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EUR 269,80
+ EUR 2,79 (livraison)
D'occasion: Comme neuf | Détails
Vendu par M and N Media US
État: D'occasion: Comme neuf
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The Gleaners and I [Import USA Zone 1]

1 commentaire client

3 d'occasion à partir de EUR 42,00
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Détails sur le produit

  • Acteurs : François Wertheimer, Bodan Litnanski
  • Réalisateurs : Agnès Varda
  • Format : Doublé, Plein écran, Sous-titré, NTSC, Import
  • Audio : Anglais (Codage Audio inconnu), Français (Codage Audio inconnu)
  • Sous-titres : Anglais
  • Région : Région 1 (USA et Canada). Ce DVD ne pourra probablement pas être visualisé en Europe. Plus d'informations sur les formats DVD/Blu-ray.
  • Rapport de forme : 1.33:1
  • Nombre de disques : 1
  • Studio : Zeitgeist Video
  • Date de sortie du DVD : 23 juillet 2002
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • ASIN: B00005Y727
  • Classement des meilleures ventes d'Amazon: 151.894 en DVD & Blu-ray (Voir les 100 premiers en DVD & Blu-ray)
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Descriptions du produit

In 2000 Agnes Varda travelled the French countryside and the markets of Paris to study the lives of a collection of foragers and scavengers called The Gleaners. This remarkable collection of people insist of making use of materials that the public have so easily discarded. Varda admits to being a gleaner of sorts herself, which gives this honest and intriguing documentary a very special connection. --Ce texte fait référence à l'édition DVD.

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1 internautes sur 1 ont trouvé ce commentaire utile  Par H. Pierre le 20 mai 2010
Format: DVD Achat vérifié
J'ai acheté ce film pour l'offrir, et j'ai été stupéfait de voir qu'il n'existe pas en édition française. Alors qu'il s'agit d'un film français, qui avait eu son succès critique et su rencontrer son public à sa sortie.
L'édition anglaise est correcte, le DVD est en zone 2 donc fonctionne chez nous. Il y a des bonus intéressants, dont le film "2 ans plus tard" où Agnès Varda retourne à la recherche des personnes qu'elle avait rencontré dans Les glaneurs.
Dommage qu'on ne puisse pas éteindre les soustitres anglais pour regarder le film entre francophones...
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Amazon.com: 26 commentaires
27 internautes sur 27 ont trouvé ce commentaire utile 
An Engaging Documentary 4 août 2002
Par Un client - Publié sur Amazon.com
Format: DVD Achat vérifié
This is a wonderful documentary that reminds us of how much we produce and waste in the world and how the disenfranchised (and artistic) make use of that waste to survive. The scenes of tons of dumped potatoes and discarded food at the open air markets are remarkable as well as the gleaning laws France has on its books...its this whole underworld of gleaning I found so compelling. The characters Varda encounters are equally compelling and interestingly are not portrayed as whiny or blameful of others for their situations: they simply state how they live and we are left impressed with their ingenuity.
At times the film moves slowly as Varda includes some personal shots related to her aging and trucks passing by on the highway, but these moments of introspection are quiet pauses and do not detract from the whole of the film. The DVD has a bonus hour- long "Two Years Later" film that revisits some of the people we first met and is equally enjoyable. All in all, this is a documentary that is eye-opening and respectful of its subject.
31 internautes sur 33 ont trouvé ce commentaire utile 
Perhaps my favorite film on the nature of film 24 décembre 2004
Par Nate - Publié sur Amazon.com
Format: DVD
The explicit subject matter of this film is "gleaning": the long-standing but currently threatened practice of taking up and making one's own what others leave behind. On that subject alone Agnes Varda has created a remarkable documentary, that covers the history of gleaning, its legal aspects, the wide variety of gleaning practices, and most importantly the people who glean for a number of reasons, not all of which have to do with poverty or destitution.

What interests me most about the documentary, however, is the way in which Varda connects her own practice as a filmmaker to the practice of gleaning. After all filmmaking and especially documentary filmmaking depend upon and take up the remains of reality, that aspect of reality that can be taken for free, and the taking of which does not diminish the possession of its owners. In that sense, filmmaking is essentially gleaning, and in arguing for the rights of gleaners, Varda is also providing a defense of her own practices. What is nice about her involvement in the film is that while she is always present, and while she includes herself among the gleaners presented in the film, she does not in any way push herself upon the viewer. As much as I love the films of recent auteur documentarians such as Moore and Spurlock, there is something very refreshing about the way in which Varda makes her presence felt in this film.

What is perhaps even more remarkable about the film than this provocative analogy is the way in which her film subtly raises questions about the nature of film and responds to a long-standing debate on this topic. There are two major strands of thinking about what is distinctive of film. One is the tradition of thinking (e.g. Bazin) that takes its example from the work of the Lumiere brothers: that film is about taking up reality as it presents itself and preserving it for the viewer, revealing it in a way that is potentially more complete, more detailed and more compelling than its ephemeral presence in time. The other tradition takes its example from George Melies, and suggests that film is illusion, that what is distinctive to film is the capacity to take realities and reorganize them into something new, that is at a remove from reality. In this film, what Varda does is suggest a provocative combination of these approaches. The example from her film that illustrates this is her account of the "junk artist" (I can't remember his name) who takes up trash (what nobody wants) in order to make something of it that compels attention, a work of art. This film is able to accomplish just such a creation.

My favorite "scene" in the film is her discovery, by chance, in a thrift store, of a painting that combines several of the images of gleaning that she had been discussing in her historical overview. She says, roughly, in a voice-over: "this really happened, I didn't make it up." There's something very telling about this scene: that even in a documentary, one must call attention to the reality of the events depicted, for we all know that events can be fabricated. It is such a nice and simple reminder that "realism" is itself a style, and from her early film "Cleo from 5 to 7" to this film Agnes Varda continues to prove herself a subtle master stylist.
12 internautes sur 12 ont trouvé ce commentaire utile 
Absorbing, original and genuine 20 juillet 2002
Par Un client - Publié sur Amazon.com
Format: DVD Achat vérifié
Quite simply, this was easily my favorite film released in 2001. The filmmaker Varda takes an immensely thoughtful look at contemporary gleaning practices and compares them to the gleaners of the past, particularly those potato field pickers seen in the famed Millet painting. Of great note is her use of digital video and how she considers this medium as a form of gleaning as well in that one can easily pick and choose among the remains ones collects in the camera. Lurking near the surface always are the concepts of age and decay, made all the more heartfelt by the aging filmmaker who pauses often to consider her advancing years.
9 internautes sur 9 ont trouvé ce commentaire utile 
Superb film from a long overlooked filmmaker 10 juillet 2002
Par Un client - Publié sur Amazon.com
Format: DVD Achat vérifié
One of Agnes varda's best films, created using a small digutal camera, as she documents the lives of the scavengers in France who live on the stuff that other people throw out. Compassionate, brilliantly composed, and widely distributed around the world (except in the US, where only mainstream junk receives any real distribution), this is a brief, funny and epigrammatic film that any real lover of cinema should check out. Varda is the forgotten founder of the French New Wave, and she is finally attaining some measure of the respect she deserves. Along with VAGABOND, this is one of Varda's very best works.
8 internautes sur 8 ont trouvé ce commentaire utile 
This filmed changed my perspective of today's gleaners 19 mars 2006
Par X. Libris - Publié sur Amazon.com
Format: DVD
I "gleaned" this French jewel from the shelves of our library DVD collection. And I'm glad I did.

This film is rich in texture, deep in multiple meanings, provides a variety of real characters, a visual feast of various regions of France and how the act of gleaning is as alive today as when the famous paintings were made centuries ago.

It has given me a new appreciation for the "scrounging" that I, and others I know, have done over the years. I think from now on I'll always refer to it as "gleaning."

People and situations will look different to me because I've seen this film. The gleaners are all around us. Now they are no longer invisible.
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