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The Crystal City: The Tales of Alvin Maker, Volume VI [Format Kindle]

Orson Scott Card

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Descriptions du produit

From Publishers Weekly

If not the best in the series, Card's latest Alvin Maker novel (after 1998's Heartfire: Tales of Alvin Maker V) still enchants. In the author's alternative American frontier world, Indians work the magics of nature, Africans transform themselves with trinkets and whites have knacks-magical talents that allow them to shape metal, find water, win the hearts of followers and more. Alvin, the powerful seventh son of a seventh son, can create things that cannot be destroyed. He also has more than his fair share of knacks as well as some Indian magic. Determined to stop suffering where he finds it, he dreams of building the Crystal City, which will help mankind live in peace. A large part of the appeal lies in the book's homegrown characters using their powers for ordinary purposes. A blacksmith's knack shapes axes that never dull, while a midwife can sense the health of her patients. Even as Alvin performs miracles to lead thousands of slaves out of bondage, he is filled with uncertainty about what to do with his life and self-doubt because he couldn't save his stillborn child. Alvin's fans will be relieved to know that the City is indeed begun in this volume, but those who were expecting the start of the civil war, previously billed as forthcoming, will have longer to wait.
Copyright 2003 Reed Business Information, Inc.

From AudioFile

Set in a fantasy version of nineteenth-century America, the sixth novel of the Alvin Maker series follows the magical leader as he leads a massive band of slaves, Cajuns, and displaced persons on an exodus to freedom. Like the hero of this novel, Stefan Rudnicki, in his exotic baritone, leads a team of readers including Scott Brick, David Birney, Gabrielle de Cuir, and M.E. Willis through an alternate American landscape in which the United States, New England, Appalachia, and the Crown Colonies (Georgia, the Carolinas, and Virginia) are separate nations. With the action beginning in Nueva Barcelona (Spanish-held Louisiana), Alvin and his half-brother, Arthur Stuart, meet up with Abe Lincoln, William Blake, Jim Bowie, and Tecumseh along their way. Just as Alvin is able to make bridges and buildings through his mystical "knack," Rudnicki and team bring Card's fantastic tapestry to life with their own narrative knacks. S.E.S. Winner of AudioFile Earphones Award © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 1960 KB
  • Nombre de pages de l'édition imprimée : 352 pages
  • Editeur : Tor Books (1 octobre 2004)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B003H4I544
  • Synthèse vocale : Activée
  • X-Ray :
  • Word Wise: Activé
  • Composition améliorée: Activé
  • Classement des meilleures ventes d'Amazon: n°141.602 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)

En savoir plus sur l'auteur

Orson Scott Card (né et vivant aux Etats-Unis) est l'un des aute urs de science-fiction (la série Ender), de fantasy (les chroniques d'Alvin le faiseur) et de romans historiques les plus connus, lus et estimés dans le monde. Il a remporté le prix Hugo et le prix Nébula deux années consécutives, pour La Stratégie Ender et sa suite, La voix des morts, exploit sans précédent.

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Amazon.com: 3.5 étoiles sur 5  83 commentaires
23 internautes sur 24 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Good, but a bit of a letdown after Heartfire 31 août 2005
Par Annette C. Collins - Publié sur Amazon.com
I felt a little let down by "Crystal City." The quality of the writing and of the characters is still excellent: that's not the issue. But it just didn't feel very climactic for what seems like it ought to be the last book in the series. Maybe if it hadn't been named "Crystal City" I'd have felt better about it being just a link in the chain.

I also found myself scratching my head and wondering if I'd missed a book in between Heartfire and Crystal City. There seems to have been at least a year in between the stories, which in any of itself isn't a problem except that they keep referring to things that happened - the death of a baby, Arthur's breakthrough, meeting Abe and Coz, rescuing a boatload of slaves, the splitting up of the Verily / Fink / Alvin / Arthur / Audobon crew, Peggy's acquaintence with Squirel and Moose... there seems to be a good book or two in there that we didn't get to read. Maybe he will fill in some gaps later the way he's done with Ender's universe?

Finally, the Crystal City story itself just didn't seem to be long enough. There was so much going on that didn't really get much detail - especially the role of Abe, Coz, and Verily in getting the charter, the invasion of Mexico, Arthur's return, the journey north, etc. It almost felt like some of those details were too boring to write about... but that doesn't make sense considering the time he spent on similar topics in "Journeyman" and even "Heartfire."

The book ended in such a way that we were left hopeful for another installment. I certainly hope we get one: as a climax for a really great series, this just didn't fit the bill.
35 internautes sur 39 ont trouvé ce commentaire utile 
2.0 étoiles sur 5 The Spark is Gone 4 février 2004
Par wysewomon - Publié sur Amazon.com
In _The Crystal City_, Orson Scott Card's 6th book in the Alvin Maker series, Alvin starts an epidemic and builds a bridge, Arthur Stuart gets kissed and runs to Mexico and back, Calvin postures, Verily sulks and Margaret sighs. That's about it.
Before embarking on _The Crystal City_ I went back and reread the entire series, as it had been five years or so since I was through them last and I wanted to be sure everything was fresh. I was, once more, delighted by the voice with its smooth use of early American colloquialism, impressed by the obvious knowledge of history and folklore that went into them, captivated by the engaging characters and astounded by the scope of the work. "Boy," I thought, "This is one Great Series!"
Then I came to the current volume. And I was really disappointed. It purely does not compare with its companions in any way. The story was frankly boring and the Biblical allegory--which was very suave and subtle in the earlier works-- was just ham-handed. I don't object to Alvin's spending the entire book leading a group of slaves to freedom, but it doesn't make for very interesting action and the subplots weren't developed enough to alleviate the tedium. The language was mundane, without any of the personality I had come to expect. The earlier books seemed to be told by a breathing human being; TCC resembled a recitation by a history prof counting the days until retirement. The characters were flat. The characters we had seen before were not developed any further and the new characters were not developed at all. In previous books even minor characters had personalities and stories, but only lip service was paid to that here: note the stunning difference between _Heartfire's_ Denmark and TCC's Old Bart. Historical characters were inserted to fill the formula, but not even Abe Lincoln really added anything. And as for Papa Moose and Mama Squirrel, well, I read the reason for them in the Acknowledgements, but I personally think using those names was a REALLY BAD CHOICE. Every reference to "moose and squirrel" catapaulted me into a realm that had nothing to do with Alvin Maker and Co. I'm sure you know the one I mean.
I don't mind that TCC started about five years after _Heartfire_ and that Alvin was in a really different place than one might have expected. I do mind that the story behind this wasn't really told. It's as if Tolkein had finished FOTR with leaving Lorien, skipped TTT altogether and started ROTK with "Well, now that Saruman's been vanquished..." There was just a huge chunk missing, and I think that chunk would have been a great deal more interesting than the story Card chose to tell. It almost seems to me that Card has written himself into a corner with this series; his characters can no longer grow and change and have real human experiences because that might tarnish them. Good and bad are established, but there are no longer any of the shades of grey that make people interesting.
Though TCC ends with some events that foreshadow a possible cotinuation of this series, it also sums up enough -- with "curtain call" appearances by most major characters fromt he series -- that Card could stop here without much harm done. Unless he makes some radical choices for this universe, I hope he does stop. I really wouldn't like to see this series devolve any further. The spark is gone and laying this series to rest before it decays would be a mercy.
10 internautes sur 10 ont trouvé ce commentaire utile 
2.0 étoiles sur 5 Take it out from the library 16 février 2004
Par Un client - Publié sur Amazon.com
The sixth book of the Tales of Alvin Maker feels a lot like the increasingly tired books at the end of the Ender series. It's not that the book is boring--I read it in two sittings--but although the plot is fine, it's simply not as well crafted as the earlier volumes in the series, and it shows. For one, the earlier books had a distinctive narrator, a sort of folksy presence that was clearly of the world of the book, but that is completely absent from this book, making the book read more like notes for a screen play than a coherent whole. Secondly, there's no overarching plot arc that makes this book stand alone the way the others in the series could--it feels more like the collected other adventures of Alvin Maker, and not like a coherent whole where the plot tensions pull the book to its conclusions. Third, the book has a strange quality that it does not take place immediately after the events in Heartfire. There's nothing wrong with that, per se--it might even be interesting, except that in this case a lot of the emotional tension from the previous book is just gone. Peggy and Alvin are separated again, their baby stillborn, and although you are told about Alvin's guilt in not being able to save his child you don't get to see it, and it carries little weight--it feels for most of the book that they've drifted apart, but I'm not sure that's the intention. At the end of the last book, Verily Cooper has found new love, but Purity is almost entirely gone from this book, with some hints that their romance went nowhere. Calvin is back, but all the rapproachment between him and Alvin is gone--which is probably realistic, but very unsatisfying after the last book where we see a seachange in Alvin's brother. Because of the flat narrative voice and this bizarre missing chapters, the book tells us a lot, but shows us nothing, and as a result, we don't feel at all like we're there, the way Card mananges to do in the previous five books. The first five books are so exceptional, so satisfying, that it is probably not surprising that it was hard to sustain it further, but I hope that if Card gives his readers another installment, he will care more about the craft that makes his best books worth reading over and over again.
14 internautes sur 16 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Alvin moves on towards his destiny 27 novembre 2003
Par Gary M. Greenbaum - Publié sur Amazon.com
Format:Relié|Achat vérifié
Alvin Maker, or Smith, still after five books has not found himself or the Crystal City of which he dreams. Sent to Nueva Barcelona (New Orleans) by his wife Peggy, he more or less accidently becomes Moses to an Exodus of slaves and other downtrodden people. With yellow fever and soldiers not far behind, and the seemingly impenetrable Mizzippi ahead, he must try to lead these people to freedom. Meanwhile, his uncontrollable younger brother, Calvin, is stirring up trouble on an expedition to conquer Mexico . . .
Good, but not great, continuation of the Alvin Maker series. As you can tell by the title, Alvin finally begins his Crystal City (and not surprisingly, since much in this series parallels Latter Day Saints beliefs, it seems to be on the site of Nauvoo, Illinois.)
While we meet Abraham Lincoln in this series (an Abe who apparently did not buy a barrel of law books at a cheap price to enable him to study law on his own), Lincoln's explanation as to why he doesn't have a last name reflecting his profession is weak. Most of the people who don't have such last names are historical characters in our world (William Henry Harrison, for example). It's not a new complaint, but--Card should have thought this through. He's inventive enough.
With Alvin seeming to parallel Joseph Smith, and with his people defying the U.S. to some extent, the groundwork seems to be laid for this universe's equivalent of the U.S. attack on Nauvoo and death of Joseph Smith, which eventually led to Brigham Young and his people's trek to Utah. How this will play out in Card's works should be interesting.
Finally, Card really, really, should update his political maps to show the developments he has mentioned through the series--the new states, the closing-off of the Trans-Mizzippi, etc. The maps are the same as at the start of the series, though this book's version does show Springfield and Crystal City--the latter on the WEST bank of the Mizzippi. It's more an annoyance than anything else.
Recommended, if you've read the previous five.
11 internautes sur 13 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Exodus, with Revisions 30 novembre 2003
Par Patrick Shepherd - Publié sur Amazon.com
Format:Relié|Achat vérifié
It's been five years since the last installment in this series, which is a long time without fuel to maintain the energy and enthusiasm this series originally engendered. As an alternate history where people have 'knacks' for doing things, from repairing barrels and bones to seeing the future, its fire came from its ideological underpinnings, of the fight between those who build and those who destroy, of machine versus nature, of the rights of all to be self-directing autonomous individuals versus the cultural assumption that some are better than others, and those inferior beings are suited only for slavery. While much of this underpinning is highly relevant to this latest installment, it does not seem to bring with it the deep emotional involvement that would have made this story come alive.
Alvin Maker is the prime mover here, a man conflicted between his incredible abilities and the knowledge that regardless of how much he builds, however much good he can accomplish in the world, the Unmaker will be following right behind, tearing down all he can accomplish. Alvin's dream of a city built by Makers seems further and further off, as he becomes embroiled in actions to save many of the slaves and poor of the city of Nueva Barcelona (New Orleans) from both yellow fever (that he unwittingly helped to spread) and its other bigoted and superstitious citizens. Almost as a side plot, his brother Calvin becomes embroiled in a foray by Steve Austin and Jim Bowie to conquer the Mexica, with Calvin's typical disregard for the consequences or moral rightness of his actions.
The depiction of the historical characters that dot this novel, from Abe Lincoln to Bowie, is definitely problematic. All of them seem to have no depth, all are portrayed with only the sheen of their legendary characteristics, from Abe's honesty to Bowie's fighting drive, with no signs of other human foibles that would have made these stick-figures into something real. The plot itself is reasonable, a modern alternate version of Exodus with Alvin as Moses, and its final resolution points the way towards where this series may ultimately be headed. But I found as I was reading that I was looking for something more concrete to the action; too little description, not enough supporting details, an almost dreamlike feel to what could have been a very gritty slice of life under very unappetizing conditions.
While Card has a long list of those people who helped check this manuscript for continuity errors with earlier volumes, and obviously their efforts did help eliminate most of those kinds of problems, I did find it a little amusing that the maps on the end papers clearly show Alvin's Crystal City located on the wrong side of the Mississippi river.
Card does manage to make most of his moral points without clobbering you over the head with them, and some of the final section shows at least a willingness to concede that not all that is man-made is bad or that all that is nature-derived is good. But the fire that drove the earlier books, of their implied Great War between good and evil, is not here. Clearly, Card is planning at least one more book in this set, where perhaps the anticipated and long delayed war against slavery will combine with Alvin's dream of a better world to form a heart-wrenching finale. I do hope so.
--- Reviewed by Patrick Shepherd (hyperpat)
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