From Publishers Weekly
Meyer's third novel based on Sherlock Holmes finds the celebrated sleuth entangled in mysterious events involving the Phantom of the Opera.
Copyright 1995 Reed Business Information, Inc.
Copyright 1995 Reed Business Information, Inc.
Kirkus Reviews
Fresh (or stale) from his encounters with Freud (The Seven-Per- Cent Solution, 1974) and Jack the Ripper (The West End Horror, 1976), Sherlock Holmes comes up against the Phantom of the Opera, with mixed results. Disguised as a Norwegian violinist who replaces a performer at the Paris Opera who's been frightened off by the Phantom, Holmes is blackmailed by the woman, Irene Adler, into contracting to protect soprano Christine Daa‚ (who's so innocent that she believes the mysterious singing master who calls himself ``Nobody'' is the Angel of Music) from her ghostly patron. At first the Phantom seems intent on terrorizing everyone but La Daa‚: her replacement as Faust's Marguerite, the oblivious incoming directors, even the new woman who tends the Grand Tier left boxes. No sooner has Holmes guessed at the Phantom's identity, though, than he spirits La Daa‚ off to the cavernous Opera basement for the requisite--and anticlimactic--finale. Should appeal to those fans (and there will be plenty) who can overlook the undistinguished stylistic pastiche--Holmes rather unwisely narrates this lost adventure himself--the footnotes that explain every last Holmesian reference, and the unfortunate poverty of the plot. (First printing of 50,000) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
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