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Tales of Hoffmann [Anglais] [Relié]

E T A Hoffman


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It was in the Rue St Honore that the little house was situated which Madeleine de Scudery, famous for her charming poems, occupied by the grace and favour of Louis XIV and Madame de Maintenon. Lire la première page
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Couverture | Copyright | Table des matières | Extrait | Quatrième de couverture
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Amazon.com: 3.3 étoiles sur 5  10 commentaires
54 internautes sur 55 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A Treasury of Wonderful Stories... 11 février 2001
Par "emmc" - Publié sur Amazon.com
Format:Broché
E. T. A. Hoffmann is perhaps best known to American audiences as the creator of "The Nutcracker"; a story most are familar with due to the numerous stage productions each Christmas season. Hoffmann's contribution to fantasy and literature extends far beyond the Nutcracker though. He posessed an amazing imagination and true talent for spinning a story, exciting a sense of wonder and creating eccentric, memorable characters. This book, "The Tales of Hoffman", offers the reader some of Hoffmann's best, and at the same time, lesser known works. The stories included are:
"Mademoiselle de Scudery", "The Sandman", "The Artushof", "Councillor Krespel", "The Entail", "Doge and Dogaressa" "The Mines at Falun", "The Choosing of the Bride"
I wish I was a Hoffmann scholar, so that I could do justice in this review to these great tales. Suffice it to say, that anyone interested in superbly crafted fantasy, the supernatural interwoven with the romantic, and wonderfully crafted characters - anyone who reads and admires to the works of Edgar Allan Poe, Charles Dickens, and Bram Stoker to name just a few, should read the works of Herr Hoffmann. He is truly one of the finest, and under appreciated, authors of the fantastic.
36 internautes sur 40 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 19th Century German Horror And Fantasy 5 mai 2004
Par Rudy Avila - Publié sur Amazon.com
Format:Broché
Although the previous review was negative calling this collection of E.T.A. Hoffman's stories uninspiring and meaningless, it's worth taking a better look. E.T.A. Hoffman's genius and the Germany he was familiar with. In the mid 19th century, Germany, not yet the German Empire, was a vast and varied society. Intellectuals were educated in the brand name universities (such as Heidelberg) and new waves of thought and politics were emerging such as Karl Marx's Communism. Germany had been the home of great existential philosophers such as Immanuel Kant, the freedom-loving Friderich Von Schiller and later the atheist Friedrich Nietzche. It was the home of many Romantic Era composers and writers - Beethoven, Schubert, Schumann, Richard Wagner, Gustav Mahler, writer Henrich Heine and our own E.T.A. Hoffman. He represented, like many other fiction writers his age, the Romanticism of the 19th century that flowered all over Europe. Germany was mostly famous for its symbolic fantasy and fairy-tales, after all this was also the home of the Grimm Brothers.
Hoffman's short stories were the German equivalent for Gothic fantasy and horror, in a slightly similar style that Edgar Allan Poe wrote in America. There is even a resemblance to early science fiction novellas, though nothing like Jules Verne or H.G. Wells. "The Sandman" and "Councillor Crespel" were feautured and altered in the Jacques Offenbach French opera "Les Contes D'Hoffman" of The Tales Of Hoffman. These supernatural tales dealt with death and romantic despair. In one story, a soprano suffering of consumption is forced to sing to her death by a villainous doctor. Although the stories appear to be strange and foreign to us, it was highly regarded as great literature of science fiction or horror. For its historic value
and for any interested fans of Romantic Era obscure novelists, this is perfect to read. Also, if you want to read the source of inspiration for Offenbach's opera The Tales Of Hoffman.
10 internautes sur 11 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 It's Worth a Second Read 1 février 2008
Par Flippy - Publié sur Amazon.com
Format:Broché|Achat authentifié par Amazon
E.T.A. Hoffmann was in his own way a singular artist of the early nineteenth century. He was a musician, he painted set designs for plays, he wrote novels, stories and novellas. He also had an influence on the works of Edgar Allan Poe and Fyodor Dostoevsky.

I read this collection years ago. I bought it recently because I wanted to read the tales once again, enjoy them and learn from them. Hoffmann is one of the masters of his times and it's a pleasure to reread his works. He is great with atmosphere, his tales are compelling and they linger in the imagination. I love the German novella format he incorporates - longer than a story, shorter than a novel but with the richness of both worlds.

If you love German literature, this and Kleist's collection of stories are great reads.
1 internautes sur 1 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Yipes 18 juillet 2013
Par Ann O'Nymous - Publié sur Amazon.com
Format:Format Kindle|Achat authentifié par Amazon
The Sandman is as creepy a take as you'll ever read. This is a very engrossing translation; I was riveted.
3 internautes sur 4 ont trouvé ce commentaire utile 
1.0 étoiles sur 5 Unreliable translation 12 octobre 2013
Par Benedict de Spinoza - Publié sur Amazon.com
Format:Format Kindle
The translator/editor of this book says in the introduction:
"In helping to produce these new English versions of some of Hoffmann’s best stories, I have sometimes felt the need to ‘editorialize’. Hoffmann well knew how to evoke and maintain tension, but he did so, of course, in the idiom, and above all at the tempo, of his own age; this tempo was somewhat slower than ours, and it seemed to me that, for a story to produce, in modern English, the effect intended by the author, some speeding up and tightening up was sometimes called for. How far one should go in this interference can, I think, be only a matter of subjective judgement and ‘feel’ as one proceeds through the story; and its justification can lie only in whether or not it succeeds in its objective – whether, that is, the story affects the reader of today in the way in which, so far as one can tell, it affected Hoffmann’s many thousands of readers in his own day. His aim, as a writer of fiction, was to give pleasure; and ours is nothing else."
Actually I find that one of the distinct reasons for reading older works of fiction is that relaxed tempo. I want the translation to reflect the original in readable idiom, not to 'editorialize.'
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