From Publishers Weekly
Although Wallace (Who Killed Kurt Cobain?) is a recipient of Rolling Stone's Award for Investigative Journalism and appears to have done much primary research, he delivers a highly speculative rehash of material handled much better in A. Scott Berg's Lindbergh, Robert Lacey's Ford: The Man and the Machine and such seminal studies as Charles Higham's American Swastika. Wallace tries and fails to sensationalize well-known facts about the parochial American fifth column of the late 1930s and early '40s, a bungling movement of which Ford and Lindbergh were among the most public faces. Wallace sees a conspiracy in what he presents as Ford's pro-Nazi partnership with Lindbergh: a dark and powerful alliance designed to hinder the Allies at every turn. In fact, the two men were far more naive than effectual in their attempts to prop up American isolationism before Pearl Harbor. And Lindbergh, who counted Harry Guggenheim among his closest friends, found Ford's hatred of Jews repugnant. Once war was declared, both Lindbergh and Ford helped the Allied effort. Lindbergh helped develop the Corsair and later, as a "civilian observer," flew more than 25 combat missions over the South Pacific. At the same time, Ford (with Lindbergh's help, and after a few false starts) became the leading manufacturer of the B-24 bomber. Were Ford and Lindbergh half-witted dupes of Nazi propaganda before the war? Undoubtedly. Were they Nazi agents either before or after the start of hostilities? Wallace fails to make the case. 13 photos.
Copyright 2003 Reed Business Information, Inc.
Copyright 2003 Reed Business Information, Inc.
Washington Post, Sept. 24, 2003
Max Wallace has done his homework...The American Axis provides insightful lessons about the twin spectacles of power and hate.
