Anyone looking for groundbreaking genre fiction will not find it in The Awakened Mage. Anyone who enjoys fare standard to the genre, well executed, will be quite happy.
Picking up right where The Innocent Mage left off, Ms. Miller zips us through an ascension of events that had me feeling I was right at the climax of the book when I still had 200 pages to go - and then carried me through those final 200 pages with aplomb.
Building off of the first book, the characterization in The Awakened Mage does its predecessor one better. Asher is as enjoyable as before, but all the other main characters - Darran, Daphne, Matt, Gar, Willard are fleshed out further and made more whole. We are given a better team of heroes to root for and a more despicable band of sycophants and evildoers to root against.
The dialogue in The Awakened Mage, much like that in The Innocent Mage is well done. As I said in that review, dialogue is one of Ms. Miller's strength. I also said, in my previous review, that her prose is competent. It is a matter of degree, but I think the practice derived from the first resulted in improvement in this, the second.
My greatest criticism, however, ultimately does delve into the fact that Ms. Miller is not breaking new ground. To be plain, every character that you think should die, does, and every character the plot demands live lives, and those that could go either way are liberally and arbitrarily either left alive or carelessly killed just to remind us that the world is dangerous. Just as I thought JK Rowlings undoing of the owl Hedwig in her final book was a bit of a copout, so too are some of the deaths that occur in this book. If I take the final demise of one of the more sycophantic characters in the book as an example - Ms. Miller could have as easily kept him alive to suffer the knowledge and humiliation of his actions. This would not only perhaps have been more just for the character - he deserved worse than he got - but also slightly novel for a fantasy genre tale. But no, he got exactly what the norms dictate he should have.
Gar's final treatment was particularly unimaginative.
In short, I would have liked to see Ms. Miller get just a _little_ unorthodox with how she ended the tale.
My other criticism may simply be a mistake on my part. However, I got the sense in several locations that Ms. Miller either hadn't made up her mind how she was going to end the book until she actually ended it, or some brilliant editor somewhere convinced her to change the ending (wouldn't surprise me that a commerical editor encouraged the other to stick closer to convention than create something even a little bit different), because more than once there is some pretty strong foreshadowing of events that end up not taking place.
It's possible these were meant to throw us off the trail, but rather, in my opinion, they end up being broken promises, or worse, uselessly occupied space on the page. I would be curious to hear if, among other things, some incarnation of Barl was not supposed to appear at some point in the tale.
I was similarly surprised that, after all of the buildup, some of the supposed aid Asher was supposed to get from 36 or so friends seemed completely irrelevant to the story. A variety of potentially intriguing components to the final climax I expected to see some variation of never materialized, and instead an almost Hallmark, trite little device ended the tale. Again, I blame a commerically minded editor somewhere.
Criticisms aside, I cannot deny that for all but the last few pages of the book I was riveted, standard fantasy fare or no.
The duology is an achievement of which Ms. Miller should be rightfully proud. Not the greatest fantasy ever, but certainly deserving of being labeled, 'good'.