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Symphonie N° 5 [Blu-ray]

4.5 étoiles sur 5 2 commentaires client

3 d'occasion à partir de EUR 57,78

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Détails sur le produit

  • Format : Anamorphique, Classique, Dolby, Son HiFi, NTSC, Surround, Cinémascope
  • Audio : Anglais
  • Région : Région A/1 (Plus d'informations sur les formats DVD/Blu-ray.)
  • Rapport de forme : 1.78:1
  • Nombre de disques : 1
  • Studio : Accentus
  • Date de sortie du DVD : 12 juin 2012
  • Durée : 4833 seconds
  • Moyenne des commentaires client : 4.5 étoiles sur 5 2 commentaires client
  • ASIN: B007KY4UU0
  • Classement des meilleures ventes d'Amazon: 88.550 en DVD & Blu-ray (Voir les 100 premiers en DVD & Blu-ray)
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Descriptions du produit

Description du produit

Abbado, interprète idéal de Bruckner. « L'approche par Abbado de la musique de Bruckner est douce et mélodieuse, parfois tendue et rapide, mais avec toujours une grande justesse. » : ainsi la Neue Zürcher Zeitung décrit-elle la prestation tant acclamée de Claudio Abbado à la tête de l'Orchestre du Festival de Lucerne. Leur interprétation de l'imposante Cinquième Symphonie d'un Bruckner en pleine ascension rend un parfait hommage à son génie. Même le Guardian insinue avec poésie que le compositeur lui-même aurait sans doute décerné à Claudio Abbado le titre « d'interprète idéal ».

Description

This is Bruckner sunny side up, lending a molto expressivo bloom to string cantilenas in the opening movement and a con amore sparkle to the brass chorales. The orchestra, combining old friends and young talents, radiates a fabulously chamber musical quality. --Andrew Clark, Financial Times

The sound is excellent, the camerawork sensitive and technically first-rate. Abbado himself is invariabley the main focus of attention and he's wonderful to watch: theatrical posing and outsize gestures are evidently foreign to his nature… The players vary in age and appearance: no stiffening dress-code clamps down the unwarranted formality, just well-dressed men and women totally into the business of making great music. And boy, do they deliver! --- DVD Choice --Rob Cowan, Gramophone

Best DVD Peformance, Gramophone Awards,2012 --Gramophone

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Par Denis Urval COMMENTATEUR DU HALL D'HONNEURTOP 50 COMMENTATEURS le 22 juin 2012
Format: DVD Achat vérifié
J'avais entendu en partie la 7e du même Bruckner donnée par Abbado à LucerneLucerne Festival [Import USA Zone 1], et je n'avais pas été particulièrement marqué par son interprétation d'un compositeur qu'il a tout de même beaucoup pratiqué, même s'il lui est moins associé que MahlerSymphonie n° 9 en ré mineur. Cette 5e d'août 2011 recèle elle de très beaux moments, le 3e thème du premier mouvement et ses contrastes entre pizz et fragments mélodiques, un second mouvement modelé avec amour, et réalisé bien sûr par un orchestre tout en finesse.

Si certains habitués ont disparu, on retrouve des pointures, le premier violon Kolja Blacher, l'altiste Wolfram Christ, fidèle entre les fidèles, et à la trompette l'impressionnant Reinhold Friedrich, qui triomphait déjà dans la Mer en 2003. On a tant dit sur cette formation qu'il n'est pas utile d'en rajouter.

Dans l'ensemble, quelque chose me retient d'aller de l'admiration et du respect à un complet enthousiasme de bout en bout, un peu comme dans le cas de certains des Beethoven du chef. Le finale garde longtemps un côté « grand exercice contrapuntique » qui ne me comble pas, même si son dernier tiers est soufflant par la cohésion, la beauté, le fini orchestral et -enfin, l'élan.
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2 commentaires 9 sur 11 ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Par Bernard Desserre le 17 septembre 2012
Format: DVD Achat vérifié
destiné à augmenter ma collection sous la direction de ce chef IMMENSE
Très bien filmé, une prise de son remarquable, que du boheur
Remarque sur ce commentaire 3 sur 6 ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x939cc2a0) étoiles sur 5 13 commentaires
13 internautes sur 13 ont trouvé ce commentaire utile 
HASH(0x939e7e1c) étoiles sur 5 outstanding performance by superstar conductor and all-star orchestra 3 septembre 2012
Par Gary E. Miller - Publié sur Amazon.com
Format: DVD Achat vérifié
I have been going to concerts for about half a century and have yet to see a live performance of Bruckner's fifth symphony. However, having seen both the DVD and Blu-Ray of this Summer 2011 performance by Claudio Abaddo and his Lucerne Festival Orchestra, I believe that this clear and crisp video with excellent sonics comes close to what I've missed by not having seen a live performance. Great Bruckner conductors have the ability to create a sense of unity across these massive four-movement works, instill a pulse that links the great outbursts, the lyrical outpourings, the luftpauses, while at the same time avoiding the impression of a series of disconnected episodes. And Abaddo and this exceptional group of players achieve this in remarkable fashion. Watching Abaddo conduct, without a score as with all of his Lucerne Festival videos and his Beethoven symphony cycle with the Berlin Philharmonic, I cannot help but think about how it must have been a shock to the Berlin Philharmonic musicians when Abaddo took over the podium following the death of Herbert Von Karajan. In this video of his performance of the Bruckner fifth, his emotion-conveying facial expressions, his continuous eye contact with his players, is in marked contrast to his distinguished predecessor in Berlin who conducted in a precise and controlled manner, but with eyes closed and with a facial expression that conveyed little if any of the emotional content of the work he was conducting. It is sad that Bruckner was never able to attend an orchestral performance of this masterpiece, and maybe it is fortuitous that he was too ill to attend the premier of his fifth symphony in Graz, conducted by Franz Schalk who had secretly adulterated the score, changing the orchestration and inflicting massive cuts, especially in the finale. Abaddo and his Lucerne Festival players perform magnificantly in all four movements. The pizzicato strings that open three of the four movements are beautifully played as are, in movement 1, the tutti, chorale, gesangsperiode, the unique use of themes from the introduction as "dividers", development and recapitulation of the principal theme of the first movement which, typical of Bruckner, appears at the conclusion of the 4th movement coda to create a sense of unity spanning the entire symphony. The two themes of the binary-form adagio are beautifully played, the A theme with its dramatic falling sevenths, the B theme, a soaring melody, one of the most attractive themes Bruckner composed, and the rustic scherzo, featuring a speeded up version of the A theme from the adagio. And the finale which Bruckner labored over, an amazing creation combining sonata form (incorporating Bruckner's innovation of 3 themes) and fugue. These fugal sections are emotionally powerful, truly exciting--the fugue based on the first theme of the 4th movement with its dramatic octave drop, the fugue on the chorale theme (3rd theme), the double fugue based on the chorale and first theme, and the double fugue on the first themes of movements 1 and 4, leading to the coda with a triple fugue following the dramatic entry of the chorale,and, of course, the final wrap-up with the main theme of the first movement, uniting the entire symphony. This is a marvelous performance and I recommend it highly.
7 internautes sur 7 ont trouvé ce commentaire utile 
HASH(0x939ee264) étoiles sur 5 A tough symphony, well played. 5 juillet 2012
Par Clive S. Goodwin - Publié sur Amazon.com
Format: Blu-ray Achat vérifié
I first encountered Bruckner in the early 60's, and have had Bruckner "phases" ever since, unlike Mahler, of whom I have been a constant devotee since that same time. My initial Bruckner opus was the sixth symphony, his most succinct, and which has remained my favorite since those days(great tunes, well integrated). From there I branched out to earlier and later works. The fifth has always been the toughest nut to crack for me.

Listeners first encountering this 5th. symphony, if they were familiar with other Bruckner works, could be forgiven for thinking that the first movement in particular was constructed from discarded pieces of melody from earlier symphonies, strung together with no overall plan in mind. Certainly, the developmental agenda is not obvious. However, things seem to get more cogent as the movements progress, although there are still instances where beautiful little snippets of melody are left hanging without resolution.

Abbado does a pretty good job of hanging all this together - no mean feat for what must be a devilishly difficult conducting assignment. Just watch how he creates the little nuances in rubato and volume.

Gerhard Knapp in his review has doubts about the Lucerne orchestra being the ideal Bruckner orchestra, and I know what he means, although I think it's more the hall than the orchestra. If you listen during the brass chorales, you can tell the Lucerne hall, being narrow and relatively low-ceilinged, has a short decay time, thereby making it hard for the music to breathe in the Bruckner "cathedral of sound" manner. Compare this recording to, say, the Bruckner 7th, recorded by Welser-Most and the Cleveland Orchestra in Severance Hall. The difference in reverberation, and therefore fullness of sound, is quite marked.

That being said, the performance here is very good, as is the recording of it in this hall. The sound just comes across as a little clinical - you can't really bask in it. Video quality is excellent in bluray.

The only other video of this symphony that I have seen is by Wand, which is rendered obsolete by this version. On You Tube, you can see Barenboim's effort (looks and sounds pretty good) together with the 4,6,7,8 & 9, all with the Berlin RSO, and purported to be released sometime henceforth on bluray. These were apparently all performed and recorded within a one week period in Berlin. I frankly don't know how a conductor or orchestra can absorb and perform all this music optimally in such a short period. But the release could be a best-seller if it is priced competitively as a bluray set. They can probably squeeze the whole thing onto two discs.

So, if you like Bruckner 5, you'll love this disc. If you're new to it, try it and be prepared to invest a little time getting to know it. This is not a piece to absorb in one sitting.
10 internautes sur 11 ont trouvé ce commentaire utile 
HASH(0x939ee48c) étoiles sur 5 superbly played and conducted performance 23 mai 2012
Par Ivor E. Zetler - Publié sur Amazon.com
Format: DVD
Bruckner's Fifth Symphony, composed during a troubled time in the composer's life, was competed in 1876 and had its first orchestral performance as late as 1894. Compared to the the more free flowing Fourth Symphony, this longer work can seem more episodic, rambling and even experimental. Heard in this superb performance by the Lucerne Festival Orchestra under the direction of Claudio Abbado, it sounds magnificent.

While Abbado's interpretation is certainly not barnstorming, neither is it limp wristed. Although utilizing a large orchestra Abbado approaches many aspects of this work more as a piece of chamber music-thus the subtleties of the wind and brass writing are gloriously displayed. His hand picked orchestra plays flawlessly and the whole symphony is expertly paced. While Gunther Wand's DVD version is also noteworthy , its filming is somewhat dated and the performance is less coherent than Abbado's.

Listening and watching on a decent home theater system I found the warm and clear sound perfectly acceptable. The performance is additionally well filmed. Highly recommended.
20 internautes sur 27 ont trouvé ce commentaire utile 
HASH(0x939ee600) étoiles sur 5 A great performance, but... 16 mai 2012
Par Gerhard P. Knapp - Publié sur Amazon.com
Format: Blu-ray
Bruckner's Fifth Symphony is a difficult piece to bring off: episodic and at times almost disjointed and lacking the inner drive and structural cohesiveness of its siblings. It seems that the composer, after the glorious Fourth, was trying out both new and traditional venues (an abundance of counterpoint) and exploring formal innovations which not always quite jell. As a whole, the symphony needs a firm grip on its development and, moreover, a stress on some of its proto-modern features in rhythm and harmony, in brief: sharp contours to the many outbursts and a loving hand with the lyrical passages. For me, Stanislaw Skrowaczewski's 1996 CD recording with the Saarbrücken Radio Symphony Orchestra delivers all this, and more. On DVD, Günter Wand (in dated video and audio) is fine, Franz Welser-Möst with the great Clevelanders more incisive, though sometimes hampered by the reverberant acoustic of St. Florian.

Abbado's recording has received much praise elsewhere, and I gladly agree that his is a very special reading, full of warmth and sensitivity to the composer's mood swings. I do not quite concur with Ian Giles regarding the problems with the recording's dynamic range he experienced: I listened (with headphones) to both soundtracks and, yes, the dynamic range is wide and some piano passages are low in volume indeed, but all in all the dynamics are not out of line for me. The video is very good, so is the audio, up to today's very best standards (see C Major!). As to the interpretation, I don't find the Lucerne Festival Orchestra ideally suited to Bruckner's idiom and his sonorities. At times I sensed some tentativeness in ensemble or intonation, too subtle to pinpoint exactly. Perhaps this is due to Abbado's rather genteel approach to the score which is not quite apparent in the powerful first movement and the beautifully melodic adagio, but in the scherzo where I would wish for a more ferocious delivery (and, as the composer wants, no slowing down in the trio) and in the finale which is not quite overwhelming or, if you like, apocalyptic enough for my taste. All this is admittedly a very subjective response to what must be considered a great performance overall. You may disagree with my quibbles and I'll be happy to hear from you.
2 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x939ee84c) étoiles sur 5 A most refined Bruckner: Lyric and without bombast 8 février 2014
Par S. Lachterman - Publié sur Amazon.com
Format: DVD Achat vérifié
I was introduced to Bruckner’s Fifth in the late 1960s with Eugen Jochum’s “monumentalized” approach at a live concert, and then on his LP set. Jochum notoriously halved the tempo at the end of the fugue, yielding a double augmentation of the chorale. This grand broadening, along with a doubled brass section almost allowed the scent of valve oil to drift like a veil over the first few aisles. I was blown away, as was much of the audience. I felt after such grandeur, that any other approach was sacrilegious and weak.
Since then, I’ve heard many performances, and now appreciate this work in more modest garb. However, Abbado’s nuanced and refined reading stands alone as the most transparent and lyric interpretation I’ve heard. The Lucerne Festival Orchestra has a uniquely international sound: one cannot really say the brass is German or the winds French. Each solo is imparted with a polished sheen, expressive, yet fastidious. Abbado lets the musical events unfold on their own with a reverence for the score, eschewing grandstand plays. I had to forget the cathedral of the past.
I still love to turn up the volume on my Jochum and recall the thrill I experienced over forty years ago, but I would place this exquisite performance above the rest.
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