From Library Journal
Fowles launched his career with The Collector, which was welcomed with great critical enthusiasm, including that of LJ's reviewer, who found it "a distinguished first novel" (LJ 8/63). Mantissa, on the other hand, was a departure from the author's more popular material and received only a marginal response (LJ 9/1/82).
Copyright 1997 Reed Business Information, Inc.
Copyright 1997 Reed Business Information, Inc.
From AudioFile
In this chilling archetypal tale of good and evil, a beautiful, idealistic young woman studying art in London is kidnapped by a startlingly ordinary young man who wants only to keep her--like the butterflies he has collected before her. James Wilby is superb as the collector, by turns angry, indignant, whining, and threatening, and the terrified, but defiant, prisoner waging war against her captor while in secret journals struggling to come to terms with her past and present. Despite a lengthy digression on the meaning of art and the British class struggle, this powerful reading of a haunting tale will echo in the reader's psyche long after the words fade away. J.E.T. (c)AudioFile, Portland, Maine
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Book Description
Withdrawn, uneducated and unloved, Frederick collects butterflies and takes photographs. A chance pools win enables his to capture the art student Miranda and keep her in the cellar of the Sussex house he has bought with the windfall. The situation is seen first from the collector's point of view: he thinks the chloroform pad no more vicious than his butterfly net, and patiently waits for the barriers of class and taste that inhibit their love to break down in the limbo of their isolation. She, the creator, desperate for her freedom, tries to be understanding but cannot banish her contempt for everything anti-life that the collector stands for.
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Broché
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