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The Film Director's Intuition: Script Analysis and Rehearsal Techniques
 
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The Film Director's Intuition: Script Analysis and Rehearsal Techniques [Format Kindle]

Judith Weston

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Descriptions du produit

Présentation de l'éditeur

Acclaimed director Weston offers a deeply creative exploration on how to access and stimulate the filmmaker's most precious assets: instincts, imagination, and intuition.

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 1467 KB
  • Nombre de pages de l'édition imprimée : 250 pages
  • Editeur : Michael Wiese Productions (25 septembre 2003)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B003FQM2ZC
  • Synthèse vocale : Activée
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  • Classement des meilleures ventes d'Amazon: n°240.196 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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Amazon.com: 4.6 étoiles sur 5  28 commentaires
13 internautes sur 14 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Must Have in Your Library 10 octobre 2003
Par J. Kerschen - Publié sur Amazon.com
Format:Broché
The Film Director's Intuition, Script Analysis and Rehearsal Techniques
By Judith Weston
2003 Michael Wiese Productions 364 pgs.
Together with Directing Actors (1996, Michael Wiese Productions,) Judith Weston has created a strong, comprehensive course on directing. She provides insight into the actors minds through quotes of actors. She also uses quotes from directors to provide tips for directing actors. This book is an incredible resource in developing and maintaining rapport with actors. She has incorporated and utilized the techniques and lessons of renowned acting teachers, including; Stella Adler, Uta Hagen, Sanford Meisner, and Constantin Stanislavsky. I have included her name alongside the aforementioned when referring directors on what to study.
The book is divided into three parts, related to the title: Intuition, Ideas, and Imagination; Script Analysis and The Lost Art of Rehearsal. It is 23 chapters long.
The baisc premise of the book is that through preparation, a director can rely on intuition during shooting and rehearsing.
A problem I had with the book was the neglect of improvisation. Although there is a chapter on improvisation, it seems as though she could've explored it more thoroughly. Improv guru Viola Spolin wasn't even mentioned, nor were any of her exercises.
8 internautes sur 8 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Best book on directing other than her other one! 17 octobre 2006
Par Dick Oliver - Publié sur Amazon.com
Format:Broché|Achat vérifié
This book is an extraordinary, essential tutorial and rumination on the philosophy and practice of directing film actors. The only reason I give it 4 stars instead of 5 is that it essentially repeats the same thing her previous book (Directing Actors) said, albeit in new ways and with new depth. Read "Directing Actors" first, then I won't have to convince you to buy this one. You will know that every word from Judith Weston is solid gold, and not to be missed. Highly recommended, even if you have already read Directing Actors, as she really does go further and deeper here and presents a number of new insights and techniques that you won't want to miss.

As the subtitle suggests, her focus here is largely on script analysis and rehearsal. Of course that was a lot of her focus in the previous book, too, and she does cover many of the essentials of directing and acting here as well. I do think the book could have been half as long and been better--she tends to take ten words to say what could have been said in four. But what words! If you direct or act in film or television, there is no excuse for not owning this book. Nobody in print can "get you there" better than Judith Weston, and you are sure to gain usable ideas and genuine insights again and again as you read this. I have taught film and video acting for years, and only wish I'd had this book and her other one when I started! If you want fake, affected performances and constant conflict with your actors, no reading necessary. If you're looking for solid ways to work with actors to give life-changing performances, read this. Now.
8 internautes sur 8 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 The One Book You Absolutely Need 5 septembre 2003
Par E. English - Publié sur Amazon.com
Format:Broché
For the professional, the amateur and the first-time director, "The Film Director's Intuition: Script Analysis and Rehearsal Rechniques", by Judith Weston, is the one single book you absolutely need. Covering virtually all you'll realize you needed to know to direct a successful film, this inventive, comprehensive volume takes the place of a library shelf of other books on the subject. In essence, this is three books in one: Intuition, script analysis and rehearsal techniques are covered in user-friendly detail. The Table of Contents alone is amazing in listing the variety of subjects the book explains. Buy and read this book before you select your next script to produce as a film!
Elizabeth English
Founder and Executive Director
Moondance International Film Festival
[...]
6 internautes sur 7 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A New Approach - Fascinating 29 août 2003
Par Christopher Keane - Publié sur Amazon.com
Format:Broché
Judith Weston knows her stuff. She's been in the film and theater business for many years and brings her wealth of knowledge in a fresh, fasinating way. Directors, actors and writers will find her take new and invigorating. This book is for anyone who want a much fuller, more rounded understanding of the process of filmmaking. I learned a lot and I think others will as well. Highly recommended.
Christopher Keane
3 internautes sur 3 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Brilliant & Insightful 16 septembre 2008
Par Nathan B. Taylor - Publié sur Amazon.com
Format:Broché|Achat vérifié
I cannot recommend this book enough. Judith is brilliant. I am a working director, and use her techniques on a regular basis. Both this book, and "Directing Actors" should be read and studied by anyone who calls themselves a director. Her books are to directing what Robert McKee's "Story" is to screenwriting.

My only complaint is I wish the book was longer. Give me more!
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to tell a story for the audience, such ideas about characters psychology must be turned into behavior. &quote;
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With every new project one must revive ones permission to fail, and recommit to beginners mind. &quote;
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The principle here is that the converse of fearing failure is not avoiding failure, but facing failure. &quote;
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