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The Cold Six Thousand [Anglais] [Broché]

James Ellroy
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Description de l'ouvrage

2 mai 2002
In this savagely audacious novel, James Ellroy plants a pipe bomb under the America in the 1960s, lights the fuse, and watches the shrapnel fly. On November 22, 1963 three men converge in Dallas. Their job: to clean up the JFK hit’s loose ends and inconvenient witnesses. They are Wayne Tedrow, Jr., a Las Vegas cop with family ties to the lunatic right; Ward J. Littell, a defrocked FBI man turned underworld mouthpiece; and Pete Bondurant, a dope-runner and hit-man who serves as the mob’s emissary to the anti-Castro underground.

It goes bad from there. For the next five years these night-riders run a whirlwind of plots and counter-plots: Howard Hughes’s takeover of Vegas, J. Edgar Hoover’s war against the civil rights movement, the heroin trade in Vietnam, and the murders of Martin Luther King, Jr. and Bobby Kennedy. Wilder than L. A. Confidential, more devastating than American Tabloid, The Cold Six Thousand establishes Ellroy as one of our most fearless novelists.
--Ce texte fait référence à l'édition Broché .

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Descriptions du produit

Extrait

Chapter 1
Part I
EXTRADITION
November 22-25, 1963
1
Wayne Tedrow Jr.
(Dallas, 11/22/63)
They sent him to Dallas to kill a nigger pimp named Wendell Durfee. He wasn't sure he could do it.
The Casino Operators Council flew him. They supplied first-class fare. They tapped their slush fund. They greased him. They fed him six cold.
Nobody said it:
Kill that coon. Do it good. Take our hit fee.
The flight ran smooth. A stew served drinks. She saw his gun. She played up. She asked dumb questions.
He said he worked Vegas PD. He ran the intel squad. He built files and logged information.
She loved it. She swooned.
"Hon, what you doin' in Dallas?"
He told her.
A Negro shivved a twenty-one dealer. The dealer lost an eye. The Negro booked to Big D. She loved it. She brought him highballs. He omitted details.
The dealer provoked the attack. The council issued the contract-death for ADW Two.
The preflight pep talk. Lieutenant Buddy Fritsch:
"I don't have to tell you what we expect, son. And I don't have to add that your father expects it, too."
The stew played geisha girl. The stew fluffed her beehive.
"What's your name?"
"Wayne Tedrow."
She whooped. "You just have to be Junior!"
He looked through her. He doodled. He yawned.
She fawned. She just loooooved his daddy. He flew with her oodles. She knew he was a Mormon wheel. She'd looove to know more.
Wayne laid out Wayne Senior.
He ran a kitchen-help union. He rigged low pay. He had coin. He had pull. He pushed right-wing tracts. He hobnobbed with fat cats. He knew J. Edgar Hoover.
The pilot hit the intercom. Dallas-on time.
The stew fluffed her hair. "I'll bet you're staying at the Adolphus."
Wayne cinched his seat belt. "What makes you say that?"
"Well, your daddy told me he always stays there."
"I'm staying there. Nobody consulted me, but that's where they've got me booked."
The stew hunkered down. Her skirt slid. Her garter belt gapped.
"Your daddy told me they've got a nice little restaurant right there in the hotel, and, well . . ."
The plane hit rough air. Wayne caught it low. He broke a sweat. He shut his eyes. He saw Wendell Durfee.
The stew touched him. Wayne opened his eyes.
He saw her hickeys. He saw her bad teeth. He smelled her shampoo.
"You were looking a little scared there, Wayne Junior."
"Junior" tore it.
"Leave me alone. I'm not what you want, and I don't cheat on my wife."
1:50 p.m.
They touched down. Wayne got off first. Wayne stamped blood back into his legs.
He walked to the terminal. Schoolgirls blocked the gate. One girl cried. One girl fucked with prayer beads.
He stepped around them. He followed baggage signs. People walked past him. They looked sucker-punched.
Red eyes. Boo-hoo. Women with Kleenex.
Wayne stopped at baggage claim. Kids whizzed by. They shot cap pistols. They laughed.
A man walked up-Joe Redneck-tall and fat. He wore a Stetson. He wore big boots. He wore a mother-of-pearl .45.
"If you're Sergeant Tedrow, I'm Officer Maynard D. Moore of the Dallas Police Department."
They shook hands. Moore chewed tobacco. Moore wore cheap cologne. A woman walked by-boo-hoo-hoo-one big red nose.
Wayne said, "What's wrong?"
Moore smiled. "Some kook shot the President."
Most shops closed early. State flags flew low. Some folks flew rebel flags upright.
Moore drove Wayne in. Moore had a plan: Run by the hotel/get you set in/find us that jigaboo.
John F. Kennedy-dead.
His wife's crush. His stepmom's fixation. JFK got Janice wet. Janice told Wayne Senior. Janice paid. Janice limped. Janice showed off the welts on her thighs.
Dead was dead. He couldn't grab it. He fumbled the rebounds.
Moore chewed Red Man. Moore shot juice out his window. Gunshots overlapped. Joyous shit in the boonies.
Moore said, "Some people ain't so sad."
Wayne shrugged. They passed a billboard-JFK and the UN.
"You sure ain't sayin' much. I got to say that so far, you ain't the most lively extradition partner I ever had."
A gun went off. Close. Wayne grabbed his holster.
"Whoo! You got a case of the yips, boy!"
Wayne futzed with his necktie. "I just want to get this over with."
Moore ran a red light. "In good time. I don't doubt that Mr. Durfee'll be sayin' hi to our fallen hero before too long."
Wayne rolled up his window. Wayne trapped in Moore's cologne.
Moore said, "I been to Lost Wages quite a few times. In fact, I owe a big marker at the Dunes this very moment."
Wayne shrugged. They passed a bus bench. A colored girl sobbed.
"I heard of your daddy, too. I heard he's quite the boy in Nevada."
A truck ran a red. The driver waved a beer and revolver.
"Lots of people know my father. They all tell me they know him, and it gets old pretty quick."
Moore smiled. "Hey, I think I detect a pulse there."
Motorcade confetti. A window sign: Big D loves Jack & Jackie.
"I heard about you, too. I heard you got leanings your daddy don't much care for."
"For instance?"
"Let's try nigger lover. Let's try you chauffeur Sonny Liston around when he comes to Vegas, 'cause the PD's afraid he'll get himself in trouble with liquor and white women, and you like him, but you don't like the nice Italian folks who keep your little town clean."
The car hit a pothole. Wayne hit the dash.
Moore stared at Wayne. Wayne stared back. They held the stare. Moore ran a red. Wayne blinked first.
Moore winked. "We're gonna have big fun this weekend."
The lobby was swank. The carpets ran thick. Men snagged their boot heels.
People pointed outside-look look look-the motorcade passed the hotel. JFK drove by. JFK waved. JFK bought it close by.
People talked. Strangers braced strangers. The men wore western suits. The women dressed faux-Jackie.
Check-ins swamped the desk. Moore ad-libbed. Moore walked Wayne to the bar.
SRO-big barside numbers.
A TV sat on a table. A barman goosed the sound. Moore shoved up to a phone booth. Wayne scoped the TV out.
Folks jabbered. The men wore hats. Everyone wore boots and high heels. Wayne stood on his toes. Wayne popped over hat brims.
The picture jumped and settled in. Sound static and confusion. Cops. A thin punk. Words: "Oswald"/"weapon"/"Red sympath-"
A guy waved a rifle. Newsmen pressed in. A camera panned. There's the punk. He's showing fear and contusions.
The noise was bad. The smoke was thick. Wayne lost his legs.
A man raised a toast. "Oughta give Oswald a-"
Wayne stood down. A woman jostled him-wet cheeks and runny mascara.
Wayne walked to the phone booth. Moore had the door cracked.
He said, "Guy, listen now."
He said, "Wet-nursing some kid on some bullshit extradition-"
"Bullshit" tore it.
Wayne jabbed Moore. Moore swung around. His pant legs hiked up.
Fuck-knives in his boot tops. Brass knucks in one sock.
Wayne said, "Wendell Durfee, remember?"
Moore stood up. Moore got magnetized. Wayne tracked his eyes.
He caught the TV. He caught a caption. He caught a still shot: "Slain Officer J. D. Tippit."
Moore stared. Moore trembled. Moore shook.
Wayne said, "Wendell Durf-"
Moore shoved him. Moore ran outside.
- - -
The council booked him a biggg suite. A bellboy supplied history. JFK loved the suite. JFK fucked women there. Ava Gardner blew him on the terrace.
Two sitting rooms. Two bedrooms. Three TVs. Slush funds. Six cold. Kill that nigger, boy.
Wayne toured the suite. History lives. JFK loved Dallas quail.
He turned the TVs on. He tuned in three channels. He caught the show three ways. He walked between sets. He nailed the story.
The punk was Lee Harvey Oswald. The punk shot JFK and Tippit. Tippit worked Dallas PD. DPD was tight-knit. Moore probably knew him.
Oswald was pro-Red. Oswald loved Fidel. Oswald worked at a schoolbook plant. Oswald clipped the Prez on his lunch break.
DPD had him. Their HQ teemed. Cops. Reporters. Camera hogs all.
Wayne flopped on a couch. Wayne shut his eyes. Wayne saw Wendell Durfee. Wayne opened his eyes. Wayne saw Lee Oswald.
He killed the sound. He pulled his wallet pix.
There's his mother-back in Peru, Indiana.
She left Wayne Senior. Late '47. Wayne Senior hit her. He broke bones sometimes.
She asked Wayne who he loved most. He said, "My dad." She slapped him. She cried. She apologized.
The slap tore it. He went with Wayne Senior.
He called his mother-May '54-he called en route to the Army. She said, "Don't fight in silly wars." She said, "Don't hate like Wayne Senior."
He cut her off. Binding/permanent/4-ever.
There's his stepmom:
Wayne Senior ditched Wayne's mom. Wayne Senior wooed Janice. Wayne Senior brought Wayne along. Wayne was thirteen. Wayne was horny. Wayne dug on Janice.
Janice Lukens Tedrow made rooms tilt. She played indolent wife. She played scratch golf. She played A-club tennis.
Wayne Senior feared her spark. She watched Wayne grow up. She torched reciprocal. She left her doors open. She invited looks. Wayne Senior knew it. Wayne Senior didn't care.
There's his wife:
Lynette Sproul Tedrow. Perched in his lap. Grad night at Brigham Young.
He's shell-shocked. He got his chem degree-BYU/'59-summa cum laude. He craved action. He joined Vegas PD. Fuck summa cum laude.
He met Lynette in Little Rock. Fall '57. Central High desegregates. Rednecks. Colored kids. The Eighty-Second Airborne.
Some white boys prowl. Some white boys snatch a colored boy's sandwich. Lynette hands him hers. The white boys attack. Corporal Wayne Tedrow Jr. counters.
He beats them down. He spears one fuck. The fuck screams, "Mommy!"
Lynette hits on Wayne. She's seventeen. He's twenty-three. He's ... --Ce texte fait référence à l'édition Broché .

Revue de presse

“Ellroy rips into American culture like a chainsaw in an abbatoir. . . . Pick it up if you dare; put it down if you can.” –Time

“A wild ride. . . . An American political underbelly teeming with conspiracy and crime. . . . So hard-boiled you could chip a tooth on it.” –The New York Times Book Review

“A ripping read....the book is pure testosterone.” –The Plain Dealer

“A great and terrible book about a great and terrible time in America.” –The Village Voice --Ce texte fait référence à l'édition Broché .

Détails sur le produit

  • Broché: 669 pages
  • Editeur : Arrow Books Ltd; Édition : New edition (2 mai 2002)
  • Langue : Anglais
  • ISBN-10: 0099893304
  • ISBN-13: 978-0099893301
  • Dimensions du produit: 19,7 x 12,9 x 4,5 cm
  • Moyenne des commentaires client : 4.5 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
  • Classement des meilleures ventes d'Amazon: 130.061 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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6 internautes sur 6 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Ellroy at his best. 5 juillet 2009
Format:Broché
I don't know where he gets his information but he is so right about so many events that I was shocked and thrilled. His style of writing is original, his vocabulary of the era, the actions flow from one to another and one is hesitant to put it down the book until the end.
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3 internautes sur 3 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 kennedy revu et corrigé 21 mars 2010
Format:Broché|Achat authentifié par Amazon
Excellent thriller et bonne satire sociale, mais bien que je parle anglais couramment le style et le jargon utilisés m'ont semblé difficiles, j'aurais dû choisir la version française. On a du mal au début à accrocher au style télégraphique et extrêmement saccadé, mais persévérez, ça vaut la peine!
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Amazon.com: 3.5 étoiles sur 5  121 commentaires
36 internautes sur 41 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 700 pages of adrenaline fueled savagery 13 mai 2001
Par W. H. Jamison, Jr. - Publié sur Amazon.com
Format:Relié
How do you follow a novel like American Tabloid, the definitive Kennedy assassination conspiracy novel? You write a novel like The Cold Six Thousand, which is the definitive RFK, MLK, Vietnam, Howard Hughes, Mafia, Las Vegas and J. Edgar Hoover conspiracy novel. The Cold Six Thousand starts off where Tabloid ended, on the 22nd of November 1963, the day of Kennedy's assassination. We are reintroduced to characters we have met in earlier novels (Pete Bondurant from White Jazz and American Tabloid) and Ward Littell (from American Tabloid) and to new characters such as the Tedrows, father Wayne Sr. and son Wayne Jr. Wayne Jr., a Las Vegas police officer, is sent to Dallas to kill a pimp, his fee for doing so, six thousand untraceable dollars. The roller coaster ride begins here, weaving his fictional characters in with real life characters (Jack Ruby, J. Edgar Hoover and Bayard Rustin to name a few) Ellroy takes us on a savage tour of the dark and ugly side of the 1960s from a heroin processing operation in Vietnam to the civil rights marches of the American south with plenty of stops in Las Vegas which Ward Littell is attempting to purchase for Howard Hughes while still allowing the mob to stay in control and collect their skim. Some of Ellroy's takes on the activities of the right wingers at the time might seem a little outre and exaggerated, but after reading Rick Perlstein's _Before the Storm_ and David Halberstam's _The Best and the Brightest_ I find that Ellroy is right on target skewering the nuts of the extreme right wing who infested our country during the 1960s. The only reason I didn't give this book five stars is that it bogs down in places. Ellroy needs an editor with balls big enough to say "James, cut this part out, it drags the story". Still, even if the story drags in places Ellroy picks things up quickly and soon you're reading along and feeling as breathless if you just went on a five mile run and smoked a carton of Camels.
19 internautes sur 21 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Didn't anybody else like this book? 22 juillet 2001
Par Peter J. Bakely - Publié sur Amazon.com
Format:Relié
This isn't a difficult book by any stretch of the imagination. It's written in one syllable words. Ellroy couldn't write badly if his life depended on it. In an era where most author's take chapter after chapter to get to the meat of the story, Ellroy starts with the meat and chews it up in front of you, like an angry dog. This book is admittedly not my favorite Ellroy book,(that would be White Jazz, also a staccato masterpiece), but it's still the best new book I've read this year.
15 internautes sur 17 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Tabloid 2 31 mai 2001
Par Un client - Publié sur Amazon.com
Format:Relié
James Ellroy's "The Cold Six Thousand" lacks the kinetic energy of its brilliant predecessor "American Tabloid." Beginning minutes after "Tabloid's" close, "The Cold Six Thousand" traces the underworld history of 1960s America through the morally-impaired eyes of three men: Wayne Tedrow, Jr., a Vegas cop sent to Dallas on a mob errand; Ward Littell, an FBI agent whose loyalties shift from the mob to J. Edgar Hoover and Howard Hughes; and Pete Bondurant, an ex-LA sheriff's department officer with an obsessive dream to liberate Cuba from the Communists. While "American Tabloid" covered a reletively brief period of time (1959 to 1963) and focused on the rise and fall of JFK, "The Cold Six Thousand" finishes off the radical sixties and leaps back and forth between historical events (RFK and Martin Luther King assassinations, the Baptist church bombing that killed four black girls, moving heroin in Saigon and the mob's takeover of Vegas) without leading up to anything. And the charcter arcs aren't as well developed as they were "Tabloid" (Ward Littell's brilliant, stunning, earth-shattering comeback from despair in "American Tabloid" makes him one of the most complex of Ellroy's creations.) Though this novel tends to meander, it is hard to dismiss it as an inferior companion piece to "American Tabloid." All the typical Ellroy flourishes are present: dense plotting, scant character and place descriptions, graphic (to the point of absurdity in some places) violence, mixing fictional and historical people, and the three-man construct he first employed in his brilliant 1987 novel "The Big Nowhere." Ellroy may attribute his genius to his ability to create ultra-dense plots filled with characters numbering in the hundreds. However, his real brilliance lies in the fact that he creates such monumentally unsympathetic heroes as his leads. If there is anything Ellroy will be remembered for it will be for straying from the typical "hero" found in mystery fiction today (the beautiful, brilliant "insert your law enforcement title here" vs. the diabolical serial killer "insert gruesome modus operandi here.") Ellroy's heroes are flawed, reckless and corrupt. Liking them takes time. And "The Cold Six Thousand" delivers this in spades. Also evident is Ellroy's unique tele-type writing style. An example: "Pete punched. Pete kicked. Pete walked." For a while this has been a welcome Ellroy trademark in a craft where so many authors are wordy and overbearing in their descriptions. However, reading 688 pages of this ratta-tat-tat style is tiring and, at times, a bit tedious. It's too bad because I loved his prose in books like "Clandestine" and "The Black Dahlia." Then again, neither novel comes remotely close to the ambitious breadth of his latest work. First time Ellroy readers would be better off beginning with his famous LA Quartet of "The Big Nowhere," "LA Confidential," "White Jazz," and "The Black Dahlia." Only the experienced Ellroy reader need apply to "The Cold Six Thousand."
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