The Future of Music
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Première phrase
It's the year 2015 and you wake to a familiar tune playing softly. Lire la première page
Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
It's the year 2015 and you wake to a familiar tune playing softly. Lire la première page
En découvrir plus
Concordance
Parcourir les pages échantillon
Concordance
Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
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Commentaires client les plus utiles
Par Simon Peter
Format:Broché
Livre de référence en la matière, très intéressant, avec un point de vue novateur et innovant sur le future de l'industrie de la musique... De plus, il se lit rapidement! Ne peut qu'être conseillé!
Par Public Different
Format:Broché
I guess back in 2007 it was worthy book to read, at least to wake up and jump on the train of digital music. But now authors should seriously re-evaluate this book with "future" tendencies. To sum up the main idea: choose streaming, instead of selling!
Ok, streaming is probably a solution. Probably, because I don't see how the majors will feed their artists, if p2p fans will pay let's say $15 for unlimited access to media? It's too little to have cost recoup! And what about jailbreaks of streamed media? It cuts again your commission.
It's weak book for the Berklee college of music, and I'm suspicious that it was build up for the Online Berklee course "The Future of Music and the Music Business" where this document is required. I'm wondering what you can learn further about Future of Music for friendly $1400? Personally, I would prefer crash regularly on MIDEM and catch up with visioneers there for that money.
Comment
Ok, streaming is probably a solution. Probably, because I don't see how the majors will feed their artists, if p2p fans will pay let's say $15 for unlimited access to media? It's too little to have cost recoup! And what about jailbreaks of streamed media? It cuts again your commission.
It's weak book for the Berklee college of music, and I'm suspicious that it was build up for the Online Berklee course "The Future of Music and the Music Business" where this document is required. I'm wondering what you can learn further about Future of Music for friendly $1400? Personally, I would prefer crash regularly on MIDEM and catch up with visioneers there for that money.
Comment
Commentaires client les plus utiles sur Amazon.com (beta)
Amazon.com:
3.9 étoiles sur 5
40 commentaires
39 internautes sur 43 ont trouvé ce commentaire utile
2.0 étoiles sur 5
Alright already!
28 février 2007
Par Lance Brown
- Publié sur Amazon.com
Format:Broché
This is a case of a lot of filler to make what could be communicated in a short essay into a book. The basic message "The music industry has to embrace digital technology." This and a few other salient points are made early in the book and then repeated with different wording ad nauseum. I would suggest standing in the store, reading the introductory stuff and skimming the rest. Too many authors are doing this these days. It should have been a magazine article.
5 internautes sur 5 ont trouvé ce commentaire utile
5.0 étoiles sur 5
Future Of Music
6 mai 2005
Par Anna Omak
- Publié sur Amazon.com
Format:Broché
I would reccommend this book to anyone who is thinking of going into the industry. Speaking from a vocalist's perspective, alot of the time we forget the other important aspects of the ever changing music industry in our effors to remain artistic and undiluted, forgetting that they all work hand in hand. This book I feel has enlightened me with sound judgement and speculation. It has also inspired me to formulate a strategy on how i plan to fit in. I now feel as though I have valuable and priceless knowledge on every aspect of that which i love and desire to suceed in-
Music.
Music.
9 internautes sur 11 ont trouvé ce commentaire utile
3.0 étoiles sur 5
Stirs ideas, but repetitive and overreaching
19 janvier 2007
Par Joseph C.
- Publié sur Amazon.com
Format:Broché
I bought this book because I am getting into the digital music business. I enjoyed reading it, but I didn't much care for the wording in the book, and I think the authors are overreaching in the sense that they are expecting too much from artists in the industry.
This book clarifies the differences between the record and music industry, and emphasizes the effect of file sharing on digital medias (Limewire, Bearshare, programs) and the record industry. It makes some significant points, and makes the same points again later on in the book. The author states that artists should be able to sustain careers rather easily without "getting signed" and that is not the case today. Artists still need capital for marketing on the internet, and in marketing it is possible, but still costly.
This book is worth reading if you are getting into the business. I don't regret buying it, but I think other books may have a more definite impact on the reader. What it boils down to is opinion, and mine vary slightly in some cases and greatly in others.
This book clarifies the differences between the record and music industry, and emphasizes the effect of file sharing on digital medias (Limewire, Bearshare, programs) and the record industry. It makes some significant points, and makes the same points again later on in the book. The author states that artists should be able to sustain careers rather easily without "getting signed" and that is not the case today. Artists still need capital for marketing on the internet, and in marketing it is possible, but still costly.
This book is worth reading if you are getting into the business. I don't regret buying it, but I think other books may have a more definite impact on the reader. What it boils down to is opinion, and mine vary slightly in some cases and greatly in others.
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3.9 étoiles sur 5
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