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The Belgariad (Vol 1): Volume One: Pawn of Prophecy, Queen of Sorcery, Magician's Gambit (Anglais) Broché – 27 août 2002


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The Belgariad (Vol 1): Volume One: Pawn of Prophecy, Queen of Sorcery, Magician's Gambit + The Belgariad Volume 2: Volume Two: Castle of Wizardry, Enchanters' End Game + The Malloreon, Volume Two
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Détails sur le produit

  • Broché: 656 pages
  • Editeur : Del Rey (27 août 2002)
  • Collection : The Belgariad
  • Langue : Anglais
  • ISBN-10: 0345456327
  • ISBN-13: 978-0345456328
  • Dimensions du produit: 23,4 x 15,5 x 3,3 cm
  • Moyenne des commentaires client : 4.3 étoiles sur 5  Voir tous les commentaires (3 commentaires client)
  • Classement des meilleures ventes d'Amazon: 29.065 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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En savoir plus sur l'auteur

David Eddings, né en 1931 dans l'Etat de Washington, a publié son premier roman en 1973. D'abord employé chez Boeing, il démissionna, fit un petit détour par l'enseignement, puis se retrouva... directeur d'un supermarché à Denver. Refroidi par un hold-up suivi d'une fusillade, il abandonna son poste, revint chez lui, à Spokane, et décida de se consacrer à la littérature.
Leigh Eddings, son épouse, qui avait commencé une carrière dans l'armée de l'air, collaborait depuis toujours à ses romans. Elle s'occupait plus particulièrement des personnages féminins et de la fin des romans ! Et cela fonctionnait à merveille puisque David Eddings est best-seller depuis 20 ans aux USA et a également déclenché une véritable passion à l'étranger, notamment en France avec ses deux cycles cultes : La Belgariade et La Mallorée.
Le célèbre couple-roi de la fantasy a de nouveau figuré sur les listes des best-sellers avec Le Réveil des anciens dieux, premier volume de la tétralogie Les Rêveurs.
Leigh Eddings s'est éteinte en février 2007 à l'âge de 69 ans, suivi en 2009 par son époux âgé de soixante-dix-sept ans.

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8 internautes sur 8 ont trouvé ce commentaire utile  Par BELGAIED HASSINE Mohamed on 23 juillet 2003
Format: Broché
Je vous conseille ce livre qui regroupe les 3 premiers volumes de la Belgariad, d'abord parce que c'est moins cher quand c'est groupé, ensuite parce qu'en commençant à lire la Belgariad , on ne peut plus s'arrêter, Eddings a créé un monde complexe où la psychologie des personnages a beaucoup d'importance. Il arrive à manier le fantastique, la psychologie et l'humour avec beaucoup de doigté pour le plaisir du lecteur. Bref, la belgariad est un incontournable de l'Heroic-Fantasy, et cette édition est un très bon moyen de la découvrir.
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2 internautes sur 2 ont trouvé ce commentaire utile  Par Mle Dorothee Eloit on 19 avril 2006
Format: Broché
Cette saga est un must du genre fantasy, assez proche certes du style du seigneur des anneaux mais plus actif & concentré sur l'histoire. On a hâte de lire la suite, c'est pourquoi il vaut acheter ce livre qui regroupe les 3 premiers tomes & commander en même temps "The Belgariad: Castle of Wizardry/Enchanters' End Game" pour connaître la fin de l'histoire.
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Par Green on 14 janvier 2010
Format: Broché Achat vérifié
L'auteur est excellent, son oeuvre exceptionnelle

Mais...

L'éditeur a réalisé un produit de basse facture
Papier recyclé, fin
Encre qui est visible sur l'envers
Couverture fragile
Brochage médiocre
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164 internautes sur 168 ont trouvé ce commentaire utile 
Story grows as the hero does 3 février 2004
Par newyork2dallas - Publié sur Amazon.com
Format: Broché
The Belgariad is Eddings' first and best fantasy series. First published in the mid-1980s, the Belgariad differed from other fantasy fiction because: (1) it was not based on the elf-dwarf-human creature structure like Lord of the Rings and its various copycats (Terry Brooks, Weis/Hickman, Dennis McKeirnan, etc.); (2) it had mature and defined political systems (including a country that popularly elected its king), international relations and ethnic patterns, unlike even the more mature fantasy offerings of Donaldson (Thomas Covenant) and LeGuin (Earthsea); (3) it had a unique formulation of magic -- the will and the word; and (4) it inverted the purpose of the fantasy quest -- the EVIL ONE sleeps and the heroes seek to prevent his awakening BEFORE he begins his attempt to take over the world (again).
Eddings narrative is sly and occasionally slick -- the characters balance seriousness with humor and the dialogue is often very funny. His world is believable because the political and religious interactions make sense. The best feature of the Belgariad is its relative tonal change -- from reflecting the innocent wide-eyed view of young Garion (the hero, farmboy, of course) in Pawn of Prophecy, the next two books become darker and more serious as Garion begins to realize who he is and what is at stake, and he comes to grips with who his "Aunt Pol" and his "Grandfather" really are.
Eddings' books are also something of a quest story with a travelogue in the world he created -- in the Belgariad he leaves no country untouched in the western continent; in the Mallorean the characters go to every major district in "boundless Mallorea" and his other series (Tamuli, Elenium) are similar.
If they sound repetitive, that's because they are -- Eddings repeats the same formula with some variations in his other series and the various wisecracking and irreverent humor that is refreshing in the first Eddings series you read becomes tiresome and predictable thereafter.
That said, the Belgariad is the first, the most original and probably the best farmboy-saves-the-world quest of the genre.
286 internautes sur 306 ont trouvé ce commentaire utile 
Why is it the best? 17 avril 2004
Par Steven Butterfield - Publié sur Amazon.com
Format: Broché
I'll tell you why David Eddings' Belgariad and Malloreon series are among the best in fantasy. THEY END. Both series are confined to five books: they have distinct beginnings, expansive middles, and satisfying conclusions. This may sound like an odd thing to praise, but anybody who has waded into (and become hopelessly mired in) Robert Jordan's "Wheel of Time" or Terry Goodkind's "Wizards First Rule" series will know exactly what I'm talking about. Tolkien didn't make us slog through - and this is quite literal, in Jordan's case - tens of thousands of pages of pointless verbosity before bringing his opus to a rousing crescendo, and Eddings...though certainly no master like Tolkien...gives us the same courtesy.
Aside from this most appreciated of gifts, Eddings is also an imaginative and engaging author. Terry Brooks' "Shannara" series, for example, was a barely, thinly, poorly veiled ripoff of Tolkien. Jordan's glacial repetitiveness has caused his once-promising series to run completely out of steam. Goodkind has the same problem. But Eddings keeps things fresh. He also writes some of the most engaging and multi-dimensional characters in fantasy. He writes real growth and dotes loving care on his characters: the changes they undergo through the course of the ten novels of the Belgariad and the Malloreon are believable, understandable, acceptable, rather than visceral and awkward (Terry Goodkind, take note).
All too often, fantasy is given short shrift in serious literary circles. It would do well to remember how much utter trash there is across ALL genres of fiction, not just fantasy, and to accept Eddings' for what he is: a talented and engaging writer. Give these a try.
50 internautes sur 51 ont trouvé ce commentaire utile 
A Classic 5 février 2003
Par Un client - Publié sur Amazon.com
Format: Broché
I first read this series (and its followup, The Malloreon) when I was about 8 years old. With my best friend, we devoured up to 20 scifi/fantasy books a month apiece over the next 5 or so years. Of all those, this series is one of the ones that stands out the most, and that, to this day, I still love to re-read for the 20th+ time.
David Eddings writing style has been said to be formulaic, a statement that is undeniable....his series in alternate worlds all run parallel to each other...This is indeed his downfall in the large scope of things. However, if contained within a single world, the formula is not a problem at all. Eddings is a skillful enough writer that he is able to begin with what may seem to be a sterotype- archetype is a better word- and evolve that character to have as many complexities and contradictions as any real person. Eddings rarely leaves characters one dimensional. While reading the books, you grow to love them...
I remember conversations where Id have people asking if I was speaking of a real person or a character in the series...
To this day, I still have phrases from the narrative in my vocabulary ('Don ya know ;P)
Characters aside, Eddings world is one of the best researched in Fantasy today. He has elements for every major historical civilization reflected in his world, from the Romans to the Mongols....and the corresponding sciences to go with them. One great thing to watch as the story goes by is how the different groups "invent" things that are taken straight out of our past. Aside from being a great story, this series is a treatise on human civilizations and the way we evolve as cultures....mad gods and monsters aside, that is. It is also an interesting commentary on religion.
All this other stuff aside, Its great fun as a story. The banter between the characters will have you splitting your side laughing, and nodding because so much of it is so true. The story is inventive and well laid out. The only book I ever found a bit boring was the first one, because once I had read the rest, I couldnt wait to get through it to read them again.
I highly recomend this series, along with its continuation, the Mallorean. His other series are fun, but basically a copy of these two with the names changed. Its worth it to read the prequels: "Belgarath" and "Polgara", more for the back story than because anything new really happens. For the truely fanatical, there is also the "Rivan Codex" which contains the research texts and histories....
While Eddings is not master craftsman like Tolkein, (though his worlds are in many aspects as complex) he is a solid and comfortable writer, humourous, endearing, and ultimately, in his own way, quite original.
You either Love him or hate him.
20 internautes sur 24 ont trouvé ce commentaire utile 
Absolute classic! The best story I've ever read! 14 novembre 2002
Par GarionOrb - Publié sur Amazon.com
Format: Broché
When I first started reading Pawn of Prophecy (Belgariad part 1) I was instantly drawn into this fantastic world that David Eddings created. The story is full of wonderful and intriguing characters, and that is what moves this story along. The plot has been done before, but it's slightly reinvented for this story. Garion is expertly written, and as I read his story I felt as if it were me who was taking this journey. Not many books have done this. Belgarath is reminiscent of Tolkien's Gandalf, only more down-to-earth. Polgara is an AMAZING woman, overflowing with personality and so much fun to read. The sorcerers' power, called The Will and the Word, is very cool and probably the best form of wizardry I've read. Its concept is fresh and interesting. No magic words or anything...just will something and command it to happen with a word. But using it could alert those evil sorcerers of your whereabouts from the "noise" that magic makes.
All in all, this series rocks! Also check out the prequels, Belgarath the Sorcerer and Polgara the Sorceress. These are amazing books. The only modern fantasy books that have come close to creating this same excitement for me has been the Harry Potter series.
8 internautes sur 8 ont trouvé ce commentaire utile 
A Refreshing Fantasy 5 décembre 2005
Par Micheal S. Fairow - Publié sur Amazon.com
Format: Broché
My first experiance with Eddings came in the form of 'The Redemption of Althalus', a stand-alone novel by David and his wife. At the time I found it interesting, so I promptly moved on and - by sheer luck of the draw - hit on the very first book in the Belgariad series.

I am competely flabbergasted!

The characters leap from the pages and drive themselves straight into your blood so that you actually care what happens to them. David's talent for creating compelling, dynamic characters from almost anything - even steriotypes (Age-old wizard? Thief? Ranger? Yea...) - comes into full swing in this, his first five-book series. When it comes to the characters and their personalities, he did a commendable job.

Many people will inevitably compare this to Tolken: There are some reviewers in the world that, with any book whatsoever, seem to scream 'Tolken! Tolken!' like horribly scarred and broken records. Don't let them fool you - this book is a must-read for any fantasy fan that values the overt simplicity that a good story brings, yet craves the subtile plot-twists that make a series like this so compelling.

The Redemption of Althalus (Which, by the way, I will also reccommend if you're bored) got me interested in this writer, and I wanted something to pass the hours. Something that rings with that old-time high fantasy; it's rare to find somebody who is so darn good at portraying what he wishes that he can take almost any plot - and this is an intesting plot - and put a good spin on it. To put it frankly? I wanted good fantasy, David delivered.

If you've got a library card, check it out.

Now.

You'll thank me later.
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