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These three statements have been taken from works published over a period of three decades and from three distinct academic disciplines (art history, anthropology and philosophy), but here they are placed side by side because, in their diverse ways, they seem to unravel an aesthetic that has structured the representation of the female body in western art since antiquity. Lire la première page
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aesthetic
although
art
artist
artistic
attack
between
body
book
boundaries
case
category
clark
class
context
control
cultural
culture
defined
definition
desire
difference
different
discourse
distinction
does
erotic
example
experience
female
femininity
feminist
figure
form
gallery
hand
history
ideal
identity
image
individual
itself
judgement
kind
life
lines
male
matter
may
meaning
model
naked
new
nude
object
obscene
obscenity
order
own
painting
part
particular
patriarchal
performance
plate
pleasure
point
pornographic
pornography
position
power
public
question
rather
relation
representation
represents
seems
seen
sense
set
sexual
sexuality
signs
social
subject
sublime
surface
terms
thus
tradition
two
values
venus
viewer
visual
ways
woman
women
work
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