Description
“Smart and shapely ... immaculately constructed.” (Marilyn Stasio, New York Times Book Review )
“A damn fine crime novel...like a master class in crime fiction.” (Baltimore Sun )
“If you haven’t read Robinson .... what on Earth is stopping you? .... A clever and entertaining thriller.” (Miami Herald )
“Fascinating....Robinson, with his usual deft touch and unblinking eye, brings the story to an unexpectedly gut-wrenching conclusion.” (Richmond Times-Dispatch )
“A fast-moving story [with] some knockout scenery and an assemblage of delicately drawn characters.” (Raleigh News & Observer )
“Flawless plotting and superbly drawn characters….[Robinson] is a master craftsman.” (Tampa Tribune )
“Robinson shows he’s a master ... mixes a gritty plot with intense character studies....Consistently compelling.” (Florida Sun-Sentinel )
“Remarkable.” (Globe and Mail (Toronto) )
“The best Banks book in years.” (Winnipeg Sun )
“Superlative...Deeply absorbing...Gripping.” (Publishers Weekly (Starred Review) )
“Robinson has won just about every mystery award there is….His latest shows why.” (Booklist (starred review) )
“An engaging pleasure . . . like red wine, [Banks] gets better and more interesting with age.” (Publishers Weekly )
“Robinson is on a winning streak.” (Tampa Tribune )
“Deeply nuanced works of art.” (Dennis Lehane )
“The Alan Banks mystery-suspense novels are, simply put, the best series now on the market.” (Stephen King )
“Stunningly complex and intricately plotted....Peter Robinson fools and entertains me with every twist.” (Nevada Barr )
“Complex and intelligent.” (Sunday Times (London) )
“Exquisitely complex and atmospheric.” (Los Angeles Times Book Review )
“Taut, carefully thought out…with plots that are refreshingly cliché-free.” (Time Out London )
“Cunning…authentic and atmospheric.” (The Independent (London) )
“Different and intriguing.” (Sunday Telegraph )
Peter Robinson is:“A gifted creator of fully fleshed and vividly present characters.” (Boston Globe )
“A happy discovery.” (Lady Antonia Fraser in the London Sunday Times )
“A skillful writer…” (Houston Chronicle )
“Absorbing…Robinson continues to stretch the boundaries of the standard procedural.” (Orlando Sentinel )
“Robinson actually seems to grow in front of our eyes, delivering books of greater complexity each time.” (Otto Penzler )
“Splendid.” (San Diego Union-Tribune )
“The equal of legends in the genre such as P.D. James and Ruth Rendell.” (St. Louis Post-Dispatch )
“Psychologically acute fiction.” (The Strand ) --Ce texte fait référence à l'édition Poche .
Présentation de l'éditeur
On a summer night, an attractive woman hurtles north in a blue Peugeot with an address in her pocket, while, back in London, a desperate man leaves a late-night phone message on his brother's answering machine. By sunrise, the woman is found in her car, shot, execution-style, through the head.
Detective Inspector Annie Cabbot arrives on the scene and discovers a slip of paper in the dead woman's pocket that bears the name of her colleague and erstwhile lover, Detective Chief Inspector Alan Banks. Banks, meanwhile -- withdrawn after nearly dying in the fire that destroyed his home -- has gone missing just when he's needed most, and has left plenty of questions behind.
As Annie struggles to determine if Banks is safe -- and what role he may have played in the woman's murder -- Banks himself investigates the mysterious disappearance of his estranged brother, Roy. Working from Roy's swank apartment, Banks makes the rounds to Roy's old haunts and slowly inhabits the life of his younger brother, the black sheep of the family. As the trail of clues about Roy's life and associations draws Banks into a dark circle of conspiracy and corruption, mobsters and murder, Banks suddenly realizes he's running out of time to save Roy, and by digging too deep, he may be exposing himself and his family to the same -- possibly deadly -- danger.
Performed by Simon Prebble
