From Publishers Weekly
Ask most moviegoers, "Who is Walter Murch?" and they're likely to stare uncomprehendingly. Ondaatje (The English Patient) seeks to eradicate that ignorance by providing an expert analysis of Murch's consummate film editing skills, and pointing out along the way the monumental contributions editors make to motion pictures. Murch, a three time Oscar winner and integral collaborator on such cinematic milestones as The Godfather, Julia, The English Patient and American Graffiti, attended the University of Southern California with George Lucas and bonded early on with UCLA film student Francis Ford Coppola. A relative neophyte, he worked on Coppola's The Rain People and a low-budget sci-fi picture, THX 1138, which has since become a cult classic. Murch adhered to a rule of not watching other movies while concentrating on a project of his own, calling himself a "queen bee who gets impregnated once and can lay millions of eggs afterwards." Through his eyes, and Ondaatje's remarkably insightful questions and comments, readers see how intricate the process is, and understand Murch when he says, "The editor is the only one who has time to deal with the whole jigsaw. The director simply doesn't." He also offers insightful thoughts on Orson Welles, Marlon Brando and Fred Zinnemann. Although Murch claims the actors on his films rarely know who he is, this excellent, eye-opening book done in a question-and-answer format will make readers glad Ondaatje has shown them the significant role he plays behind the scenes. Photos.
Copyright 2002 Cahners Business Information, Inc.
Copyright 2002 Cahners Business Information, Inc.
Booklist
Editing is an often invisible part of the filmmaking process; the audience tends not to be aware how the editor's eye has crafted a film. Ondaatje reveals some of its mystery through several conversations with Murch, the editor of The Conversation, The English Patient, and Apocalypse Now and Redux. In the late 1960s, Murch, along with Francis Ford Coppola and George Lucas (who describes Murch as "strange like me"), helped form Zoetrope, the independent company where films like THX 1138 and The Godfather were born. Murch finds his own profession difficult to accurately describe, comparing quirks in actor dialogue to signs in the wilderness that only a hunter might detect. Ondaatje and Murch walk the reader through key scenes from several films, providing a glimpse into the editing process; the origins of his masterful re-edit of Orson Wells' Touch of Evil are particularly fascinating (especially for film buffs). These conversations allow readers a peek behind the curtain to reveal a man as mysterious as his art. Carlos Orellana
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Présentation de l'éditeur
Michael Ondaatje prévient le lecteur dès sa préface : Walter Murch est " une véritable anomalie dans l'univers du cinéma, un authentique esprit de la Renaissance. [...] Rares sont ceux qui, à Hollywood, sont capables de parler de Beethoven, des abeilles, d'astronomie ou de Guido d'Arezzo de façon aussi approfondie. A vrai dire, je me suis vite rendu compte que le seul maillon faible dans le vaste champ de connaissances de Walter était l'histoire du cinéma. ' Cette mise en garde paradoxale annonce d'emblée la couleur : Ondaatje nous convie à rencontrer un homme remarquable et atypique, l'un des plus grands monteurs de cinéma et ingénieurs du son du cinéma moderne (THX-1138, Conversation secrète, Apocalypse Now ou la trilogie du Parrain...), dont la culture encyclopédique et la curiosité boulimique refusent de se borner au champ du 7e Art. Cette rencontre se déroule sur un mode extrêmement ludique, vivant, drôle parfois, qui n'exclut ni la richesse du propos ni sa densité. Loin d'un discours technique, ce livre donne à voir la mécanique captivante de la fabrication d'un film tout en procurant un immense plaisir de lecture, tant la pensée de Murch progresse " à saut et à gambade ", selon le précepte de Montaigne.
--Ce texte fait référence à l'édition
Broché
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Review
"Immensely stimulating....This book should be required reading for anyone working in film and a pleasurable option for moviegoers who wish to deepen and enrich the experience." -- John Boorman, director of Deliverance, Hope and Glory and Excalibur, reviewing The Conversations in the LA Times
?As the subject of Michael Ondaatje?s offbeat, exhilarating new book, [Walter Murch] makes poetry out of an arcane, invisible craft?. Readers with even a passing interest in the movies should find many pleasures here?. The Conversations should be required reading for every aspiring writer -- and anyone else involved in learning to shape a work of art.? -- Quill & Quire
?Here's one of the more interesting cross-disciplinary meetings of minds to hit book form in some time?. In a series of long conversations recorded over a two-year period, Ondaatje and Murch, both highly intelligent and thoughtful artists, transcend the interview-book genre by following tangents, engaging in arguments, contextualizing everything and reminiscing?. this is compulsive and compulsory reading for anyone in film school or interested in film history." -- NOW
?The Conversations is an homage and an exegesis -- effortlessly inquiring and creative. Constructed as a sequence of five discursive interviews ? The Conversations is companionable, but not excluding, and intellectually exhaustive, though not for a moment tedious. The friendship of the two men throws an illuminating torch light on Murch?s shadowy profession. The editor should be thrilled to have his genius commemorated in this way?. The probing thoughtfulness Murch displays in his conversations with Ondaatje reveal a preoccupation not just with theory, but with the prospect of a system of notation that might provide a common language to a cinematic profession that is still, essentially, an infant one?. fascinating.? -- The National Post
?It?s not often that a quick read provides so much insight.? -- The Ottawa Citizen
?It is the movie book of the season, in fact, the movie book for every season?. engrossing ? What the book sparks, aside from rarely probed thoughts about editing, is a desire to see again the movies Murch has edited and to do this at home hand in hand with reading it.? -- The Toronto Star
?The Conversations is delightful mainly for Ondaatje?s palpable pleasure, the novelist?s pleasure for eccentric characters discovered in emblematic moments. Murch ? is certainly eccentric?. The Conversations faithfully represents Ondaatje?s reverance for a man normally beyond public attention.? -- The Georgia Straight
?There?s much in store here for film fans?. many fascinating revelations about film as art.? -- Star Phoenix (Saskatoon)
From the Trade Paperback edition.
?As the subject of Michael Ondaatje?s offbeat, exhilarating new book, [Walter Murch] makes poetry out of an arcane, invisible craft?. Readers with even a passing interest in the movies should find many pleasures here?. The Conversations should be required reading for every aspiring writer -- and anyone else involved in learning to shape a work of art.? -- Quill & Quire
?Here's one of the more interesting cross-disciplinary meetings of minds to hit book form in some time?. In a series of long conversations recorded over a two-year period, Ondaatje and Murch, both highly intelligent and thoughtful artists, transcend the interview-book genre by following tangents, engaging in arguments, contextualizing everything and reminiscing?. this is compulsive and compulsory reading for anyone in film school or interested in film history." -- NOW
?The Conversations is an homage and an exegesis -- effortlessly inquiring and creative. Constructed as a sequence of five discursive interviews ? The Conversations is companionable, but not excluding, and intellectually exhaustive, though not for a moment tedious. The friendship of the two men throws an illuminating torch light on Murch?s shadowy profession. The editor should be thrilled to have his genius commemorated in this way?. The probing thoughtfulness Murch displays in his conversations with Ondaatje reveal a preoccupation not just with theory, but with the prospect of a system of notation that might provide a common language to a cinematic profession that is still, essentially, an infant one?. fascinating.? -- The National Post
?It?s not often that a quick read provides so much insight.? -- The Ottawa Citizen
?It is the movie book of the season, in fact, the movie book for every season?. engrossing ? What the book sparks, aside from rarely probed thoughts about editing, is a desire to see again the movies Murch has edited and to do this at home hand in hand with reading it.? -- The Toronto Star
?The Conversations is delightful mainly for Ondaatje?s palpable pleasure, the novelist?s pleasure for eccentric characters discovered in emblematic moments. Murch ? is certainly eccentric?. The Conversations faithfully represents Ondaatje?s reverance for a man normally beyond public attention.? -- The Georgia Straight
?There?s much in store here for film fans?. many fascinating revelations about film as art.? -- Star Phoenix (Saskatoon)
From the Trade Paperback edition.
Book Description
The Conversations is a treasure, essential for any lover or student of film, and a rare, intimate glimpse into the worlds of two accomplished artists who share a great passion for film and storytelling, and whose knowledge and love of the crafts of writing and film shine through.
It was on the set of the movie adaptation of his Booker Prize-winning novel, The English Patient, that Michael Ondaatje met the master film and sound editor Walter Murch, and the two began a remarkable personal conversation about the making of films and books in our time that continued over two years. From those conversations stemmed this enlightened, affectionate book -- a mine of wonderful, surprising observations and information about editing, writing and literature, music and sound, the I-Ching, dreams, art and history.
The Conversations is filled with stories about how some of the most important movies of the last thirty years were made and about the people who brought them to the screen. It traces the artistic growth of Murch, as well as his friends and contemporaries -- including directors such as Francis Ford Coppola, George Lucas, Fred Zinneman and Anthony Minghella -- from the creation of the independent, anti-Hollywood Zoetrope by a handful of brilliant, bearded young men to the recent triumph of Apocalypse Now Redux.
Among the films Murch has worked on are American Graffiti, The Conversation, the remake of A Touch of Evil, Julia, Apocalypse Now, The Godfather (all three), The Talented Mr. Ripley, and The English Patient.
“Walter Murch is a true oddity in Hollywood. A genuine intellectual and renaissance man who appears wise and private at the centre of various temporary storms to do with film making and his whole generation of filmmakers. He knows, probably, where a lot of the bodies are buried.”
From the Trade Paperback edition.
It was on the set of the movie adaptation of his Booker Prize-winning novel, The English Patient, that Michael Ondaatje met the master film and sound editor Walter Murch, and the two began a remarkable personal conversation about the making of films and books in our time that continued over two years. From those conversations stemmed this enlightened, affectionate book -- a mine of wonderful, surprising observations and information about editing, writing and literature, music and sound, the I-Ching, dreams, art and history.
The Conversations is filled with stories about how some of the most important movies of the last thirty years were made and about the people who brought them to the screen. It traces the artistic growth of Murch, as well as his friends and contemporaries -- including directors such as Francis Ford Coppola, George Lucas, Fred Zinneman and Anthony Minghella -- from the creation of the independent, anti-Hollywood Zoetrope by a handful of brilliant, bearded young men to the recent triumph of Apocalypse Now Redux.
Among the films Murch has worked on are American Graffiti, The Conversation, the remake of A Touch of Evil, Julia, Apocalypse Now, The Godfather (all three), The Talented Mr. Ripley, and The English Patient.
“Walter Murch is a true oddity in Hollywood. A genuine intellectual and renaissance man who appears wise and private at the centre of various temporary storms to do with film making and his whole generation of filmmakers. He knows, probably, where a lot of the bodies are buried.”
From the Trade Paperback edition.
Back Cover copy
As the subject of Michael Ondaatje’s offbeat, exhilarating new book, [Walter Murch] makes poetry out of an arcane, invisible craft…. Readers with even a passing interest in the movies should find many pleasures here…. The Conversations should be required reading for every aspiring writer -- and anyone else involved in learning to shape a work of art. -- Quill & Quire
From the Trade Paperback edition.
From the Trade Paperback edition.
About the author
Michael Ondaatje is the author of four previous novels, a memoir, and eleven books of poetry. His most recent novel, Anil's Ghost, won the Governor General's Award, the Giller Prize, the Prix Medicis, and the Irish Times Literature Prize. Born in Sri Lanka, he came to Canada in 1963 and apart from his books has made two documentary films. He lives in Toronto.
From the Trade Paperback edition.
From the Trade Paperback edition.
