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The Black Prince (Anglais) Broché – 2 août 1999


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Détails sur le produit

  • Broché: 432 pages
  • Editeur : Vintage Classics; Édition : New Ed (2 août 1999)
  • Langue : Anglais
  • ISBN-10: 0099283999
  • ISBN-13: 978-0099283997
  • Dimensions du produit: 19,8 x 12,9 x 3,2 cm
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 244.815 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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Par luelly on 6 avril 2012
Format: Broché Achat vérifié
J'adore Iris Murdoch, son ecriture est si precise et imaginative! Encore un de ces bons romans ou l'on retrouve ses themes favoris: l'amour, la beauté, l'argent, l'ascension sociale, la culture.
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Amazon.com: 28 commentaires
29 internautes sur 33 ont trouvé ce commentaire utile 
And Funny, Too. 8 février 2005
Par Christine Menendez - Publié sur Amazon.com
Format: Broché
Just adding to the plethora of reviews and putting in my two or three cents. Dame Iris is said to have possessed a prodigious and heavy intellect. And one can see, in reading her works, that this is very true. She is able to see into all the various emotional responses of myriad characters, and to do so faultlessly. Yes, we say, this is true! This is the way he would think and act (or the way I would think and act.) She is mercilessly honest in her descriptions, whether they be of thoughts or actions. And I found the book very humorous. Our hero, Bradley, is himself a humorous character, so serious and caught up in himself. He is a buffoon who constantly makes the wrong choices, yet intellectualizes everything and rationalizes everything to suit himself. I think this is quite an amazing book. As one reviewer who didn't like the book remarked, it is a farce. And yes, it is a farce. But there are nonetheless deep truths running around in here. Dame Iris had this incredible ability to see through people, to put herself in their places and understand just what they would do in any given circumstance. Her characters are so impeccably drawn that we know them utterly.

To be able to weave a good story is one thing, that makes a good story-teller. To be able to create characters which live and breathe is yet another thing, and many writers base their works on this alone. But to be able to write impeccably precise prose , create living characters, tell a great story, and have a moral imperative is what makes great literature.

The Black Prince is worth a read. This is great literature, and a whole lot easier than all those Russian guys.
13 internautes sur 13 ont trouvé ce commentaire utile 
Engaging 11 avril 2004
Par J. Jacobs - Publié sur Amazon.com
Format: Broché
The Black Prince tells the story of Bradley Pearson, an aging writer with few publishing credits to his name. He feels a masterpiece within him, but finds his efforts to focus on his work thwarted by pressures from the women in his life: his sister, his ex-wife, and his best friend's wife and daughter. Murdoch introduces Pearson as a reserved, self-indulged, and solitary man, committed to producing his life's masterpiece and averse to involve himself in others personal affairs. Reluctantly, he comes to the aid of those who seek him out each time he tries to depart for a quiet space in the countryside, further delaying the creation of his masterpiece.
The story starts out slowly. Pearson's self-absorption and righteousness do not inspire the reader's sympathy nor do the other characters, who privately abuse, cheat, or wish death upon their loved ones while maintaining respectable public appearances. Murdoch intersperses this introduction to the dual-natured main characters and their immediate crises with a great deal of philosophy about the nature of love, art and truth. These issues were Murdoch's passion as a philosopher, but the frequency with which she raises such difficult questions detracts from the story line.
Midway through the book, the pace picks up rapidly. Murdoch successfully involves the reader in the passion -- referred to as the black Eros -- that could awaken Pearson's creativity, causing lasting consequences and turning the relations between English intellectuals into a literary thriller. Murdoch twists and turns the story in a way that makes the reader care for and even sympathize with each character as they struggle with aspects of love and human emotion. The narrative journey encompasses lust, violence, psychosis and adultery, as well as youth, vitality, trust and new beginnings. Combining murder, love and the relationships among a small group of aging Englishmen and women, Murdoch infuses psychological and philosophical tension into a classic tale of love and murder.
Cutting down on the amount of philosophizing would have strengthened the story line. But despite Murdoch's refusal to allow editing of her work, The Black Prince made the shortlist for the Booker Prize. A timeless story that unravels timeless emotions, The Black Prince grips the reader with its surprising finale and the talons of Murdoch's writing.
29 internautes sur 34 ont trouvé ce commentaire utile 
Splendid meditations on love and death 29 novembre 1996
Par Un client - Publié sur Amazon.com
Format: Broché
"The Black Prince" is my favorite novel, and I can recommend it unreservedly for its vivid characters, for its complexity, its wit, its drama, for its analysis of human failings and triumphs, loves and hates, and for its prose, which is ecstatic, biting, and brilliant. The ambiguously romantic Black Prince of the title, Bradley Pearson, is an aged bachelor, whose range of somewhat histrionic emotions involves the serene Rachel Baffin, her confused daughter Julian, Rachel's novelist husband Arnold, Bradley's rival in so many ways, Bradley's dysfunctional sister Priscilla, and Bradley's prying ex-wife Christian, who holds the possibility of solace and redemption. In amongst this tangled web they weave Bradley "meditates" on art and metaphysics, sleeping and waking, life and death.

Iris Murdoch is the English authoress of a score of popular novels. Unlike the submissions of most writers who attempt to be popular, Ms. Murdoch's elegant fictions are literature, and are also aspirants to the semi-mythical realm of "art". And what is "art"? Is it not, in at least its principle manifestation, great entertainment? And I would assert that the greatness of the entertainment depends mightily upon the reader. I know a man who thinks, and says, that all of Iris Murdoch's books are alike. Very well. Emotional response is surely the beginning of literary criticism (otherwise why bother reviewing this book, or that one?). I identified with Bradley Pearson for several years of my life, and was jubilant that he lived in a world of funny, thoughtful, intensely interesting people, most of whom were not relatives.

"Morality" (I put this fragile word between quotation marks because it is so often misused) is intimate to the Murdoch view of things, and the "eternal verities" are influential, even numinous, to all of her characters, including the thoughtless ones. Love, as a unifying force, is awake and vibrant. Beauty is our glimpse of the Godhead. Truth is a paradise into which we may freely pass, if only we have the desire to do so. Justice is as intimate as self-condemnation and as ruthless as violence. Abstractions, in the world of Iris Murdoch's characters, dissolve into human emotions that clarify the world and link us in splendid ways to other human animals. "The Black Prince" is a celebration of our ambiguous and splendid emotions. [November 28, 1996]
8 internautes sur 8 ont trouvé ce commentaire utile 
Going Deep 15 août 2009
Par John Petralia - Publié sur Amazon.com
Format: Broché
We all have them. Secret thoughts. Secret feelings. Individually, they are mostly trivial. Mostly, they go unsaid, unwritten, unknown. Not so with this novel. Thanks to Iris Murdoch, we are privy to the innermost thoughts of her lead character, Bradley Pearson, the Black Prince. Frequently what he says contradicts his actions-----Makes you wonder about some of those political polls, doesn't it-----And, yes, though her 'say whatever is on my mind without really thinking' approach to writing a novel may be madness, there is indeed method in it. What to call it? Let's start by defining what it is not. It's not simple or straightforward. It's not obvious or to the point. Murdoch is definitely not from the KISS school of writers. And, don't look for hidden metaphors. You can leave that to others such as Fitzgerald, Hemingway or Flaubert. No, while Murdoch's rendition of her character's prissy psyche may be impossible to PowerPoint, in the end, you'll know exactly who Pearson and the other characters all are. There are no hidden meanings because their minds are laid bare. It's like spelunking with Lamont Cranston-----Who knows what evil lurks in the minds of men----Iris Murdoch does. And, now, so do we. To be sure, this is deep stuff. Even frightening. It's not for children. It's not for the faint of heart. But, if you want to discover new insights about human nature, about who you are, spend a few hours going deep with the Black Prince.
23 internautes sur 28 ont trouvé ce commentaire utile 
A mesmerising tale of despair in the human condition 29 août 1999
Par Un client - Publié sur Amazon.com
Format: Broché
I read Iris Murdoch's "The Sacred and Profane Love Machine" a year ago and didn't much like it. Too much talk, too little action and a plot surrounding a cast of strangely unsympathetic characters that goes nowhere. I thought I was in the same rut for much of the first third of "The Black Prince", when out of the blue, the black arrow of Eros struck and permanently altered the course of the novel. The unexpected change of pace and sudden focus on Bradley Pearce's relationship with the object of his desire at the expense of the adult (and mostly tiresome) characters was a clever Murdoch device that drew me inexorably into the plot. There was no let up in action from there on - the story played relentlessly to its dramatic but tragic conclusion. You see through the eyes of Bradley and form your judgement based on his version of the motives and designs of the unsavoury characters which envelop him but are thrown off guard by the radically different perspectives of the other players (shades of "Rashomon") in the postscript. You get the feeling that nobody's version encapsulates the whole truth (is there such a thing ?) and that everybody creates a best-fit truth that assuages his conscience. Murdoch is heavy on dialogue (nothing wrong with that) but there is a tendency for it to be repetitive (her characters are overly talkative) which can be hellavu irritating. I found that in The Sacred and Profane Love Machine too - must be a Murdoch trait. But whereas the latter is limp and soggy, The Black Prince has a highly intriguing plot and all the elements of a kitchen sink drama-cum-thriller that makes it a winner. A really great read.
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