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Contemporary Arranger, Definitive Edition (Book Only) et plus d'un million d'autres livres sont disponibles pour le Kindle d'Amazon. En savoir plus
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The Contemporary Arranger: Definitive Edition (Anglais) Couverture à spirales – 1 juin 1974

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Couverture à spirales, 1 juin 1974
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Book by Sebesky Don

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Dans ce livre

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Première phrase
There are four basic factors that are essential in the construction of a good arrangement: Balance, Economy, Focus, and Variety. Lire la première page
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Couverture | Copyright | Table des matières | Extrait | Quatrième de couverture
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Amazon.com: 12 commentaires
19 internautes sur 19 ont trouvé ce commentaire utile 
Great! 19 mars 1998
Par Un client - Publié sur Amazon.com
Format: Baguettes de reliure plastique
This book is incredible! I read it when it was first written (early 80's) and still refer to it (it's not only great for subjective opinions, but also reference material).

The records (or is it a cd now) that came with it were also instrumental (no pun intended) in giving me a great aural example of the types of sounds that I was looking for. For example, he'll take an instrument like a french horn, and audibly illustrate all the different effects for it. Then there were examples of flute with oboe (flute on top) in different ranges. Then they'd be reversed, such as oboe over flute in different ranges, and other helpful examples such as a ton of string effects and how to write them. I'd thouroughly recommend the book!
Kevin C
19 internautes sur 20 ont trouvé ce commentaire utile 
Great Arranging Manual! 2 août 2003
Par Matthew A. Knecht - Publié sur Amazon.com
Format: Baguettes de reliure plastique
This book is the best one I have yet seen on the art of arranging for jazz bands and other contemporary/pop ensembles. It is full from beginning to end not only with all the standard info about instrument ranges, which instruments sound best in which voicings, etc., but also full of interesting little gems designed to inform the budding arranger about the realities of the music industry. Things like "All professional trumpet players carry with them a straight mute, cup mute, harmon mute, felt hat, and sometimes a plunger. Any other special mutes must be requested in advance of a performance or recording session" (page 13). Also tips on how best to record particular instruments in the studio, and things to look out for in this regard. "Of all the members of the woodwind family, the bassoon is the hardest to record properly, having the tendency to become lost when combined with other instruments.... it... is most effective when the texture of the passage in which it is used is transparent enough for the bassoon to be heard clearly."

To all of those reviewers at this site and the other page for this book, the CD *does* in fact match the examples in the book. The book specifies between regular written examples (not included on the CD), and *recorded examples*, which are on the CD. The listing on pages viii and ix accurately reflect the listing on the CD and the appropriate text in the book that matches each example.

The examples of various sounds possible on the stringed instruments and the French horn, are particularly helpful in matching up the standard musical terms "detache," "parlando," etc. with that particular sound.

Overall, an excellent book both for beginners and folks with some background who are looking to expand into jazz-style sounds.
13 internautes sur 13 ont trouvé ce commentaire utile 
An indispensable guide to jazz ensemble writing. 30 décembre 1998
Par Un client - Publié sur Amazon.com
Format: Couverture à spirales
I've worn out my original copy of Don Sebesky's book from constant use. Its an excellent technical resource for instrument ranges and transpositions. It has also been a marvelous source of ideas and inspiration as I've developed and explored my own writing.
Don's creative pen can be heard on Dave Grusin's "West Side Story" and his own "I Remember Bill" CDs. Both recordings are excellent and worth extended study by any arranger, particularly with this book at one's side.
In this book he freely lays out the groundwork for his craft. Through extensive examples he shows how similar passages should be scored for different ensembles, highlighting any well known applications of a given technique (i.e. Stan Kenton, Count Basie, Les Brown, Claude Thornhill, etc.) Any serious or even curious student (or professional!) should not overlook the wealth of information inside.
5 internautes sur 5 ont trouvé ce commentaire utile 
Things you must know to be a serious composer. 16 août 1999
Par Un client - Publié sur Amazon.com
Format: Couverture à spirales
What I was always looking for. This book is a crisp and clear breakdown of all the important musical instruments. It is done so clearly that quick reference is possible and most every question is answered.
2 internautes sur 2 ont trouvé ce commentaire utile 
The Contemporary Arranger 26 octobre 2011
Par mrpc - Publié sur Amazon.com
Format: Couverture à spirales Achat vérifié
Great information and a cool look into how Sebesky likes to orchestrate. It goes beyond just big band into more diverse ensembles. Not much here in terms of basic arranging so it isn't the best choice for beginners (not what the book is about).
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