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The House of Mirth [Anglais] [Poche]

Edith Wharton
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Extrait

Chapter One


SELDEN PAUSED in surprise. In the afternoon rush of the Grand Central Station his eyes had been refreshed by the sight of Miss Lily Bart.

It was a Monday in early September, and he was returning to his work from a hurried dip into the country; but what was Miss Bart doing in town at that season? If she had appeared to be catching a train, he might have inferred that he had come on her in the act of transition between one and another of the country-houses which disputed her presence after the close of the Newport season; but her desultory air perplexed him. She stood apart from the crowd, letting it drift by her to the platform or the street, and wearing an air of irresolution which might, as he surmised, be the mask of a very definite purpose. It struck him at once that she was waiting for some one, but he hardly knew why the idea arrested him. There was nothing new about Lily Bart, yet he could never see her without a faint movement of interest: it was characteristic of her that she always roused speculation, that her simplest acts seemed the result of far-reaching intentions.

An impulse of curiosity made him turn out of his direct line to the door, and stroll past her. He knew that if she did not wish to be seen she would contrive to elude him; and it amused him to think of putting her skill to the test.

"Mr. Selden–what good luck!"

She came forward smiling, eager almost, in her resolve to intercept him. One or two persons, in brushing past them, lingered to look; for Miss Bart was a figure to arrest even the suburban traveller rushing to his last train.

Selden had never seen her more radiant. Her vivid head, relieved against the dull tints of the crowd, made her more conspicuous than in a ball-room, and under her dark hat and veil she regained the girlish smoothness, the purity of tint, that she was beginning to lose after eleven years of late hours and indefatigable dancing. Was it really eleven years, Selden found himself wondering, and had she indeed reached the nine-and-twentieth birthday with which her rivals credited her?

"What luck!" she repeated. "How nice of you to come to my rescue!"

He responded joyfully that to do so was his mission in life, and asked what form the rescue was to take.

"Oh, almost any–even to sitting on a bench and talking to me. One sits out a cotillion–why not sit out a train? It isn't a bit hotter here than in Mrs. Van Osburgh's conservatory–and some of the women are not a bit uglier."

She broke off, laughing, to explain that she had come up to town from Tuxedo, on her way to the Gus Trenors' at Bellomont, and had missed the three-fifteen train to Rhinebeck.

"And there isn't another till half-past five." She consulted the little jeweled watch among her laces. "

Just two hours to wait. And I don't know what to do with myself. My maid came up this morning to do some shopping for me, and was to go on to Bellomont at one o'clock, and my aunt's house is closed, and I don't know a soul in town." She glanced plaintively about the station. "It is hotter than Mrs. Van Osburgh's, after all. If you can spare the time, do take me somewhere for a breath of air."

He declared himself entirely at her disposal: the adventure struck him as diverting. As a spectator, he had always enjoyed Lily Bart; and his course lay so far out of her orbit that it amused him to be drawn for a moment into the sudden intimacy which her proposal implied.

"Shall we go over to Sherry's for a cup of tea?"

She smiled assentingly, and then made a slight grimace.

"So many people come up to town on a Monday–one is sure to meet a lot of bores. I'm as old as the hills, of course, and it ought not to make any difference; but if I'm old enough, you're not," she objected gaily. "I'm dying for tea–but isn't there a quieter place?"

He answered her smile, which rested on him vividly. Her discretions interested him almost as much as her imprudences: he was so sure that both were part of the same carefully-elaborated plan. Inj udging Miss Bart, he had always made use of the "argument from design."

"The resources of New York are rather meagre," he said; "but I'll find a hansom first, and then we'll invent something."

He led her through the throng of returning holiday-makers, past shallow-faced girls in preposterous hats, and flat-chested women struggling with paper bundles and palm-leaf fans. Was it possible that she belonged to the same race? The dinginess, the crudity of this average section of womanhood made him feel how highly specialized she was.

A rapid shower had cooled the air, and clouds still hung refreshingly over the moist street.

"How delicious! Let us walk a little," she said as they emerged from the station.

They turned into Madison Avenue and began to stroll northward. As she moved beside him, with her long light step, Selden was conscious of taking a luxurious pleasure in her nearness: in the modelling of her little ear, the crisp upward wave of her hair–was it ever so slightly brightened by art?–and the thick planting of her straight black lashes. Everything about her was at once vigorous and exquisite, at once strong and fine. He had a confused sense that she must have cost a great deal to make, that a great many dull and ugly people must, in some mysterious way, have been sacrificed to produce her. He was aware that the qualities distinguishing her from the herd of her sex were chiefly external: as though a fine glaze of beauty and fastidiousness had been applied to vulgar clay.

Yet the analogy left him unsatisfied, for a coarse texture will not take a high finish; and was it not possible that the material was fine, but that circumstance had fashioned it into a futile shape?
As he reached this point in his speculations the sun came out, and her lifted parasol cut off his enjoyment. A moment or two later she paused with a sigh.

"Oh, dear, I'm so hot and thirsty–and what a hideous place New York is!" She looked despairingly up and down the dreary thoroughfare. "Other cities put on their best clothes in summer, but New York seems to sit in its shirt-sleeves." Her eyes wandered down one of the side-streets. "Some one has had the humanity to plant a few trees over there. Let us go into the shade."

"I am glad my street meets with your approval," said Selden as they turned the corner.

"Your street? Do you live here?"

She glanced with interest along the new brick and limestone house-fronts, fantastically varied in obedience to the American craving for novelty, but fresh and inviting with their awnings and flower-boxes.

"Ah, yes–to be sure: The Benedick. What a nice-looking building! I don't think I've ever seen it before." She looked across at the flat-house with its marble porch and pseudo-Georgian facade. "

Which are your windows? Those with the awnings down?"

"On the top floor–yes."

"And that nice little balcony is yours? How cool it looks up there!"

He paused a moment. "Come up and see," he suggested. "I can give you a cup of tea in no time–and you won't meet any bores."

Her colour deepened–she still had the art of blushing at the right time–but she took the suggestion as lightly as it was made.

"Why not? It's too tempting–I'll take the risk," she declared.

"Oh, I'm not dangerous," he said in the same key. In truth, he had never liked her as well as at that moment. He knew she had accepted without afterthought: he could never be a factor in her calculations, and there was a surprise, a refreshment almost, in the spontaneity of her consent.

On the threshold he paused a moment, feeling for his latch-key.

"There's no one here; but I have a servant who is supposed to come in the mornings, and it's just possible he may have put out the tea-things and provided some cake."

He ushered her into a slip of a hall hung with old prints. She noticed the letters and notes heaped on
the table among his gloves and sticks; then she found herself in a small library, dark but cheerful, with its walls of books, a pleasantly faded Turkey rug, a littered desk, and, as he had foretold, a tea-tray on a low table near the window. A breeze had sprung up, swaying inward the muslin curtains, and bringing a fresh scent of mignonette and petunias from the flower-box on the balcony.
Lily sank with a sigh into one of the shabby leather chairs.

"How delicious to have a place like this all to one's self! What a miserable thing it is to be a woman."

She leaned back in a luxury of discontent.

Selden was rummaging in a cupboard for the cake.

"Even women," he said, "have been known to enjoy the privileges of a flat."

"Oh, governesses–or widows. But not girls–not poor, miserable, marriageable girls!"

"I even know a girl who lives in a flat."

She sat up in surprise. "You do?"

"I do," he assured her, emerging from the cupboard with the sought-for cake.

"Oh, I know–you mean Gerty Farish." She smiled a little unkindly. "But I said marriageable–and besides, she has a horrid little place, and no maid, and such queer things to eat. Her cook does the washing and the food tastes of soap. I should hate that, you know."

"You shouldn't dine with her on wash-days," said Selden, cutting the cake.

They both laughed, and he knelt by the table to light the lamp under the kettle, while she measured out the tea into a little tea-pot of green glaze. As he watched her hand, polished as a bit of old ivory, with its slender pink nails, and the sapphire bra...

Revue de presse

"A tragedy of our modern life, in which the relentlessness of what men used to call Fate and esteem, in their ignorance, a power beyond their control, is as vividly set forth as ever it was by Aeschylus or Shakespeare."—The New York Times

Détails sur le produit

  • Poche: 464 pages
  • Editeur : Bantam Classics; Édition : Reissue (1 février 1984)
  • Collection : Bantam Classics
  • Langue : Anglais
  • ISBN-10: 0553213202
  • ISBN-13: 978-0553213201
  • Dimensions du produit: 21,4 x 14,9 x 1,9 cm
  • Moyenne des commentaires client : 4.4 étoiles sur 5  Voir tous les commentaires (14 commentaires client)
  • Classement des meilleures ventes d'Amazon: 69.939 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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4.4 étoiles sur 5
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9 internautes sur 9 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 From Timely to Timeless 18 octobre 2011
Format:Broché
Reading The House of Mirth today, it's easy to overlook the obvious: that it was not written as a "period piece," but as a modern novel. Readers can get so caught up in the early 20th Century details (the Edwardian-era clothing, the carriages, both horseless and horse-drawn, the elaborate social rituals), that they tend to forget that for Wharton and her first readers this story had all the timeliness of, say, Sex and the City, a book which will probably seem just as dated as Wharton's by the 22nd Century, and less well written.

What Wharton set out to do, and did so effectively in the final analysis, was to present a picture of a then "modern woman," one endowed with beauty and intelligence, placed in a privileged yet precarious position, and to show how a tragic combination of character and circumstance could lead her from the promise of a glittering future to her ultimate degradation and destruction.

Lily Bart, the woman at the center of the novel, was modern in the sense that she was a product of both her era and her social class when the novel was published in 1905. Born and raised on the fringes of upper-class New York society before the turn of the last century, yet orphaned young without inherited wealth, she was expected and prepared to be the wife of a wealthy gentleman. Though refined in the moral as well the esthetic sense, she was prized by her society primarily as an ornament. A beautiful ornament, it's true, but so long as she remained unmarried her "mission" in life could never be considered fulfilled, despite her numerous and varied attributes.

Lily is 29 at the novel's start, and in that era dangerously close to becoming an old maid.
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2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Un magnifique (e-)livre d'Edith Wharton! 23 juin 2013
Format:Format Kindle|Achat vérifié
Sous ce titre plutôt abstrait pour les anglicistes de la première heure (traduit en français par "Chez les heureux du monde", mais il se traduirait littéralement par "la maison des rires" (mirth= joie éphémère, rire léger) se cache un magnifique livre qui critique la haute société Américaine du début du XXe siècle. Wharton délivre un portrait précis mais cinglant de cette société autours de son héroïne au destin tragique qui va graduellement descendre les échelons sociaux, jusqu'à devenir une couturière, c'est à dire une femme qui travaille à une époque où cette position sociale est vue comme étant la plus basse possible pour une femme!
L'histoire est poignante, parfois retorse à cause du style "hautain" mais toujours agréable à lire.

Cet e-book vaut vraiment le coup qu'on y jette un oeil!
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2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Passionnant 15 janvier 2014
Format:Broché|Achat vérifié
J'ai étudié ce roman parce qu'il était au programme de l'agrégation d'anglais 2013-2014 et je ne me lasse pas de le relire. Pour les étudiants comme pour les curieux, cette édition est assortie d'un appareil critique qui permet de mettre la lecture de l’œuvre en perspective et de mieux comprendre l'esprit de l'époque d'Edith Wharton.
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1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 éblouissant 7 juillet 2013
Par kakadoo
Format:Format Kindle|Achat vérifié
Quel bonheur de lire un anglais aussi éblouissant ! E. Wharton décrit avec tant de finesse les états d'âme des personnages. On ne peut que recommanderla lecture de ce roman.
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1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The House of Mirth 16 juin 2013
Par sniezyca
Format:Broché|Achat vérifié
excellent plume d'Edith Wharton, en plus des commentaires de ses contemporains - très precieux. N'a pas vielli d'un cran. Je le recommende vivement.
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5.0 étoiles sur 5 Livre agrégation anglais 12 juillet 2014
Format:Broché
Article arrivé dans les temps prévus. Livre très intéressant, avec des articles en plus. A recommander même pour le plaisir; mon année d'agrégation promet d'être intéressante!
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5.0 étoiles sur 5 mirth?? 4 février 2014
Format:Poche|Achat vérifié
a 1905 book all relevant today a century laler, did we grow up?
it is enlightening to read such a portrait of US bourgeois society and its pervertions, limitations and violent hypocricy, a sad story, an unexpected fall...
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