 and 1977, he did not win a major award. This was rectified in 2001 when the Science Fiction writers of America selected Sheckley as Author Emeritus.

Store of Worlds is a great way to sample his work. The fortunate reader can, if interested, continue through the Sheckley bibliography utilizing Amazon rather than having to search through endless used book stores as I did twenty years ago.
6 internautes sur 6 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 "You don't solve human problems so easily. There had to be a catch somewhere." 17 mai 2012
Par Michael J. Ettner - Publié sur Amazon.com
Format:Broché
If you've never read anything by the great Robert Sheckley and wonder if he's worth a try, then hearing about some comparables might be helpful -- even when, strictly speaking, there is no one comparable.

Washington Post book critic Michael Dirda, in his review of STORE OF THE WORLDS, listed these: Kurt Vonnegut's books, the sardonic comeuppance stories of John Collier and Roald Dahl, Edward Gorey's little albums, and reruns of "The Twilight Zone." Other respected practitioners of science fiction have compared Sheckley (when he's at his best) to Voltaire. The opinionated writer Harlan Ellison has said, "If the Marx Brothers had been literary rather than thespic fantasists ... they would have been Robert Sheckley."

I'd add this advice: If you enjoy anthropology as a mind-stretching experience (those strange other tribes are not us and yet are us), and if your brand of humor includes satire rooted in the age-old lesson, Lord what fools these mortals be, then this guy Sheckley's for you.

So a first foray into Sheckley's world should begin where? I think STORE OF THE WORLDS is an ideal port of entry.

Don't be misled by the fact this volume appears under the imprint of New York Review Books, whose reputation is built on the resurrecting of out-of-print literary gems. Sheckley may not a "literary" writer at least not as that term is generally understood. Not to worry. Your reward as a reader is not the quality of his prose (although he is no slouch in that regard). No, your reward is spending time inside a playful, fertile mind -- a mind that births ideas like some boundless cornucopia, ideas sometimes antic, typically sardonic, always honest.

There's one other collection of the author's stories currently in print to consider as an alternative: The Masque Of Manana. It's a hardback containing 41 stories, 15 more than the paperback STORE OF THE WORLDS. One notable story, "The Lifeboat Mutiny," which reviewer John Gault praises in his Amazon review on this page and which he regrets is missing from STORE, does appear in MASQUE OF MANANA. On the other hand, another fan-favorite "Watchbird," a cautionary tale that presaged by half a century the controversy over domestic use of drones, is found in STORE but not in MASQUE.

Still on the fence? You can get a complimentary taste of Sheckley in Amazon's Kindle Store which lists a dozen or more stories available for free download. Amazon seems to rotate stories in and out of the "free" category. Try these (available as of January, 2013): Watchbird; Warrior Race; and Cost of Living. Also worthwhile is Sheckley's short novel, The Status Civilization (it's also a free Kindle download, at least as of 01/2013).
4 internautes sur 5 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Each one is a pure gem of the kind of story you used to find in those old pulp science fiction magazines. 14 juillet 2012
Par M. Sweeney - Publié sur Amazon.com
Format:Broché
There's a few periodicals out there that publish genre short stories. They seem to be harder to find that they used to be - packets of short stories of fantasy, mystery, science fiction - but they're still out there. If you were ever a fan of them, you remember the excitement of the new issue, sucking up the wood pulp aroma and plowing through the stories one by one. Many of the material wasn't very memorable but if you remember ones from the science fiction collections, Robert Sheckley's stories have a high memorable factor. Short, sweet, to the point and the punchline ... well, his stories weren't jokes exactly but they inevitably had some twist of plot that stuck to the mind.

This NYRB edition is a collection of 26 of his stories, originally published from 1953 through 1978 in pulp magazines such as "Analog Science fiction" and "Galaxy Science Fiction" on up to glossier publications like "Playboy". The bulk of the stories were published in the 1950s.

Each one is a pure gem of the kind of story you used to find in those old pulp science fiction magazines. That's the upside.

Of course, it's also the downside. Character development except in the advancement of the plot to the twisting point is minimal, as is descriptive prose. Some of them haven't aged as well as you might have hoped; some of the plot mechanics are a bit too transparent. You need to approach them as story-teller's craft, and as signposts for the fascination of a culture. Sheckley avoids most of the space opera clichés if you happen to be allergic to those.

If you're OK with these caveats and ready for a collection of classic short science fiction stories from the '50s and beyond, you'll probably enjoy this book.
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