Note: I do not believe that The Awakening is the sort of novel that relies on plot twists and surprises. It's *how* the story unfolds rather than *what happens* that is important. However, several folks have claimed that they needed a spoiler warning, so here it is: You have been warned.
Kate Chopin wrote this story of female self-actualization back in the late 19th century, but it's as applicable today as it was then. I think we all feel trapped by decisions we've made capriciously or because we've been told they are correct, and we all consider, even briefly, escape. The main character in this novel not only realizes that she has trapped herself, but she actively seeks to free herself. Her action, rather than just emotion and despair (a la Goethe), is what separates her from the herd.
Here's the low-down: Edna is a woman, probably in her 30s or so, married to a successful financier and mother to two charming children. She summers on an island, probably to escape summer diseases in the city, New Orleans. One summer she acquires a friend, Robert. Although married women in this society frequently have male friends, Edna is an outsider, and she takes Robert's attentions far too seriously. Apparently, he is similarly infatuated. Basking in Robert's attention, Edna understands at last that she has discarded her youthful dreams and hopes and that her current life is unfulfilling. She takes small steps toward freeing herself, and Robert seems a willing accomplice for a while.
During the course of the novel, Edna relearns who she is, reclaims the dreams of her youth, and abandons her husband and children. The author is careful with this last, making it seem tragic and irresponsible, yet ultimately unavoidable. By the last 20 pages, Edna is free.
There are, in my opinion, two weakness in the book. The first may be considered a spoiler: toward the end, Edna tells Robert that she is an independent woman now who is not the property of any other person. But she's lying. Her actions show that she is dependent on Robert, needy for his love and attention. I still can't decide if the author created this break between words and behavior on purpose, or if she really intended us to believe that Edna was wholly independent.
The other weakness, riding on the coattails of the first, is that Edna does not take responsibility for her own awakening. She claims that Robert "awoke" her.
Edna does in the end devise a solution that proves her ultimate freedom and independence, and it is the only solution that works. But I won't spoil it by writing it here.
The thing that makes this book so lovely is that it isn't preachy. So many modern girl-power novels just sort of slam you over the head with the girls-first-and-men-suck mantra. This book is about Edna; it doesn't purport to be about all women. It's a very personal work, and the narrative hand is light. It leaves us, the readers, free to recognize the little bits of Edna in us all, and although the rest of us may not ultimately choose Edna's course, it gives us hope that such freedom is possible, even after the fact.