Amazon.co.uk
Adrian Tomine, creator of the critically acclaimed comic series
Optic Nerve, has been called the comics voice of the twentysomething generation, but it's a title he rejects, and for good reason. The tales of disconnection and alienation collected in
Summer Blonde--a selection of the best of
Optic Nerve--aren't expressions of youthful angst so much as they are meditations on the discontent we all feel with contemporary life.
The four stories here have echoes of Raymond Carver in their minimalist style and focus on dysfunctional relationships, but Tomine's real strength lies in his identification of the "undercover craziness" in us all--the damaged selves that we hide beneath facades of normalcy. In "Hawaiian Getaway," for instance, a woman's inability to navigate office politics or family expectations leads to a breakdown, and she begins calling the pay phone outside her apartment and talking to the strangers who answer. Other stories are sharp indictments of the madness of modern society. In "Bomb Scare" the brutality and disregard high-school students direct at each other reflect the casual violence of the first Gulf War playing out on their televisions. In the title story, a stalker's interference in the life of a woman exposes the empty voids that lie under our social rituals and leads to an eruption of violence.
Some readers may wonder how to interpret the ambiguous endings of the stories in Summer Blonde, but this ambiguity is the whole point of Tomine's work. The world he creates is just as confusing and uncertain as our own lives. While his characters are often unlikable, simultaneously creepy and pathetic, they remain understandable because Tomine always ensures that we see ourselves in them. --Peter Darbyshire, Amazon.ca
Booklist
Tomine is at the forefront of the younger generation of alternative-comics artists; now in his mid-twenties, he began publishing at age 16. Known for his clear, direct drawing and acute scrutiny of his contemporaries, Tomine has an understated approach, light on plot but rich with memorable characterization. The young protagonists of these four stories range from alienated to out-and-out misanthropic and include a successful but shy novelist who seeks out the girl he was obsessed with in high school; a lonely woman who loses her job and veers into erratic behavior; and a pair of high-school outcasts who improbably wind up together. Tomine shows them dealing with bad attitudes, bad choices, and bad sex. The narratives pick up at seemingly arbitrary points in the characters' lives and end just as abruptly. They are snapshots of lives just gathering steam. Tomine's figures look a bit stiff, and sometimes his panels are cramped, but that isn't inappropriate to depicting the constricted lives of his not particularly likable but always sympathetic characters.
Gordon FlaggCopyright © American Library Association. All rights reserved
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