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The Enchantress: Book 6 [Anglais] [Broché]

Michael Scott

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Description de l'ouvrage

24 mai 2012 The Secrets of the Immortal Nicholas Flamel (Livre 6)

The two that are one must become the one that is all. One to save the world, one to destroy it.
 
San Francisco:
Nicholas and Perenelle Flamel have one day left to live, and one job left to do. They must defend San Francisco. The monsters gathered on Alcatraz Island have been released and are heading toward the city. If they are not stopped, they will destroy everyone and everything in their path.

But even with the help of two of the greatest warriors from history and myth, will the Sorceress and the legendary Alchemyst be able to defend the city? Or is it the beginning of the end of the human race?
 
Danu Talis:
Sophie and Josh Newman traveled ten thousand years into the past to Danu Talis when they followed Dr. John Dee and Virginia Dare. And it’s on this legendary island that the battle for the world begins and ends.

Scathach, Prometheus, Palamedes, Shakespeare, Saint-Germain, and Joan of Arc are also on the island. And no one is sure what—or who—the twins will be fighting for.
 
Today the battle for Danu Talis will be won or lost.
But will the twins of legend stand together?
Or will they stand apart—
one to save the world and one to destroy it?

--Ce texte fait référence à l'édition Broché .

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Extrait

Chapter One

The small crystal mirror was ancient.

Older than mankind, it predated the Elders, the Archons and even the Ancients who had come before them. This was an Earthlord artifact, washed up when the Isle of Danu Talis was ripped from the primeval seabed.

For millennia the mirror had hung on a wall in a side room in the Palace of the Sun on Danu Talis. Generations of Great Elders, and then the Elders who had come after them, had puzzled over the small rectangle of crystal in the plain black frame that was not wood, not metal, nor was it stone. Although it had all the appearance of a mirror, it wasn’t a true reflecting glass: its surface showed only shadows, though those who peered closely claimed they caught a hint of their skulls beneath their flesh, of the impressions of bones beneath skin. Occasionally--infrequently--some claimed to catch glimpses of distant landscapes, polar ice caps, expanses of deserts or steaming jungles.

At certain times of the year--at the fall and summer -equinoxes--and during solar and lunar eclipses, the glass would shiver and show scenes of times and places beyond comprehension and understanding, exotic worlds of metal and chitin, places where there were no stars in the heavens and a black sun hung unmoving in the skies. Generations of scholars spent their entire lives trying to interpret those scenes, yet even the legendary Abraham the Mage could not decipher its mysteries.

Then one day, when the Elder Quetzalcoatl was reaching out to straighten the glass, he had caught the side of his hand on the edge of the frame. He felt a sting and pulled away in surprise to see that he’d wounded himself. A single drop of blood spattered onto the crystal and suddenly the glass cleared, the surface rippling under the curling thread of sizzling blood. In that instant, Quetzalcoatl had seen wonders:

. . . the Isle of Danu Talis at the heart of a vast empire stretching unbroken across the globe . . .

. . . the Isle of Danu Talis burning and shattered, rent asunder by earthquakes, the great streets and massive buildings swallowed by the sea . . .

. . . the Isle of Danu Talis just visible beneath a sheath of ice, huge spike-nosed whales drifting over the entombed city . . .

. . . Danu Talis rising pure and golden in the center of a limitless desert . . .

The Elder had stolen the mirror that day and never returned it.

Now, slender and white-bearded, Quetzalcoatl spread a blue velvet cloth over a plain wooden table. He smoothed the cloth flat with a black-nailed hand, picking off threads and dust. Then he placed the black-framed rectangle of crystal in the center of the cloth and gently wiped it clean with the edge of his white linen shirt. The glass did not reflect the Elder’s hawk-nosed face: the polished surface twisted with a gray smoke-scape.

Quetzalcoatl leaned over the glass, pulled a pin from the sleeve of his shirt and pressed the tip of the pin into the fleshy pad of his thumb. “By the pricking of my thumbs . . . ,” he muttered in the ancient language of the Toltec. A ruby droplet of blood slowly gathered on his smooth flesh. “. . . something wicked, this way comes.” Holding his hand out over the glass, he allowed the drop to spatter onto the mirror. The surface instantly trembled and shimmered, the ancient crystal running with a rainbow of oily colors. Red smoke steamed off the glass; then the colors settled into images.

Millennia of experimentation and vast quantities of blood--very little of it his--had taught the Elder how to control the images in the crystal. He had fed it so much blood that he had come to believe that it was somehow sentient and alive. Staring into the glass, he murmured, “Take me to San Francisco.”

The mirror blurred, then washed with white and gray light, and suddenly Quetzalcoatl found himself floating high over the city, looking down over the bay.

“Why isn’t it burning?” he wondered aloud. “Why are there no monsters in the streets?” He had permitted the immortal humani Machiavelli and Billy the Kid to return to San Francisco in order to release the creatures on Alcatraz Island into the city. Had they failed in their mission? Or was he too early?

The image in the crystal shifted once again and settled on the narrow length of Alcatraz, and Quetzalcoatl spotted a line of movement in the water. A shape moved across the bay, leaving the smudge of Alcatraz and heading toward the city. Quetzalcoatl rubbed his hands together. No, he wasn’t too late: he was just in time to witness a little chaos. It had been a long time since he had seen a city destroyed, and he did love a spectacle.

The color image suddenly flickered and faded. The Elder pierced his finger with the pin again and then again, dripping more of his lifeblood onto the glass, feeding it. The mirror blinked to life once more and the image of the city re-formed, three-dimensional in its clarity. Quetzalcoatl focused and the image spun downward, pulling him toward choppy white-capped water. A creature lurked beneath the waves, something huge and sinuous: a sea serpent. The Elder squinted. It was hard to make out any details, but it seemed as if the creature had more than one head. He nodded in approval; he liked that. It was a nice touch. It made sense to send the sea creatures to the city first. He smiled, showing savage teeth as he imagined the monster rampaging through the streets.

Quetzalcoatl watched the sea serpent sweep across the bay and curl toward one of the piers that jutted out into the water. He frowned and then nodded in understanding. It would crawl ashore on the Embarcadero. Excellent: lots of tourists, high profile.

Light shifted on the sea. He spotted the faintest shimmer of a blue and red oily stain on the water and abruptly realized that the sea serpent was heading straight for it.

Unconsciously, Quetzalcoatl dropped lower still. His head dipped toward the glass, hawk nose almost touching the surface. He could smell the sea now, salt with the faintest hint of rotting fish and seaweed . . . and something else. Closing his eyes, he breathed deeply. A city should smell of metal and traffic, burnt food and too many unwashed bodies. But what was he smelling here--these were odors that had no place in the city: the tartness of mint, the sweetness of aniseed, the flowery scent of green tea.

Realization struck him as the monstrous creature--the Lotan--rose from the sea, seven heads darting toward the swirling red and blue stain on the water. Quetzalcoatl recognized the auras and the colors now: the red was Prometheus, while the blue was the immortal humani Niten. And the sickening odor of mint in the air could belong to only one man: the Alchemyst, Nicholas Flamel.

Quetzalcoatl saw them then, standing on the end of a pier. And yes, the woman was there also, Perenelle the Sorceress, whom he knew from bitter experience. His tongue automatically found the space in his teeth where she’d knocked out one of his big back molars. This was not good, this was not good at all: a renegade Elder and three of the most dangerous and deadly humani in the Shadowrealm.

Quetzalcoatl’s hands clenched into tight fists, razor-sharp nails biting into the flesh of his palms, dripping thin blood onto the glass, keep the images alive. His dark eyes watched unblinkingly.

. . . the Lotan turning to feed on the auras . . .

. . . the creature rising from the water, balancing on its tail, all seven heads darting in to feed, mouths agape . . .

. . . the flash of green fire and the overwhelming stink of mint.

“No!” the Elder hissed as he watched the Lotan transform into a small blue-veined egg. He saw the egg drop into the Alchemyst’s outstretched hand. Flamel tossed it triumphantly in the air . . . and a circling seagull snatched it and swallowed it whole.

“No! Nonononono . . .” Quetzalcoatl howled his rage, his face darkening, contorting into the flat serpent image that had terrified the Maya and the Aztec. Ragged teeth jutted from his mouth, his eyes narrowed and his dark hair stiffened in spikes about his face. He pounded on the table, the ancient wood cracking and only his lightning-fast reflexes saved the mirror from falling to the floor and shattering.

As quickly as it had begun, the rage passed.

Quetzalcoatl breathed deeply and ran a hand through his stiff hair, flattening it. All Billy and Machiavelli had to do was to release a few monsters into the city--three or four would have sufficed. Two would have been fine; even one, preferably something big with scales and teeth, would have been a start. But they’d failed, and they would pay for that failure later--if they survived!

He needed to get the beasts off the island, but to do that he would have to keep the Flamels and their Elder and immortal friends busy.

It was obviously time now for Quetzalcoatl to take matters into his own hands. A sudden smile revealed the Elder’s needlelike teeth. He had collected a few pets in his Shadowrealm--the humani would call them monsters--and he could allow them out to play. But no doubt the Alchemyst would deal with them in the same way he’d dealt with the Lotan. No, he needed something bigger, something much more dramatic than a few mangy monsters

Quetzalcoatl found his cell phone on the kitchen table. He dialed the Los Angeles number from memory. It rang fifteen times before it was answered with a snarling rasp. “Do you still have that bag of teeth I sold you millennia ago?” Quetzalcoatl started in. “I’d like to buy it back. Why? I want to use it to teach the Flamels a lesson . .R... --Ce texte fait référence à l'édition Broché .

Biographie de l'auteur

An authority on mythology and folklore, MICHAEL SCOTT is one of Ireland's most successful authors. A master of fantasy, science fiction, horror, and folklore, he has been hailed by the Irish Times as "the King of Fantasy in these isles." Visit him at DillonScott.com. --Ce texte fait référence à l'édition Broché .

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Amazon.com: 4.6 étoiles sur 5  209 commentaires
47 internautes sur 49 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Best book of the series! 22 mai 2012
Par chicklit - Publié sur Amazon.com
Format:Relié
I was ecstatic to race through this book and equally devastated knowing that it is the last one in what might be my favorite series (even more than The Hunger Games). Michael Scott has ended his monumental series in an unexpected way with fabulous surprises peppering the entire book. There is closure for every single one of the characters, from the twins to each of the minor characters, and the results are mind blowing. I'm actually glad I read this so quickly, because it now gives me an excuse to start the series from the beginning and start picking out clues in the previous books which all reveal themselves in this finale. Often, final books are a disappointment because they leave so many unanswered questions; however, Scott has magically interwoven every single one of the competing storylines and characters and fulfilled an unspoken promise to the audience to give us answers. And answers he gives us. I can't talk much about the intricacies of the story as there are way too many spoilers, but it is a fast paced, compelling story which beautifully ends a wonderful series.

I'm now ready for the movie.
21 internautes sur 21 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Torn... 6 juin 2012
Par thehydrogenpoptart - Publié sur Amazon.com
Format:Relié
First Sentence: The small crystal mirror was ancient.

How I Acquired the Book: Borrowed from my town's library. As usual.

The Spoiler-Free Review: Oh my goodness. Why? Why did it have to end? These were my thoughts as I finished The Enchantress, because I couldn't sort any other thoughts out. At first I thought: Oh my goodness, that was awesome. Epic. Amazing. And then a little while later: No. That was horrible. And if you repeat this cycle a few more times, you have a pretty good picture of what happened for about 4 days after I read the book.

I'm going to attempt to sort my thoughts now, in this review. First of all, if you have read all the books in the series, any negative reviews will probably not stop you from reading. And that's fine. Because even though I gave this book a mediocre rating, I don't regret reading it. Why? Well, all our favorite characters are back and as amazing as ever. Scathach, Shakespeare, Dee (he had a huge role in this book), Palamedes, Niten, and of course, the Flamels, are all here. This is great. In fact, it is one of the book's great strengths-its originality, and overall, the series is original as well. Of course, the action everyone loves is here as well, with more than ever.

And that's where the problem lies.

To put it simply, there was too much fighting. Way too much. I would even go so far as to say most of it was pointless, not really affecting the final result at all. This book could definitely have been shortened. And you know how immortals are portrayed as epic and *IMMORTAL* in the previous ones? Not here. In this finale, they just...die. It's just weird. They fall way too easily, and way too many of them fall.

There is one last thing that I would like to mention. The final revelation. The ending that no one could have seen coming. Yes, it's that type of ending. And it's amazing. But the more you think about it, the less enticing it gets. After a day, I began to think: 'Was...was that really the entire point of the entire series? Was that shocking truth supposed to fuel 6 500-paged books?' It is a good ending. Everything is tied up. But for me, my opinion on this book will always remain torn between the amazing ending it could have been, and the above average one it was.

-reviewed by a teenager. (I apologize for any teenagery and/or snarky comments in this review, if they have offended you. I understand they can be very annoying, just like teenagers themselves. In any case, thanks for dealing with them and thanks for reading this review.)
15 internautes sur 17 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 I love this series 23 mai 2012
Par Dancing Maiden - Publié sur Amazon.com
Format:Relié
I don't want to say too much and take a chance of giving anything away, but this book is, IMHO, the best in the series. Not only is it another incredible page-turner by Michael Scott, but it really brings a great close to a wonderful series. I couldn't put it down and now I'm ready to start re-reading the books again from the beginning!
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