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Former
Washington Post reporter Pete Earley, whose several books include a study of Leavenworth Prison, turns his meticulous journalistic eye on yet another notorious venue: Las Vegas. Don't expect him to unearth a spate of scandalous doings, though: Sin City isn't quite what it used to be. "Howard Hughes is now only a historical footnote," Earley writes. "Liberace's trademark candelabra sits in a museum. Elvis has been gone so long that tourists often think his impersonators look more like the King than he did. The old Las Vegas is dead."
The new Vegas, however, is very much alive. In two years of visits, with particular access to the Egyptian-themed Luxor Hotel, Earley gathers a comprehensive history of the city's "gaming" industry, including the biographies of such important figures as the Bellagio's Steve Wynn. He also takes a firsthand look into the lives of several Vegas residents and regulars. The book's chapters, often dense with historical fact, are neatly interrupted by fascinating first-person accounts: an old-time dealer talks about being threatened by Frank Sinatra, a hotel manager at a casino gets chewed out by her boss for renting out a $5,000 room to movie stars, and a cab driver talks about falling out of love with this high-rolling town, though he still tries to get his cut of the money. "The money," he says. "There is so much of it in this town that you learn to close your eyes. I hate it but I can't walk away. Who can?" Perhaps the readers of Super Casino will be able to restrain themselves after they read Earley's explanation of how clearly casino odds are stacked against them. --Maria Dolan
--Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
From Publishers Weekly
For a portrait of razzle-dazzle Las Vegas, this is a curiously sober book. Earley, an Edgar and Robert F. Kennedy Award winner (Circumstantial Evidence), gained the cooperation of Circus Circus Enterprises, owners of the new pyramid-shaped Luxor super casino, to write an awkward hybrid of a work: part business history, part vignettes of life in Las Vegas. The first segment, more than one third of the book, tells the history of Circus Circus. It's a solid account of the rise of corporate casinos by Earley, a former Wall Street Journal reporter, but as Vegas tales go, there's nothing hugely dramatic in the Circus Circus story. The book's sprightlier but diffuse second part describes episodes inside the Luxor and the individual characters who populate it: a casino boss, a showgirl, a security guard, etc. Earley showcases some unflattering scenes, such as a security guard's beating of a homeless man, and picks up some only-in-Vegas anecdotes, like the many ways casino dealers have tried to hide stolen chips (e.g., in a brassiere). But only one of these characters is compelling: a young prostitute who opens up to the author to a remarkable degree; surviving the Las Vegas jungle, she trains as a blackjack dealer and ultimately leaves town. Earley does not comment directly on the broader moral issues of gambling: halfway through the book, he quotes a cabbie who says the city is based on greed, but near the end, he cites a Luxor manager who asserts that it's a place "where people come to forget their problems." Andres Martinez's 24/7 (Forecasts, Oct. 25) goes further in conveying the manic energy of Las Vegas, but the city still awaits a stylish chronicler who can fully capture its uniqueness. (Jan.)
Copyright 1999 Reed Business Information, Inc.
--Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
