Amazon.co.uk
The Ambler Warning, like many of Robert Ludlum's thrillers, gets much of its sense from our knowledge that intelligence agencies cannot be trusted to play fair even by their own. Hal Ambler is held in a facility for insane agents and is himself being drugged to a point where he cannot trust his own crumbling sanity. Even when he escapes, he is unable to be sure of his own past and identity--his very face is not as he remembers, let alone his fishing cabin and the friends of his youth. Something has been made from the wreckage of his mind, and he is not sure whether every step he takes may not be a part of someone else's plan. By contrast, Caston is the sort of intelligence agent who despises the Hal Amblers of this world--he is an accountant who follows the money of assassination and terror round the world while sitting in front of a monitor. Yet he too starts to get a sense that he is being used.
Part of the originality and strength of Ludlum's new thriller is that he always knows when to pull surprises like the eventual alliance of Caston and Ambler--two dangerously flawed and partial men in search of knowledge and also of wholeness. The glimpses of the great world of political innovation, and the theories that inform them, also give this rather more thoughtfulness than we saw in, say, Ludlum's recent Bourne books. ---Roz Kaveney
From Publishers Weekly
For some bestselling authors, death is no impediment to an enduring career. But the latest Ludlum (d. 2001) novel, penned by an unnamed hired hand, reveals the problems inherent in such an arrangement: neither sufficiently like Ludlum's originals nor compellingly distinctive, it inhabits a kind of thriller purgatory to which only the most dedicated Ludlumite will be eager to venture. After a two-decade career as a clandestine operative, Hal Ambler is drugged and warehoused in the Parrish Island Psychiatric Facility, a government nuthouse for spies. A sympathetic nurse aids his escape, and soon Ambler is on the run, trying to figure out who he is and, more importantly, who he was. There are a few interesting characters—particularly CIA accountant Clayton Caston, a man who knows little about feelings but who can tease a mountain of information out of a spy's expense account—but the villains are mostly invisible and everybody else ends up dead before you really get to know them. Just because a writer can copy what was once a successful style does not automatically assure his publisher a successful book. (Oct. 25)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
