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The Complete Poems: 1927-1979 (Anglais) Broché – 7 décembre 2002

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This is the definitive edition of one of America's greatest poets, increasingly recognised as one of the greatest English-language poets of the 20th century, loved by readers and poets alike. This collection includes her four published volumes, fifty uncollected works, and translation of Octavio Paz, Max Jacob and others. Bishop's poems combine humour and sadness, pain and acceptance, and observe nature and lives in perfect miniaturist close-up. The themes central to her poetry are geography and landscape (from New England, where she grew up, to Brazil and Florida where she later lived), human connection with the natural world, questions of knowledge and perception, and the ability or inability of form to control chaos. Her father died when she was one, her mother was committed to a mental hospital when Elizabeth was five, and her life was often psychologically or physically difficult. She was witty and shunned self-pity, but some poems thinly conceal her estrangements as a woman, a lesbian, an orphan, a geographically rootless traveler, a frequently hospitalized asthmatic, and a sufferer of depression and alcoholism. "I'm not interested in big-scale work as such," she once told Lowell. "Something needn't be large to be good." 'When we read her, we enter the classical serenity of a new country,' Robert Lowell. If ever there was a poet whose every scrap of writing should be in print, that poet must be Elizabeth Bishop' Christopher Reid. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.

Biographie de l'auteur

Elizabeth Bishop was born in Massachusetts in 1911. She lived for many years in Brazil with her partner, Lota de Macedo Soares. On Soares' death by suicide, she began to spend more time in the US and became poet-in-residence at Harvard University. Her many awards include the Pulitzer Prize (1956). She died in 1979. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.

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Par Un client le 24 juillet 2002
Format: Broché
Elizabeth Bishop was a poet who sometimes waited years before completing a poem and submitting it for publication. Her perfectionism, when it came to her craft and to choosing just the right word, is evident as you read through each of her poems. They are all here, from her best known "The Fish" to other favorites like " The Man-Moth", "The Armadillo", "Sandpiper", "Sestina" (my favorite for its surreal imagery), "Crusoe In England", "The Moose" and "In the Waiting Room". Bishop's poetry is incredible because of her original metaphors and her amazing ability to describe a scene with remarkable vividness. Her poetry simply takes me to "another place".
This collection also includes a number of previously uncollected poems, poems written in Bishop's youth and translations of the work of several poets including Octavio Paz. This collection is truly a treasure of poetry from the greatest American female poet of the last century. I urge anyone with an interest in poetry to pick it up!
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Par G. Gondin le 18 novembre 2015
Format: Broché Achat vérifié
Elizabeth Bishop a vécu au Brésil pour un temps, quand elle etait amoureuse d'une femme brésilienne. les poemes sont puissantes.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x93142ad4) étoiles sur 5 46 commentaires
57 internautes sur 59 ont trouvé ce commentaire utile 
HASH(0x9317e534) étoiles sur 5 A Harvest of Joy 11 septembre 2002
Par Randall Ivey - Publié sur Amazon.com
Format: Broché
Gosh, it is hard to sum up one's feelings about the poetry of Elizabeth Bishop. She is one of those artists, like Shakespeare and Mozart and Cervantes, whose work contains such perfection it seems almost sacrilegious to comment upon it.
And she was ALWAYS a good poet. This volume proves it by publishing much of her juvenilia alongside more mature, better known poems as the wonderful "Florida", "Sestina", and the majestic "The Fish", a poem I enjoy teaching to my students every semester as a supreme example of imagery (I defy them to find instances of abstract language in the poem; there aren't many). Also included is an astonishing series of translations Bishop rendered over the years, mostly of South American poets, including Octavio Paz.
All in all, this is a treasure trove, a book for the ages, and a reminder of what we lost with Bishop's early death at age 68.
47 internautes sur 51 ont trouvé ce commentaire utile 
HASH(0x9317e93c) étoiles sur 5 Can't be ignored 31 janvier 2003
Par J. Ott - Publié sur Amazon.com
Format: Broché
No matter what sort of poetry you are drawn to--and here I include the Beowulf poet, the Metaphysical poets, the Modernists, etc.--Elizabeth Bishop can't be ignored. Her poems, from set forms like the villanelle "One Art" ("The art of losing isn't hard to master.") to the patchwork of imagery that is "The Fish" are all at the peak of expression. Bishop demonstrates virtuousity in a number of forms of poetry in this (relatively) slim volume. I especially appreciate her poems on travel and Brazil. This is a dead writer whose ideas of culture are still ahead of our time.
This book is a treasure trove. It rewards multiple readings. Bishop's craftsmanship has ensured that this book will continue to endure even as bigger names of her era fall by the wayside.
31 internautes sur 34 ont trouvé ce commentaire utile 
HASH(0x9317e9b4) étoiles sur 5 a lot of great poems 13 mai 2000
Par Un client - Publié sur Amazon.com
Format: Broché
Probably like a lot of people, I was led to Elizabeth Bishop by the dedication in Robert Lowell's great "Skunk Hour". I like many of the poems in this book. (I know next to nothing about poetry but, to give you an idea, my favorite poet is Yeats.) Bishop has a lot of thoughtful imagery, and she conceptualizes things in a fresh way. It often takes you aback. To take the very first poem here, "The Map," there're the lines: "The shadow of Newfoundland lies flat and still. / Labrador's yellow, where the moony Eskimo / has oiled it. We can stroke these lovely bays, / under a glass as if they were expected to blossom"
The book is in roughly chronological format, and naturally the poems on the whole seem to get better, subtler, through the years (a few things later are a little strange). Armadillo, referred to by Lowell, reads a bit like a companion piece of Skunk Hour: "This is the time of year / when almost every night / the frail, illegal fire balloons appear. / Climbing the mountain height, / Rising toward a saint / still honored in these parts, . . ." I confess my favorite poem here would be "Crusoe in England", a revery: "I felt a deep affection for / the smallest of my island industries. / No, not exactly, since the smallest was / a miserable philosophy. / Because I didn't know enough. / Why didn't I know enough of something? / Greek drama or astronomy? The books / I'd read were full of blanks", and then, back in England, "The knife there on the shelf--/ it reeked of meaning, like a crucifix. / It lived. How many years did I / beg it, implore it, not to break? . . . / Now it won't look at me at all."
One thing I'd mention is, there isn't much in the way of unifying currents through the poems. Yeats, I think, has his Irish legends and politics and a pretty characteristic moral tone. Frost, his woods. Sylvia Plath, her hell. Bishop however comes across as an incidental observer of things. Her poems (even with each of the original collections, except maybe one) vary widely in theme, place, audience, mood. Here's a homage to Robert Lowell, and next an oddly rhyming poem on Rio de Janeiro. One page it's "View of the Capitol from the Library of Congress," next it's "Insomnia" (one of poems here that I guess could be seen as having a sapphic aspect to it). It's as if Bishop were always visiting different places and people and taking in what she came across (in fact, she was often in foreign lands; the cover has a drawing by her in Mexico). I don't necessarily like this aspect of her poetry as a whole--it reminds me of why I'm not a big fan of Katherine Mansfield. But of course that's saying nothing about each poem.
A poem by Manuel Bandeira which Bishop translated (included here) goes: "I would like my last poem thus . . . that it have the beauty of almost scentless flowers . . ." That's what a lot of these poems are like. These are said to be all of Bishop's known poems--she died in 1979--including stuff she wrote at 16 which, as this edition helpfully notes, "appeared in the Walnut Hill School magazine in 1927". It's a handsomely-done edition, with pleasant font and roomy margins. 275 pages.
24 internautes sur 27 ont trouvé ce commentaire utile 
HASH(0x9317e948) étoiles sur 5 one of the best in american poetry 14 décembre 2003
Par adead_poet@hotmail.com - Publié sur Amazon.com
Format: Broché
Elizabeth Bishop is one of the greatest American poets we've ever had--only Frost and perhaps maybe Whitman are more important. She is certainly Emily Dickinson's equal, and in my opinion, a finer poet. When discussing American poetry, Bishop can't be ignored. Her imagery, her use of form, her command over the language is rarely matched, and this collection contains all her work. There's her first book, _North & South_, which is one of the finest volumes of poetry produced. You'll find poems like "The Map," "The Man-Moth," "The Weed," "The Imaginary Iceberg," "Seascape," and the masterful poem, "The Fish." _A Cold Spring_ follows, containing "At the Fishhouse" and "Letter to N.Y." "The Armadillo" (Bishop's poem to Robert Lowell), "Filling Station," "Visits to St. Elizabeths" and "Sestina" (one of the few poems in this form that actually works) follows in _Questions of Travel_. Then there is a selection of uncollected work (1969) before we hit _Geography III_ which contains two of her best poems, "Cruso in England" and "One Art"--which is in my opinion her best poem. The collection rounds out with some more uncollected poems, juvenalia, and some fine translations. Overall, you have an important book by one of our most important poets.
13 internautes sur 14 ont trouvé ce commentaire utile 
HASH(0x9317ee7c) étoiles sur 5 Beautiful words by a master poet 27 août 2005
Par doc peterson - Publié sur Amazon.com
Format: Broché
Poetry's allure is its ability to capture the essence of a moment: a picture in time, an emotion, a look. More than any other American poet, Elizabeth Bishop was able to do this, as her _Complete Poems_ illustrates. Regardless of poetic form she consistently is able to distill and share her unique vision of the world. It is a pity that there is not more of her work; the poetry she left us is beautiful and brilliant.
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